The Stimmmopped is an electronic guitar tuner made to be used as a guitar pick. This uses two LEDs synchronized to blink at the exact frequency of the string you are tuning. Pluck the string with the corner of the PCB and then shine the light on the string you are tuning. As the vibrating string moves back and forth it will only pick up the spot of light when the frequency matches that of the blinking LED. Once in tune, both red lights will appear to be constantly illuminated and immobile on the string.

An Atmel ATmega8 is used to control the device, interfacing with two buttons and a seven-segment display to choose the pitch currently being tuned. Gibson has a robotic guitar that features an auto-tuning mode, but if you don’t want to shell that much this low cost and simple build is for you.

[Thanks Sören]

Move over Steve and PEART… there’s yet another robotic drummer in town. [Fauzii] tipped us off to his own MIDI-controlled creation – WizardFingers. According to him, WizardFingers is already capable of 64th note rolls at over 250 beats per minute. That’s on every drum simultaneously. Each drum is hit with a lever attached to a linear pneumatic actuator. A laptop running MAX/MSP generates MIDI sequences, which are sent to Doepfer MTC64 board. All of these actuators are hooked up to the board, which sets them off in sequence.

[Fauzii] ultimately hopes to develop AI software that will allow WizardFingers to compose its own tunes on not only a drum kit, but bar chimes and an organ as well. His site documents the whole concept quite well (just watch out for wild cats).

[Ania] wrote in to let us know her team had finished the Multixylophoniomnibus and that they have posted an extensive writeup about it. We covered this augmented xylophone when it was still in development at the beginning of this month. Originally they wanted to use mallets wrapped in tinfoil as switches that close when they contact the metal keys, something akin to matchbox cars as a switch. This plan was thwarted when they realized the paint surface insulated the metal keys. At this point they switched to piezo sensors which turned into an odyssey of trial and error to achieve a reliable input for the Arduino to monitor. In the end they got it working with around forty lines of code, interfacing six boxes containing a different type of noisemaker.

See the finished instrument played in the video after the break. Alas, the addition of the piezo sensors do impede the resonance of the xylophone keys, but we still like it! There’s something reminiscent of the beginning of Pink Floyd’s Money when this is played.

[Chris] wanted a guitar with a keyboard but didn’t want a keytar. Like any good hacker he took a cheap guitar and a small keyboard and introduced them to each other. He moved the control knobs to make room for the keyboard and added the control circuitry from the keyboard to the top of the guitar’s body. A 9v battery is used to power the keys and something called “Chris Collins’ transformer trick” is used to amplify its sound. If you know details on this transformer, leave a comment and we’ll update the post. Take a look at the video after the break to see [Chris] perform the Final Countdown on keys and guitar.

The guitar is a Chinese made Telecaster clone and we think he’s the first one to find a realistic use for keyboards that don’t use full-sized keys. [Chris] apologizes for the lack of build photos but we give him a pass; he lost his phone while crowd-surfing and that’s as good an excuse as any for losing some pictures. We can’t wait to see another performance with this gnarly axe once he’s had enough practice to pull everything together!

Here’s a pair of diametrically opposed hacks. One makes use of a real instrument to play Rock Band, the other makes use of a game controller to play real music.

[Tim] lets us know that his friend figured out how to play Rock Band 2 on expert level by playing flute instead of singing. Of course this works because the game is just looking for the correct frequency for scoring. It makes sense that the vocal lines can be offset by an octave and still register correctly. We wouldn’t have thought of this ourselves but now that we’ve seen her success, we will try it (our instrumental skills far out pace our singing talents).

Seeing this sparks a correlation with Phone Phreaking, which started with a blind kid singing a tone into the receiver to make the remainder of his long distance call free. This was followed by Blue Boxes that allowed people without perfect pitch to play the tones electronically. It would be interesting to see what could have been done with a talented flute player (like the beat-boxing flutist) and one of those old phone networks.

On the other side of the coin, we have [Jordan's] project in which she creates midi controllers using Wii drums from Guitar Hero World Tour and Rock Band. The Guitar Hero drums are velocity sensitive, a feature she’s using in her setup. The MIDI data takes into account how hard the drums are struck and the resulting sound reflects that. This particular writeup outlines her use of Osculator for the velocity sensitive system, but you can also check out the tutorial she wrote covering the use of JunXion with the Rock Band controller that we covered in the past.

Video for both of these control schemes is included after the page break. We love to see people break the guise of “I’m creating music by playing a video game” and actually use their musical talents in a new and interesting way.

Flute plays Rock Band.

Beatboxing Flute.

Wii drums as midi controllers.

Introducing the Thingamagoop2! Remember that awkward looking box with two LEDacles sticking out and a bunch of strange buttons and knobs that with some circuit bending synthesized different sounds that kept your neighbor up for hours on end? Well now its back! Smaller and one less LEDacle, but jam-packed with more features – like our personal favorite: the ability to program it via Arduino. Check out a video of the ‘music’ after the break.

It’s not a bazooka, but this altered instrument makes it look like the player is toking off of some type of weapon. [Kyle] wanted to take the already mysterious sounds produced by a didgeridoo then capture and alter them electronically.

The physical build of this project is nothing short of beautiful. He’s mounted several curved control boards to the outside of the instrument. The controls feature six push buttons, five toggle switches, and six potentiometers that interface with an Arduino. The sound is picked up by the device then sent along with the switch settings to a computer via Bluetooth. The computer then works its magic to create the wicked audio effects heard in the video after the break.

His article, linked above, includes several diagrams detailing the synthesis process. They’re a little beyond our understanding but if you know what’s going on, please share your insight in the comments.

[Ania's] been working on extending a xylophone in a project called Multixylophoniomnibus. She’s fitted a piezo sensor on the bottom of each xylophone key, interfacing it with an Arduino. When a mallet hits a key the corresponding box augments the sound in one of several ways. It looks like she’s prototyped a box that twangs a rubber band, one that uses a solenoid to clap mini cymbals together, one that rattles a glass full of beads, another that vibrates a glass full of water, and yet another that rattles a chain.

It’s nice to see how versatile the xylophone is for instrument hacking. Her Flickr set is linked above but we’ve also embedded some prototyping videos after the break.

Motors jumping around when the keys are struck.

Motor vibrating beads in a glass.

Well, maybe saying it stinks is too harsh. But if you build a midi controller out of an old pair of skate shoes you can be certain that they smell. [Thobson] put odor issues aside and added four force sensitive resistors to his shoes (one in each heel and one under the ball of each foot) for a creation he calls BeatSneaks. As force is applied to the resistors, they become less resistive. This change in resistance is measured by the ADC inputs on an Arduino and used to trigger midi events via USB. There’s video after the break, and [Thobson's] has provided the schematic and code that he used for his addition to a growing family of unusual musical interfaces.

Does this make tap dancing cool again?

[Peter] tipped us off about his new synthesizer kit, Drone Lab. It has the things we look for a synthesizer: knobs, inputs, switches, wacky sounds. You can get your soldering on with the kit version, or buy these pre-built. Peter bills this as an open source kit but we didn’t see board artwork, just a schematic.

What we didn’t expect is its ability to mimic the Hypnotoad. As seen in the video after the break, the glorious sounds of your favorite television show can now be created in your own home. If you’ve never seen an episode of the Hypnotoad (gasp!) we’ve got that covered after the break as well.

ALL GLORY TO THE HYPNOTOAD!

Update: PCB artwork has now been posted just below the schematic.

Drone Lab doing what it does best.

Everybody Loves Hypnotoad

[Sam] built himself a boom box using salvaged parts and a car stereo. The case was cut using a CNC router he had access to at his school. The front panel is cut from a “Construction Ahead” road sign. The size of the case is based roughly on the rotting enclosures from which he pulled the speakers. He’s included connectors for external speakers as well as a USB charging port. The unit is powered by a gel battery and is recharged using an automotive battery charger.

A boom box lets you take the party anywhere. We like this one because of the pop art feel of the finished project.

[tvst] has an interesting take on a sequencer. His design uses coins on a turn table to trigger midi events in a loop. There are four tracks available, each having its own sensor above the spinning platform. The sensors consist of an IR transmitter and receiver setup as a voltage divider. When something passes below the IR transmitter and reflects the infrared waves back up to the receiver, the output of the sensor moves to digital high. The four sensors are connected to an Arduino which is used in conjunction with ttymidi, which converts the Arduino data into midi events.

We like projects that provide a more tangible interface for the user. Coins work well for this setup. They reflect infrared enough to trigger the sensors, and they’re easy to pick up and move without upsetting the rest of the tracks. It would be great if this could be expanded to differentiate between coins (pennies versus dimes, etc.) in order to increase the resolution from four different events to eight or more. Check out the video after the break.

[Dave] set out to build the ultimate NES guitar. He’s apparently done a pretty good job, this thing is pretty remarkable. Every detail is covered in NES goodness. The body is a console, the head is a cartridge, his knobs are even replaced by goofy little heads of Mario and friends. We think he should do some custom pixel art inlays in the fretboard next. Skip to about 2:00 to hear him play a Nintendo medley on it.

[thrashbarg] missed the sounds of the Commodore 64 and longed to hear the great masters in 8-bit glory. To get his fix, he created a midi device using the original Sound Interface Device from those long-dead systems. He’s interfaced the MOS6581 SID with an Atmel AVR ATmega8 microcontroller. The receiving pin for the AVR’s UART is used as a MIDI-IN connection, with the microcontroller converting midi data into the proper sound generation specs for the SID. The result is the 10 minutes of [Bach]’s Brandenburg Concerto heard in the embedded video above.

We have no idea where he picked up this obsolete chip, but if you want to give this a try, perhaps you’ll have some luck emulating the MOS6581 by using another ATmega8.

One of the most-hyped features of iTunes version 9 is the addition of “iTunes LP,” which aims to recreate the classic record album experience with artwork and photos, lyrics, and liner notes — provided, of course, that you can pony up the purported $10,000 for production and you’re not one of those filthy indie labels.

Almost immediately upon its release, folks set about dismantling the iTunes LP format and found that it largely consists of an unprotected combination of HTML, CSS and JavaScript files. Such information is now scattered about the web, but a new site, iTunesLP.net, is jockeying to be the one-stop shop both for LP creation tutorials and for fan-made LP downloads (sans the copyrighted music tracks — bring your own). The first LP available for download there is [Walt Disney]’s 1957 release of Fantasia, faithfully reproducing the original 24-page color program in all its politically incorrect glory. Check it out…quickly, before Apple and Disney lay the smack down.