Around here, a new blog post from [Ken Shirriff] is almost as exciting as a new Star Trek movie. This time, [Ken] tears apart a 76477 sound effects chip. This chip was state-of-the-art in 1978 and used in Space Invaders, along with plenty of other pinball machines and games.
[Ken] started out with a die photo from [Sean Riddle] and mapped its functions. Unlike a modern sound chip, this one created sounds based on networks of attached resistors and capacitors. Even if you aren’t interested in the chip, per se, [Ken] explains how the die implements active and passive devices, along with some key analog design principles like current mirrors (although we are pretty sure he got his right and his left mixed up, or maybe it was a very subtle mirror joke).
Before electronics magazines were full of computer projects, they were full of music synthesis projects and the 76477 is like a crude synthesizer on a chip. It has voltage controlled oscillators (VCOs), and generates envelopes with specific attack and decay times to create the sounds of interest.
This reminded us a little of the sounds from the more advanced MOS6581. [Ken] has looked inside a lot of ICs, including at the 2016 Hackaday SuperConference.
Fair warning: when you post a video of you doing an incredibly tedious process like manually punching holes in a paper tape to transfer a MIDI file to a music box, don’t be surprised when a bunch of hackers automates the process in less than a week.
The back story on this should be familiar to even casual Hackaday readers. [Martin] from the Swedish group “Wintergatan” is a prolific maker of unusual musical instruments. You’ll no doubt recall his magnificent marble music machine, a second version of which is currently in the works. But he’s also got a thing for music boxes that are programmed by paper tape, and recently posted a video showing his time-consuming and totally manual process for punching the holes in the tape. Since his source material was already in a MIDI file, a bunch of his fans independently came up with ways to automate the process.
The video below shows what he learned from his fans about automating his programming, but also what he learned about the community we all work and play in. Without specifically asking for help, random strangers brought together by common interests identified the problems, came up with solutions, sorted through the good and the bad ideas, and made the work publically available. Not bad for less than a week’s work.
Continue reading “Ad Hoc MIDI to Music Box Project Shows Power of Hacker Community”
Bagpipes are an instrument at least a millennia old, the most popular of which, in modern times, is the Great Highland bagpipe. There are other types of bagpipes, some of which have a bellows rather than requiring the player to manually inflate the bag by breathing into it. The advantage of the bellows is that it delivers dry air to the bag and reed (instead of the moist air from the player’s breath) and this dryness means that the instrument stays in tune better and the reed lasts longer.
[TegwynTwmffat] has built his own Irish uilleann pipes, (one of the types that use a bellows) using a carbon steel chanter (the part with the finger holes) and a steel reed. The reed vibrates and a pickup is used to convert this vibration into an electric signal, similar to the way a guitar pickup converts a vibrating string into an electric signal. This means that the signal from [Tegwyn]’s pipes can be sent to an amplifier. It also means that the signal can be processed the same way as the signal from an electric guitar – through distortion, flanger, wah, or delay pedals, for example.
[Tegwyn] has put up a drawing of the chanter showing dimensions and locations of the holes and has posted a couple of songs so you can hear the pipe in action. The first has the pipes without any effects on them, the second with effects. The comments for the second say that there are no electric guitars in the song – it’s all the pipes! Bagpipes seem to be a (relatively) popular instrument to hack and we’ve seen a couple of them over the years, such as this one made from duct tape, and this one – an electronic version.
Continue reading “Hackaday Prize Entry: Electro-Magnetic Enabled Bagpipes”
Craft stores are often the source of odd inspiration. In the stained glass section, we’ve seen the copper foil, and even used it to prototype some RF circuits on the tops of shoeboxes. However, we could never get a good method for connecting ICs to the relatively thick foil. [Bryan Cera] did it though. His paperSynth uses some paper and cardboard for a substrate, copper foil, and an ATtiny CPU to make music. You can see the device in operation in the video, below.
The copper foil is sticky and it isn’t conductive on the back, so anywhere the foil is supposed to touch, you need a blob of solder. We wouldn’t trust the insulation by itself to cross wires, but with a bit of insulating material between–a piece of paper or electrical tape, for example–you could probably cross with impunity. For an RF circuit, you might even make low-value capacitors like that.
Continue reading “Copper Foil Makes Music–With a Little Help”
[IanMeyer123] should be working on his senior design project. Instead, he’s created a sound-reactive Bluetooth speaker that may not earn him an A grade but will at least keep the team entertained.
[Ian] started with the amp and power. The amp is a 15 watt, 12 volt model based on the popular TDA7297 chip. Power comes from a portable laptop battery rated at 185 Wh. [Ian] himself said that is absolute overkill for this project. While [Ian] hasn’t run any longevity tests on his setup, we’re guesstimating it would be rated in days.
Every Bluetooth speaker needs a sweet light show, right? [Ian] wrapped his 2″ full range speakers in Neopixel rings from Adafriut. The WS2812’s are driven by an Arduino. When music is playing, MSGEQ7 allows the Arduino to play a light show in time to the beat. When the stereo is off, a DS3231 real-time clock module allows the Arduino to display the time on the two rings. If you’re curious about the code for this project, [Ian] posted it on his Reddit thread. Reddit isn’t exactly a great code repository, so please, [Ian] setup a GitHub account, and/or drop your project on Hackaday.io!
[Ian] didn’t realize how many wires would be flying around inside the speaker. That may be why the wiring looks a bit scary. All the chaos is hidden away, underneath a well-built wooden case.
If you want to see another take on a Bluetooth speaker with a Neopixel display, check [Peter’s] project here. Interested in more portable power units? This one’s for you!
Continue reading “Portable Bluetooth Speaker Reacts to Sound”
[Otermrelik] wanted to experiment with the Teensy audio library and adapter. That, combined with his 3D printer, led to a very cool looking build of the teensypolysynth. The device looks like a little mini soundboard with sliders and 3D printed knobs. You can see (and hear) it in the video below.
The Teensy audio library supports several output devices including several built-in options and external boards like the audio adapter used here. The library does CD-quality sound, supports polyphonic playback, recording, synthesis, mixing, and more.
Continue reading “Teensy and 3D Printer Make Beautiful Music Together”
For thirty years, the classic synths of the late 70s and early 80s could not be reproduced. Part of the reason for this is market forces — the synth heads of the 80s didn’t want last year’s gear. The other part for the impossibility to build new versions of these synths was the lack of parts. Synths such as the Prophet 5, Fairlight CMI, and Korg Mono/Poly relied on voltage controlled filter ICs — the SSM2044 — that you can’t buy new anymore. If you can source a used one, be prepared to pay $30. New old stock costs about $100.
Now, these chips are being remade. A new hardware revision for this voltage controlled filter has been taped out by the original hardware designer, and these chips are being produced in huge quantities. Instead of $100 for a new old stock chip, this chip will cost about $1.60 in 1000 unit quantities.
The list of synths and music boxes sporting an SSM2044 reads like a Who’s Who of classic electronic music machines. E-Mu Drumulators, Korg polyphonic synths, Crumars, and even a Doepfer module use this chip in the filter section. The new chip — the SSI2144 — supposedly provides the same classic tone but adds a few improvements such as improved pin layouts, an SSOP package, and more consistent operation from device to device.
This news follows the somewhat recent trend of chip fabs digging into classic analog designs of the 70s, realizing the chips are being sold for big bucks on eBay, and releasing it makes sense to spin up a new production line. Last year, the Curtis CEM3340 voltage controlled oscillator was rereleased, giving the Oberheim OB, Roland SH and Jupiter, and the Memory Moog a new lease on life. These chips aren’t only meant to repair broken, vintage equipment; there are a few builders out there who are making new devices with these rereleased classic synths.