[Johan] has slipped down the rabbit hole of making musical instruments. His poison? Laser harp MIDI controllers. Having never made one before, he thought he would start small and then iterate using what he learned. Fortunately for us, [Johan] documented the process over on .io, essentially creating a step-by-step guide for building a simple but powerful 16-note laser harp.
Laser Harp I is built around a Teensy 3.2 and, of course, lasers pointed at LDRs. [Johan] used fairly low-power laser modules, which are slightly less blinding if you accidentally look at them for a second, but should still be taken seriously. He added four potentiometers to control the sensitivity, scale, octave, and the transposition. The sensitivity pot essentially accounts for the ambient light in the room. Although it only has 16 notes, Laser Harp I is ready to rock with over 30 different scales to choose from. Check out the brief demo that [Johan] put up on his Instagram.
If you try to build your own laser harp and get lost trying to follow [Johan]’s instructions, don’t worry. His well-commented code and lovely schematic will undoubtedly save you. Then you can move on to open-beam designs.
Voice recognition is this year’s model for home automation, but aside from feeling like you’re onboard the Aries 1b arguing with HAL 9000, it just doesn’t do it for our geeky selves. So what’s even geekier? How about carrying around an ocarina in your pocket so that you can get a Raspberry Pi to unlock the door for you? (YouTube video, embedded below.) Yeah, that’ll do.
[Sufficiently Advanced]’s video gets us 90% of the way toward replicating this build. There’s a tube with a microphone and a Raspberry Pi inside. There are a bunch of ESP8266-powered gadgets scattered around the house that take care of such things as turning on and off the heater, watering plants, and even pressing a (spare) car remote with a servo.
We’d love to know what pitch- or song-recognition software the Raspberry Pi is running. We’ve wanted to implement a whistling-based home automation interface since seeing the whistled. We can hold a tune just fine, but we don’t always start out on the same exact pitch, which is a degree of freedom that [Sufficiently Advanced]’s system doesn’t have to worry about, assuming it only responds to one ocarina.
If you’re questioning the security of locking and unlocking your actual apartment by playing “Zelda’s Lullaby” from outside your window, you either overestimate the common thief or you just don’t get the joke. The use case of calling (and hopefully finding) a cell phone is reason enough for us to carry a bulky ocarina around everywhere we go!
Continue reading “Zelda and the Ocarina of Things”
[Michael Wiebusch] found the leftovers of a wrecked vintage tube radio in a pile of electronics junk. Unfortunately, he could not recover any vacuum tubes in it. And to his dismay, it didn’t even have the output transformer, which he figured would have been useful in a guitar amplifier project. The output transformer is not easy to come by nowadays, so he was hoping to at least score that item for his future build. All he could dig out from his dumpster find was a pair of speakers and he ended up building nice Output-Transformer-Less Tube Guitar Amplifier around them.
Valve output stages are generally high-impedance which means they cannot be directly interfaced to low impedance speakers. An impedance matching output transformer is thus used to interface the two. Back in the day when valves were still the mainstay of audio electronics, many cheap amplifier designs would skimp on the output transformer to save cost, and instead use high impedance speakers connected directly to the amplifier output.
[Michael] found a nice reference design of an OTL amplifier for a 620 ohm single speaker. He decided to use the same design but because these speakers were about 300 ohm each, he would have to wire his two speakers in series. At this point, he decided to make his build useful as a proper guitar amplifier by adding a preamplifier stage replicated from another design that he came across. A regular halogen lamp 12V transformer takes care of the heater power supply for all the tubes, and a second, smaller 12V transformer is wired backwards to provide the 300V needed for the plate supply.
The final result is pretty satisfactory, considering that it all started with just a pair of junked speakers. Check out the result in the video after the break.
Continue reading “Dumpster Dive Speaker Results In Tube Amplifier”
[carykh] took a dive into neural networks, training a computer to replicate Baroque music. The results are as interesting as the process he used. Instead of feeding Shakespeare (for example) to a neural network and marveling at how Shakespeare-y the text output looks, the process converts Bach’s music into a text format and feeds that to the neural network. There is one character for each key on the piano, making for an 88 character alphabet used during the training. The neural net then runs wild and the results are turned back to audio to see (or hear as it were) how much the output sounds like Bach.
The video embedded below starts with a bit of a skit but hang in there because once you hit the 90 second mark things get interesting. Those lacking patience can just skip to the demo; hear original Bach followed by early results (4:14) and compare to the results of a full day of training (11:36) on Bach with some Mozart mixed in for variety. For a system completely ignorant of any bigger-picture concepts such as melody, the results are not only recognizable as music but can even be pleasant to listen to.
Continue reading “Neural Network Composes Music; Says “I’ll be Bach””
When we think of a xylophone we envision hitting the keys from above with mallets. But this robot instrument launches stones from below to play a tune. [Niel] calls the device a Pinger and it is part of a Rock Band — all instruments using rocks.
Although the original post has “xylophone” in it, this musical instrument is technically a glockenspiel because it uses metal keys instead of wood. Either way, it’s a work of art; the instrument’s creator ([Neil Mendoza]) was participating in
Adobe’s Autodesk’s Pier 9 artist-in-residence program when he built it.
The keys were cut using a water jet, a process not easily in reach for most of us. But you could make do with a different process in a pinch. On the face of it, fabrication seems simple, but there’s software to calculate the right size for the keys depending on the material. The cuts need to be precise to yield an in-tune instrument.
The circular part is laser-cut acrylic, acting as a base for each key. Below the plate there is a cylinder positioned in the middle of the bar which keeps the stone from getting away. When the solenoid fires, the stone flies up and strikes the key, creating a ringing tone but also adding to the body of sound with a rattle when it falls back down to the base. The entire thing is driven by MIDI, so it can play a lot of tunes besides the biographical “Here Comes the Sun” (since, apparently, the pebbles are out in the sun). Check that out in the video below.
This couldn’t help but remind us of another solenoid-driven xylophone — whose keys were machined out of aluminum stock. There’s also the multixylophoniomnibus.
Continue reading “Mechanical Music Maker Throws Stones”
Have you ever listened to a song and wondered how they created the robotic-sounding vocals? There’s a huge variety of ways to do so. [scythe1005] decided to take their inspiration from rock history, creating a Game Boy powered talkbox (Japanese, Google Translate recommended for those that don’t speak the language).
Human speech is generated when vibrations from the vocal chords are shaped into intelligible sounds by the motion of the mouth, tongue, and other body parts known as “articulators”. A talkbox creates robotic speech sounds by using the articulators while replacing the vibrations from the vocal chords with alternative source.
A talkbox is a device most typically used with the electric guitar. The signal from the electric guitar is amplified and played through a speaker or transducer connected to a tube that is placed in the user’s mouth. The user then proceeds to mouth the desired words they wish to say, with the vibrations provided by the guitar’s signal instead of the vocal chords. A popular example of this is Peter Frampton’s use of the talkbox in Do You Feel Like We Do.
[scythe1005] used the same basic bones in their design, using a Game Boy to feed sound into a basic audio amplifier kit and a transducer connected to a tube. This gives a very 1980s synth sound to the vocals. It’s a simple build in concept but one we haven’t seen a whole lot of before. Using off-the-shelf modules, you could build something similar in a weekend. Also featured in the video is an ArduinoBoy — a useful way of controlling a Game Boy over MIDI. It’s used here to interface the keyboard to the handheld console. Video below the break.
As we’ve seen before, the Game Boy is an incredibly popular platform for music — chiptune artists regularly modify the device for better sound.
Continue reading “Talk Like A Game Boy, Sting Like a Beep”
If at first you don’t succeed, try, try, and try again. This is especially true when your efforts involve a salvaged record player, a laser cutter, and He-Man. Taking that advice to heart, maniac maker extraordinaire [William Osman] managed to literally burn music onto a CD.
Considering the viability of laser-cut records is dubious — especially when jerry-built — it took a couple frustrating tests to finally see results, all the while risking his laser’s lens. Eventually, [Osman]’s perseverance paid off. The lens is loosely held by a piece of delrin, which is itself touching a speaker blaring music. The vibrations of the speaker cause the lens to oscillate the focal point of the laser into a wavelength that is able to be played on a record player. You don’t get much of the high-end on the audio and the static almost drowns out the music, but it is most definitely a really shoddy record of a song!
Vinyl aficionados are certainly pulling their hair out at this point. For the rest of us, if you read [Jenny’s] primer on record players you’ll recognize that a preamplifier (the ‘phono’ input on your amp) is what’s missing from this setup and would surely yield more audible results.
Continue reading “Burn Music On To Anything!”