The concept behind DIY electronic drum kits is fairly simple — small piezoelectric elements are used to generate a voltage when the drumpads are struck. That’s easy enough, but the mechanical design can be a difficult problem to approach. To solve that, [ryo.kosaka.10] decided to design an E-drum pad made with paper & 3D printed parts.
As far as E-drum triggers go, it follows the basic rules — a piezo element used as a trigger with some foam used for damping. For the striking surface, a Tama-brand mesh drum head is used. Being an off-the-shelf drum head, it has a good feel and playability. But the shell is where the creativity really shines through. While the top and bottom parts are 3D printed in the usual way, the main shell of the drum is made with several layers of thick paper laminated together with glue. This creates a surprisingly strong, sturdy shell and is also much faster and less wasteful than waiting for a similar part to 3D print.
To round out the guide, instructions are given on how to wire the piezo triggers up for either a regular E-drum sound module or an Arduino. It’s a nice touch, as those inexperienced with E-drums may not be entirely familiar with how they work – this way, anyone can give the project a try.
Keen for something bigger? Back in 2014 we saw this awesome 5-piece e-drum kit built out of buckets.
To “pipe in” the new year, [John] decided to build a bagpipe-playing robot. Unlike other instrument-playing robots that we’ve seen before, this one is somewhat anatomically correct as well. John went the extra mile and 3D printed fingers and hands to play his set of pipes.
The brains of the robot are handled by an Arduino Mega 2560, which drives a set of solenoids through a driver board. The hands themselves are printed from the open source Enabling the Future project which is an organization that 3D prints prosthetic hands for matched recipients, especially people who can’t otherwise afford prosthetics. He had to scale up his hands by 171% to get them to play the pipes correctly, but from there it was a fairly straightforward matter of providing air to the bag (via a human being) and programming the Arduino to play a few songs.
The bagpipe isn’t a particularly common instrument (at least in parts of the world that aren’t Scottish) so it’s interesting to see a robot built to play one. Of course, your music-playing robot might be able to make music with something that’s not generally considered a musical instrument at all. And if none of these suit your needs, you can always build your own purpose-built semi-robotic instrument as well.
Continue reading “Ardu McDuino Plays the Bagpipes”
A lot of classic synthesizers rely on analog control voltages to vary parameters; this is a problem for the modern musician who may want to integrate such hardware with a MIDI setup. For just this problem, [little-scale] has built a MIDI-controllable DAC for generating control voltages.
It’s a simple enough build – a Teensy 2 is used to speak USB MIDI to a laptop. This allows the DAC to be used with just about any modern MIDI capable software. The Teensy then controls a Microchip MCP4922 over SPI to generate the requisite control voltages. [little-scale]’s video covers the basic assembly of the hardware on a breadboard, and goes on to demonstrate its use with a performance using the MIDI DAC to control a Moog Mother 32 synth. [little-scale] has also made the code available, making it easy to spin up your own.
We can see this project being indispensable to electronic musicians working with banks of modular synths, making it much easier to tie them in with automation in their DAW of choice. This isn’t the first MIDI interfacing hack we’ve seen either – check out this setup to interface an iPad to guitar pedals.
Continue reading “MIDI DAC for Vintage Synth Hacks”
If you take an object and turn it into something else, does that constitute a hack? Can a musical robot call to question the ethics of firearms exports? If you take a disabled shotgun and turn it into a flute, does it become an art piece? Deep questions indeed — and deliberately posed by [Constantine Zlatev] along with his collaborators [Kostadin Ilov] and [Velina Ruseva].
The Last Gun — a mechano-robotic flute, as [Zlatev] calls it — is built from recovered industrial parts, played using compressed air, and controlled by an Arduino and Raspberry Pi. After graphing the annual arms exports from the United States, the installation plays a mournful tune for each year that they rise, and a jubilant theme for each year they fall.
Continue reading “Mechano-Robotic Flute Made From An Old Shotgun”
Here’s a retro-electronic rehab with a twist. Normally we’d expect a jukebox Raspberry Pi project to replace the obsolete electromechanical guts with streamed music, but an intact jukebox with a Raspberry Pi remote control is a nice change.
Old-time jukes like [revnhoj]’s 1954 AMI F120 are electromechanical marvels. Stocked with 60 45-rpm discs in a horizontal rack, an arm mounted on a track would retrieve the correct disc and place it on the turntable to play the selected song. The unit in the video below was the main jukebox, which supported “wall boxes” mounted at booths so patrons could select tunes without leaving their tables. [revnhoj] simulated a wall box with a Raspberry Pi connected to the original wall box interface through relays. The Pi serves up a GUI that can be accessed via a tablet, the correct contacts are tickled, and [revnhoj]’s collection of 45s is played through the original mechanism and amplifier, in all its “Sonoramic Sound” majesty. It’s a pretty neat hack that adds new functionality while being true to the original platform.
The chatter on the reddit thread where we spotted this hack was trending toward adding streaming audio, but we truly hope the juke stays intact and serving only vinyl. We’ve seen jukeboxes gutted before, and while it might make sense for some, we like the old school approach better.
Continue reading “Jukebox Gets Raspberry Pi Update, but It’s Not for Streaming”
Since the 1980s, MIDI has been a great way to send data between electronic musical instruments. Beginning as a modified serial interface running through optoisolaters and DIN sockets, these days, your hardware is more likely to carry its MIDI data over USB instead. This is great if you want to hook up to a computer without a cumbersome interface, but not so great when you want to connect a bunch of instruments to each other.
The Roland Integra 7 is a rack mount synthesizer with classic MIDI ports. [adriangin] wanted to control the synthesizer over MIDI, but their Casio keyboard only had MIDI over USB available. To get around this, [adriangin] set out to add a standard MIDI Out port to the Casio PX410R.
Continue reading “Adding MIDI Out to the Casio PX410R”
[Mario] wrote us with his synthesizer project that’s currently up on Kickstarter. It looks like a good amount of fun to play with, as you can see in the video on the Kickstarter page. But it’s also built to be easily hackable.
On the hardware front, it’s a tiny four-layer board that’s crammed with parts. At the core is an STM32F4 microcontroller and a DAC. Indeed, the build was inspired by other folks’ work on the STM32F4 Discovery dev kit that has been used to make some pretty interesting synthesizer devices. [Mario]’s version adds two stereo headphone outputs, two microphone inputs, two IR reflective distance sensors used as control inputs, some buttons, and a ton of LEDs. And then it makes good use of all of them.
The firmware isn’t open source yet (poke! poke!) but it looks like it’s going to be. On his blog, [Mario] works through an example of adding a drum machine into the existing firmware, so it looks like it’ll be hackable.
Squeezing a lot of DSP functionality out of a single microcontroller is a feat. On a similar chip from a different manufacturer, [Paul Stoffregen]’s Teensy Audio Library could also be made to do a lot of the same things. But the real beauty of the Gecho project is that it has some interesting hardware features already built in and ready to go. It wouldn’t be a bad launching pad for your own musical or audio explorations.