We’re all familiar with record-your-own-message greeting cards. Generally they’re little more than a cute gimmick for a friend’s birthday, but [dögenigt] saw that these cards had more potential.
After sourcing a couple of cheap modules from eBay, the first order of business was to replace the watch batteries with a DC power supply. Following the art of circuit bending, he then set about probing contacts on the board. Looking to control the pitch of the recorded message, [dögenigt] found two pads that when touched, changed the speed of playback. Wiring these two points to the ears of a potentiometer allowed the pitch to be varied continously. Not yet satisfied, [dögenigt] wanted to enable looped playback, and found a pin that went low when the message was finished playing. Wiring this back to the play button allowed the recording to loop continuously.
[dögenigt] now has a neat little sampler on his hands for less than $10 in parts. To top it off, he housed it all in a sweet 70s intercom enclosure, using the Call button to activate recording, and even made it light sensitive with an LDR.
We’ve seen a few interesting circuit bends over the years – check out this digitally bent Roland TR-626 or this classic hacked Furby.
Check out the video under the break.
Continue reading “Lo-Fi Greeting Card Sampler”
[Andy_Fuentes22] likes to stream music, but is (understandably) underwhelmed by the sound that comes out of his phone. He wanted to build something that not only looks good, but sounds good. Something that could stream music through a Chromecast or a Raspi, but also take auxiliary input. Something awesome, like the Junkbots Sound System.
The ‘bots, named LR-E (Larry) and R8-CHL (Rachel), aren’t just cool pieces of art. They’re both dead-bug-walking bots with an LM386-based amplifier circuit and an AN6884-based VU meter in their transparent, industrial relay bodies. LR-E is the left channel, and his lovely wife is the right channel. The best part is that they are wired into the circuit through their 3.5mm plug legs and the corresponding jacks mounted in the Altoids tin base.
[Andy] built this labor of love from the ground up. He started with some very nice design sketches and took a bazillion pictures along the way. We think it sounds pretty good, but you can judge for yourself after the break. If VU meters are your jam, here’s another that’s built into the speaker.
Continue reading ““What is My Purpose?” You Amplify and Display Signals.”
Sometimes Hackaday runs in closed-loop mode: one hacker makes something, we post it, another hacker sees it and makes something else, and we post it, spiraling upward to cooler and cooler hacks. This is one of those times.
One of our favorite junk-sound-artists and musical magicians, [Gijs Gieskes], made this magnetic-levitation, rubber-band, percussive zither thing after seeing our coverage of another magnetic levitation trick. Both of them simply have a Hall sensor controlling a coil, which suspends a magnet in mid-air. It’s a dead-simple circuit that we’ll probably try out as soon as we stop typing.
But [Gijs] took the idea and ran with it. What looks like a paperclip dangles off the magnets, and flails wildly around with its tiny steel arms. These hit a zither made of rubber bands with a bamboo skewer as a bridge, pressing down on a piezo. The rest is cardboard, copper-clad, and some ingenuity. Watch it work in the video embedded below.
Continue reading “Maglev Drummer Needs to Be Seen and Heard”
The early electronic synthesizers were huge machines, racks of electronic modules that filled entire rooms. Integration of electronics over time successively reduced them, first to the size of a large piece of furniture, then to tabletop consoles, to standalone keyboards, and to small MIDI black boxes taking their instructions from another instrument or a computer. The original mass of discrete electronics had been reduced to a pile of ICs, then chipsets, then finally single ICs and software implementations on microcomputers.
It’s thus possible to make a synthesizer these days that is pretty small. If you can fit a microcontroller in it, you can fit a synth into it. But how about a playable synthesizer? One with a keyboard, on which you can give a recital? How small can you make one of those? [Jan Ostman] has a contender for the smallest playable synthesizer prize with his Tiny-TS, a credit-card synthesiser with a one-octave capacitive keyboard and analog controls for synthesis parameters.
The heart of the synth is an ATMega328, for which he provides the software. The parameters adjustable by a series of pots are listed as DCO: Coarse pitch and Double, DCF: Filter peak and ENVmod, and ENV: Attack and Release affecting amplitude. You can build your own, or he tells us that he has the project up as a Kickstarter campaign if you fancy the chance of buying one ready-made.
In case you are wondering, it doesn’t sound too bad. Some minimalist synths sacrifice the breadth of sounds they can create, but not this one. He takes it through its paces in a YouTube video which we’ve put below the break.
Continue reading “Tiny-TS: Just How Small Can A Playable Synethesiser Get?”
First there were vinyl records, then came cassettes, CDs, those failed audio-on-DVD formats, and then downloads. To quote the band, [Bateleur], “you can’t pay someone to take a CD these days.” So how do you release your new album? By hiding a Raspberry Pi in a semi-transparent fake rock on a mountainous cliff, and requiring a secret whistle to enable it, naturally.
Once activated, you’ll be able to plug into the USB port and download the album, or sit there on a remote hillside cliff overlooking the ocean and enjoy the new tunes. Because there’s a headphone jack in the rock, naturally. Besides being a cool hack, we think that putting people in the right physical and mental space for a serious listening is brilliant. Watch the video embedded below for an idea of the making of and a view from the site.
Continue reading “The Nest: Album Release Hidden In A Rock”
In large churches that still use real bells in their bell towers, a large number of them ring bells using a method called full circle ringing. In order to get the bells to sound at exactly the right time, the bells are rung by swinging the entire bell in an almost complete 360-degree arc. This helps to mitigate the fact that often times, the bells weigh more than the person ringing the bells. However, if you don’t have access to a belfry, you can practice ringing bells using this method with your own full circle bell simulator.
The frame for the bell was built from some leftover aluminum extrusion and allows the bell to easily swing on some old skateboard bearings. The mechanism is electrically controlled, too, using a hall effect sensor and a USB adapter so that it can be interfaced with a computer running a virtual bell ringing suite. Once some timing issues are worked out, the bell is all set up and ready to practice ringing changes.
If you’re as fascinated as we are to find that there are entire software suites available to simulate bell ringing, and an entire culture built around something that most of us, perhaps, wouldn’t have given a second thought to outside of walking past a church on a Sunday, there have been a surprising number of other bell-related projects over the years. Bells have been given MIDI interfaces and robotified, and other church instruments like a pipe organ have been created almost from scratch.
Everyone likes a good light show, but probably the children of the 60s and 70s appreciate them a bit more. That’s the era when some stereos came with built-in audio oscilloscopes, the search for which led [Tech Moan] to restore an audio monitor oscilloscope and use it to display oscilloscope music.
If the topic of oscilloscope music seems familiar, it may be because we covered [Jerobeam Fenderson]’s scope-driving compositions a while back. The technique will work on any oscilloscope that can handle X- and Y-axis inputs, but analog scopes make for the best display. The Tektronix 760A that [Tech Moan] scrounged off eBay is even better in that it was purpose-built to live in an audio engineer’s console for visualizing stereo audio signals. The vintage of the discontinued instrument isn’t clear, but from the DIPs and discrete components inside, we’ll hazard a guess of early to mid-1980s. The eBay score was a bargain, but only because it was in less that perfect condition, and [Tech Moan] wisely purchased another burned out Tek scope with the same chassis to use for spares.
The restored 760A does a great job playing [Jerobeam]’s simultaneously haunting and annoying compositions; it’s hard to watch animated images playing across the scope’s screen and not marvel at the work put into composing the right signals to make it all happen. Hats off to [Tech Moan] for bringing the instrument back to life, and to [Jerobeam] for music fit for a scope.
Continue reading “Salvaged Scope Lets You Watch the Music”