Walking And Talking Through The UK National Museum Of Computing

March 5, 2024 by Dave Rowntree 17 Comments

I found myself in Milton Keynes, UK, a little while ago, with a few hours to spare. What could I do but rock over to the National Museum of Computing and make a nuisance of myself? I have visited many times, but this time, I was armed with a voice recorder and a mission to talk to everybody who didn’t run away fast enough. There is so much to see and do, that what follows is a somewhat truncated whistle-stop tour to give you, the dear readers, a flavour of what other exhibits you can find once you’ve taken in the usual sights of the Colossus and the other famous early machines.

A VT01 terminal showing "the adventure" game running — Click this image to play in your browser.

We expect you’ve heard of the classic text adventure game Zork. Well before that, there was the ingeniously titled “Adventure”, which is reported to be the first ‘interactive fiction’ text adventure game. Created initially by [Will Crowther], who at the time was a keen cave explorer and D & D player, and also the guy responsible for the firmware of the original Arpanet routers, the game contains details of the cave systems of Mammoth and Flint Ridge in Kentucky.

The first version was a text-based simulation of moving around the cave system, and after a while of its release onto the fledgling internet, it was picked up and extended by [Don Woods], and the rest is history. If you want to read more, the excellent site by [Rick Adams] is a great resource that lets you play along in your browser. Just watch out for the dwarfs. (Editor’s note: “plugh“.) During my visit, I believe the software was running on the room-sized ICL2966 via a VT01 terminal, but feel free to correct me, as I can’t find any information to the contrary.

A little further around the same room as the ICL system, there is a real rarity: a Marconi TAC or Transistorised Automatic Computer. This four-cabinet minicomputer was designed in the late 1950s as a ‘fast real-time computer’, is one of only five made, and this example was initially installed at Wylfa nuclear power station in Anglesey, intended as a monitoring and alarm system controller. These two machines were spare units for the three built for the Swedish air defence system, which were no longer required. Commissioned in 1968, this TAC ran continuously until 2004, which could make it one the longest continuously running computers in the world. The TAC has 4 kwords of 20-bit core memory, a paper tape reader for program loading and a magnetic drum storage memory. Unusually, for this period, the TAC has a micro-coded CISC architecture, utilising a whole cabinet worth of diode-matrix ROM boards to code the instruction set. This enabled the TAC to have a customizable instruction set. As standard, the TAC shipped with trigonometric and other transcendental functions as individual instructions. This strategy minimized the program size and allowed more complex programs to fit in the memory.

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The Minimum Required For A Film Camera

November 30, 2023 by Jenny List 13 Comments

Film cameras can be complex and exquisitely-crafted masterpieces of analogue technology. But at their very simplest they need be little more than a light-proof box with a piece of film at the back of it, and some kind of lens or pinhole with a shutter. [ChickenCrimpy] adds the most basic of 35 mm cartridge to create what he calls the Minimum Viable Camera. It’s a half-frame 35 mm pinhole film camera with the simplest possible construction.

It can be built from almost any flat light-proof 3 mm thick stock, though something that you can run through a laser cutter is probably ideal. Once snapped together to make to box-like structure, tape is added along the joins for light-proofing. The film is reeled from a full 35 mm cartridge to an empty one, and cranked back frame-by-frame by means of a wooden key that engages with the spindle.

There’s no lens, instead this is a pinhole camera, and the shutter is a piece of the stock held on the front of the camera with bolts and butterfly nuts. Taking a photo is as simple as pointing the device at the subject and lifting the shutter away for a few seconds. There’s a video overview for the project which we’ve placed below the break.

It’s true that this camera needs a moment in the darkroom to load, but we like its extreme simplicity and the ethereal and grainy pictures it produces. If you fancy an introduction to 35 mm photography you could definitely do worse.

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Collection Of Old Films Rescued For Preservation

February 28, 2023 by Chris Lott 31 Comments

Periscope Film owners [Doug] and [Nick] just released a mini-documentary about the rescue of a large collection of old ~~35 and~~ 16 mm celluloid films from the landfill. The video shows the process of the films being collected from the donor and then being sorted and organized in a temporary storage warehouse. There is a dizzying variety of films in this haul, from different countries, in both color and black and white.

We can see in the video that their rented 8 meter (26 foot) cargo truck wasn’t enough to contain the trove, so they dragged along a 1.8 x 3.6 m (6 x 12 ft) double-axle trailer as well. That makes a grand total of 49 cubic meters of space. Our back-of-the-envelope calculations says that filled to the brim, that would be over 30,000 canisters of 600 m (2,000 ft) 35 mm movie reels.

When it comes to preserving these old films, one big problem is physical deterioration of the film stock itself. You will know something is wrong when you get a strong acetic or vinegary odor when opening the can. [Nick] shows some examples where the film has even become solidified, taken on a hexagonal shape. It will take months to just assess and catalog the contents of this collection, with damaged films that are still salvageable jumping to the head of the queue to be digitized.

Film Scanning Artist [Esteban] Performing Color Correction

Films are digitized at 4K resolution using a Lasergraphics ScanStation archival quality film scanning system, and then the restoration fun begins. One issue demonstrated in this video is color deterioration. In the Eastmancolor film technology introduced in the 1950s, the blue dyes deteriorate over time. This, and a plethora of other issues, are corrected in the restoration process.

We’re particularly jealous of film scanning artist [Esteban]’s triple-headed trackball. We learned from a quick Google search this beast is merely the entry level control panel from UK company Tangent — they make even larger flavors.

If you’re interested in doing this with 8 mm home movies, we covered a project way back in 2011 of a DIY home movie scanning project. We also covered one of Periscope Film’s restored training films about NASA soldering techniques from 1958. Kudos to organizations who focus on keeping these types of interesting and historical films from being dumped in the landfill and lost forever.

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Closeup of a film restorer's hand holding a 35mm film print to check for defects as it goes into a film scanner

35mm Film Restoration Process Explained

December 19, 2022 by Dave Walker 9 Comments

For a large part of the 20th century, motion pictures were distributed on nitrate film. Although cheaper for the studios, this film was highly flammable and prone to decay. On top of that, most film prints were simply discarded once they had been through their run at the cinema, so a lot of film history has been lost.

Sometimes, the rolls of projected film would be kept by the projectionist and eventually found by a collector. If the film was too badly damaged to project again, it might still get tossed. Pushing against this tide of decay and destruction are small groups of experts who scan and restore these films for the digital age.

still showing the difference in quality between a 16mm print of a 35mm animated movie and a new scan of the 35mm original — The quality difference between a smaller-format print and the original restored negative can be startling

The process is quite involved – starting with checking every single frame of film by hand and repairing any damaged perforations or splices that could come apart in the scanner. Each frame is then automatically scanned at up to 10K resolution to future-proof the process before being painstakingly digitally cleaned.

The real expertise is in knowing what is damage or dirt, and what is the character of the original film. Especially in stop-motion movies, the subtle changes between frames are really part of the original, so the automatic clean-up tools need to be selectively reined in so as not to lose the charm and art of the film-makers.

The results are quite astonishing and we all have teams like this to thank for protecting our cultural heritage.

If you’re interested in watching the process, then check out the video after the break. If you fancy a go at automatic film digitising yourself (preferably not on unique historical prints!) then we’ve shown projects to do just that in the past.

Thanks to [Cliff Claven] for the tip.

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Printed Film Camera Gets 10 Seconds Out Of A 35mm Roll

December 17, 2022 by Jenny List 17 Comments

When the British budget electronics brand Amstrad released their first budget VHS camcorder in the mid 1980s, they advertised it as making a filmmaker out of everyone. Now everyone truly is a filmmaker of sorts with their always-handy mobile phones, even though possessing a camera does not give you the talent of Steven Spielberg.

Such easy access to video hasn’t dimmed the allure of old-style film though, and there is a band of enthusiasts who seek out the older medium. [Joshua Bird] is one, and he’s produced a rather special 3D printed camera that can capture short videos on a standard roll of 35mm camera film. The downside is that, at the going rate, filming your masterpiece comes out to approximately $600 USD for each 10 minutes of footage. Better keep that dense exposition to a minimum.

The two most important mechanisms in a movie camera are the shutter and the film advance. The first is a disc that spins once a frame with an arc-shaped aperture over a section of it to let the light through, while the second is a hook that engages with the film once a frame after the shutter aperture has passed, to advance it to the next frame. Designing these to work in printed form is no easy task, and [Joshua] takes the reader through the various twists and turns in their development. Beyond that he takes a novel approach to a through-the-lens viewfinder, eschewing a split prism for an angled mirror on the shutter disk.

With each frame taking a fraction of the 35mm frame it’s clear from the video below that this doesn’t deliver the highest quality image. But that’s not the point of a device like this, above all it’s a working movie camera that he made himself. Since some of us have interests in that direction, dare we say we’re envious? Meanwhile, this isn’t the first 3D printed movie camera we’ve brought you.

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Kodak Film Factory Revealed

October 18, 2022 by Dave Walker 50 Comments

Anybody born before the mid 1990s will likely remember film cameras being used to document their early years. Although the convenience of digital cameras took over and were then themselves largely usurped by mobile phones, there is still a surprising variety of photographic film being produced. Despite the long pedigree, how many of us really know what goes into making what is a surprisingly complex and exacting product? [Destin] from SmarterEveryDay has been to Rochester, NY to find out for himself and you can see the second in a series of three hour-long videos shedding light on what is normally the strictly lights-out operation of film-coating.

Kodak first digital camera 1975 — Kodak’s first attempt at a digital camera in 1975. The form-factor still left something to be desired…

Kodak have been around in one form or another since 1888, and have been producing photographic film since 1889. Around the turn of the Millennium, it looked as though digital photography (which Kodak invented but failed to significantly capitalize on) would kill off film for good, and in 2012 Kodak even went into Chapter 11 bankruptcy, which gave it time to reorganize the business.

They dramatically downsized their film production to meet what they considered to be the future demand, but in a twist of fortunes, sales have surged in the last five years after a long decline. So much so, in fact, that Kodak have gradually grown from running a single shift five days per week a few years ago, to a 24/7 operation now. They recently hired 300 Film Technicians and are still recruiting for more, to meet the double-digit annual growth in demand.

[Destin] goes to great lengths to explain the process, including making a 3D model of the film factory, to better visualize the facility, and lots of helpful animations. The sheer number of steps is mind-boggling, especially when you consider the precision required at every step and the fact that the factory runs continuously… in the dark, and is around a mile-long from start to finish. It’s astonishing to think that this process (albeit at much lower volumes, and with many fewer layers) was originally developed before the Wright Brothers’ first powered flight.

We recently covered getting a vintage film scanner to work with Windows 11, and a little while back we showed you the incredible technology used to develop, scan and transmit film images from space in the 1960s.

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A 3D Printed 35mm Movie Camera

April 5, 2022 by Jenny List 19 Comments

Making a camera can be as easy as taking a cardboard box with a bit of film and a pin hole, but making a more accomplished camera requires some more work. A movie camera has all the engineering challenges as a regular camera with the added complication of a continuous film transport mechanism and shutter. Too much work? Not if you are [Yuta Ikeya], whose 3D printed movie camera uses commonly-available 35 mm film stock rather than the 8 mm or 16 mm film you might expect.

3D printing might not seem to lend itself to the complex mechanism of a movie camera, however with the tech of the 2020s in hand he’s eschewed a complex mechanism in favour of an Arduino and a pair of motors. The camera is hardly petite, but is still within the size to comfortably carry on a shoulder. The film must be loaded into a pair of cassettes, which are pleasingly designed to be reversible, with either able to function as both take-up and dispensing spool.

The resulting images have an extreme wide-screen format and a pleasing artistic feel. Looking at them we’re guessing there may be a light leak or two, but it’s fair to say that they enhance the quality rather than detract from it. Those of us who dabble in movie cameras can be forgiven for feeling rather envious.

We’ve reached out to him asking whether the files might one day be made available, meanwhile you can see it in action in the video below the break.

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