Photography Rig Captures Holy Grail Shots

pellet through water spout

You’ve seen amazing shots of water spouts and milk crowns. You’ve seen shots of bullets piercing glass ornaments, playing cards, and poor, defenseless pieces of fruit. Maybe you’ve even seen that holy grail of shots—a bullet piercing a water spout. But how is it done? How do photographers capture this two-headed mythical beast of high-speed photography? [Maurice] has cracked the code and shared it for all to see.

He uses a Camera Axe to trigger the camera, a device he came up with years ago that’s on its fifth version. His setup uses a 100mm macro lens, a key flash, and two fill flashes that sit behind a diffusing wall of whiteness. All three flashes are connected to a multi-flash board which feeds into Camera Axe. [Maurice] explains how he gets nice, tall water spouts by thickening it with xanthan gum. He adds Jet Dry to reduce the surface tension and some food coloring to keep things interesting.

[Maurice] also runs through his pellet shooting rig, which he made with some polyethylene tubing and an air compressor. He ended up shooting the pellets at 20psi, which sends them traveling at 75 feet per second. They move slowly enough that he can use his own stomach to stop them in the demonstration. Dialing in just the right settings to get the pellet to intersect the spout at the right time took some finagling, and that will hold true for anyone who attempts to recreate this setup. He gives a link to his code files in the video description to get you started. Video is after the break.

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DIY air gap flash saves at least seven grand

Did you know that a standard camera flash is much too slow to capture high quality images of bullets? A relatively long flash duration results in blurred images of the bullet. By building this air gap flash a bullet can be frozen in mid-air, producing some stunning results. There is an element of danger here, and not from the bullet. This flash uses a 35,000 volt capacitor to produce the mini-bolt of lightning which serves as the light source. The unit can be built for a few hundred dollars, which sounds like a heck of a deal if commercial models really do start at $8k and go up from there.

Now that the photographer has a super-fast flash, a camera axe takes care of the timing… which is everything.

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