[Julia and Mason] have been perfecting their microwave-based lost PLA casting technique over at Hackaday.io. As the name implies, lost PLA is similar to lost wax casting techniques. We’ve covered lost PLA before, but it always involved forges. [Julia and Mason] have moved the entire process over to a pair of microwaves.
Building on the work of the FOSScar project, the pair needed a way to burn the PLA out of a mold with a microwave. The trick is to use a susceptor. Susceptors convert the microwave’s RF energy into thermal energy exactly where it is needed. If you’ve ever nuked a hot pocket, the crisping sleeve is lined with susceptor material. After trying several materials, [Julia and Mason] settled on a mixture of silicon carbide, sugar, water, and alcohol for their susceptor.
The actual technique is pretty simple. A part printed in PLA is coated with susceptor. The part is then placed in a mold made of plaster of paris and perlite. The entire mold is cooked in an unmodified household microwave to burn out the PLA.
A second microwave with a top emitter is used to melt down aluminum, which is then poured into the prepared mold. When the metal cools, the mold is broken away to reveal a part ready to be machined.
We think this is a heck of a lot of work for a single part. Sometimes you really need a metal piece, though. Until metal 3D printing becomes cheap enough for everyone to do at home, this will work pretty well.
That kinetic sand stuff is pretty cool. It’s soft, it builds motor skills, and outside of sprinkling it on carpet, it’s not messy. If you don’t know, it’s 98% sand and 2% polydimethylsiloxane, which is a major component of Silly Putty, and according to a certain yellow and red clown, it’s safe enough to put in chicken nuggets. [Chris]’s wife bought him some, probably because she wanted to see him play around with something that isn’t potentially deadly for a change. In the course of researching its magical properties, he found out that it doesn’t really have a thermal breakdown point, per se. At high enough temperatures, It vitrifies like a sand castle in a mushroom cloud. Between this property and its malleability, [Chris] thought he’d have a reasonable substitute for founding sand. As you can see in his latest experiment, he was right. As a bonus, he managed to turn the benign into the dangerous.
[Chris] had never cast aluminium before, so he decided to start small by making an offset cam for a rotary broach. He packed some magic sand in a wax paper cup and shoved the cam in to make the negative. Then he cut down some aluminium rod and put it in a graphite crucible. He stuck his DC arc welder’s electrode down into the crucible and cranked it up to 50A. That wasn’t enough, so he went to 110. The crucible was soon glowing orange. He carefully poured the molten aluminium into the mold. Make the jump to see how it panned out.
Spoiler alert: there’s no cussin’ this time!
Continue reading “And So Castings Made of (Kinetic) Sand . . . Turn Out Pretty Well, Actually”
We usually shy away from calling things ‘magic’ in our features because, you know… science. But in the case of this Chevrolet manufacturing reel from 1936 the presentation is nothing short of an industrialized version of The Sorcerer’s Apprentice. Well, not in the sense of mischief, but in that there is almost no explanation and the way the footage is laced together you get the strong feeling that, at the time, this type of industrialization was magic; a modern marvel. The techniques and skills of each worked passed down from a master to an apprentice but virtually unknown to the general public.
The clip, which is also embedded below, starts off in the machine shop where mold makers are getting ready to go into assembly line production. From there it’s off to the foundry for part casting and then into the stamping plant where white-hot (perhaps red-hot, but black and white film) metal is shaped by man-mangling presses. The image above follows the cast, stamped, and machined parts onto the assembly line. We like seeing a room full of pistons being QA checked by hand using a width gauge and micrometer. The film continues through to the finished vehicle and we think you’ll agree there’s more than enough voyeuristic video here to overcome that lack of narration.
Continue reading “Retrotechtacular: The Magic of Making Cars in the ’30s”
Most of the robotics projects we see around here are heavy, metallic machines that move with exacting precision with steppers, servos, motors, and electronics. [Matthew] is another breed of roboticist, and created a quadruped robot with no hard moving parts.
[Matthew] calls his creation the Glaucus, after the blue sea slug Glaucus atlanticus. Inside this silicone rubber blob are a series of voids, allowing compressed air to expand the legs, gently inching Glaucus across a table under manual or automatic control.
Even though no one seems to do it, making a few molds for casting on a 3D printer is actually pretty easy. [Matthew] is taking this technique to an extreme, though: First, a mold for the interior pressure bladders are printed, then a positive of this print made in silicone rubber. These silicone molds – four of them, for the left, right, top and bottom – are then filled with wax, and the wax parts reassembled inside the final ‘body’ mold. It’s an amazing amount of work to make just one of these soft robots, but once the molds and masters are made, [Matthew] can pop out a soft robot every few hours or so.
There’s a lot more info on Glaucus over on the official site for the build, and a somewhat simpler ‘compressed air and silicone rubber’ tentacle [Matthew] built showing off the mechanics. Video below.
Continue reading “Soft Robotics, Silicone Rubber, And Amazing Castings”
We see more and more projects that use custom molds and casting materials. The latest is this custom seven segment display which [Ray74] put together. The idea of making your own LED displays couldn’t be much easier than this — everything but the LEDs and wire is available at the craft store.
He started by making models of each segment out of pink erasers. The lower left image of the vignette above shows the eraser segments super glued to some poster board. The decimal is a pencil eraser, with a fence of wood to contain the molding material. Amazing Mold Putty was mixed and pressed into place resulting in the mold shown in the upper right.
From there, [Ray] cast the clear epoxy three times. Once dried the clear pieces were sanded, which will shape them up physically but also serves to diffuse the light. They were then placed inside of another mold form and an epoxy pour — this time doped with black enamel paint — finishes the 7-segment module. The final step is to glue the LEDs on the back side and wire them up.
This definitely trumps the build which Hackaday Alum [Kevin Dady] pulled off using hot glue sticks as light pipes.
Needless to say, the World Maker Faire had a ton of 3D printers. It’s really becoming an obligatory fixture of any booth, whether you’re Microsoft announcing to the world Windows 8 now supports 3D printer drivers (don’t ask), or you just have a Makerbot Replicator on your table for some street cred.
Even the 3D Printing section of the faire wasn’t without a lot of what we’ve all seen before. Yes, the RepRap Morgan and Simpson made a showing, but 3D printing to most people attending the faire is just plastic trinkets, Minecraft figures, and single-thickness vases and jars.
Deep in the outskirts of the faire, right by the Porta Potties and a generator, one booth showed everyone how 3D printing should be done. It was AS220 Labs‘ table, and they’re doing their best to make 3D printers more than just printing out owl sculptures and plastic octopodes.
Continue reading “3D Printering: Advances in 3D printing at Maker Faire”
Making keys is an amazing art with a lot of skill and technique involved. For those of you living in a post-apocalyptic world, [Dan] has a much simpler solution to the problems of having one too few keys for your locks and deadbolts – just cast them out of scrap with the power of the sun.
To make the mold of the key, [Dan] is using a two-piece plaster of paris mold. First, a thick layer of plaster is laid down in a small container and the key floated on the surface. After drying, sprues are put in with clay and the key embedded in a curing plaster block. After a few hours, a proper mold is created ready to receive molten metal.
The casting material is zinc – not as hard as the original steel key, but more than strong enough to turn a lock. This zinc is melted in a steel and plaster crucible with a gigantic fresnel lens.
As for the utility of this method of copying keys after the apocalypse, we’ll have to wonder how practical this method is. A giant fresnel lens isn’t just something you randomly find unless you’re going house to house looking for projection TVs, and finding a can of mold release after the end of the world is beyond credulity. That said, it’s a cool demonstration of metal casting that can be easily accomplished at home or at any hackerspace.
Continue reading “Making keys after the apocalypse”