The combination of time-lapse photography and slow camera panning can be quite hypnotic – think of those cool sunset to nightfall shots where the camera slowly pans across a cityscape with car lights zooming by. [Frank Howarth] wanted to replicate such shots in his shop, and came up with this orbiting overhead time-lapse rig for his GoPro.
[Frank] clearly cares about the photography in his videos. Everything is well lit, he uses wide-open apertures for shallow depth of field shots, and the editing and post-production effects are top notch. So a good quality build was in order for this rig, which as the video below shows, will be used for overhead shots during long sessions at the lathe and other machines. The gears for this build were designed with [Matthias Wandel]’s gear template app and cut from birch plywood with a CNC router. Two large gears and two small pinions gear down the motor enough for a slow, smooth orbit. The GoPro is mounted on a long boom and pointed in and down; the resulting shots are smooth and professional looking, with the money shot being that last look at [Frank]’s dream shop.
If you haven’t seen [Frank]’s YouTube channel, you might want to check it out. While his material of choice is dead tree carcasses, his approach to projects and the machines and techniques he employs are great stuff. We featured his bamboo Death Star recently, and if you check out his CNC router build, you’ll see [Frank] is far from a one-trick pony.
We weren’t certain if this Star Wars fan film was out kind of thing until we saw the making of video afterwards. They wanted to film a traditional scene in a new way. The idea was to take some really good quadcopter pilots, give them some custom quadcopters, have them re-enact a battle in a scenic location, and then use some movie magic to bring it all together.
The quadcopters themselves are some of those high performance racing quadcopters with 4K video cameras attached. The kind of thing that has the power to weight ratio of a rocket ship. Despite what the video implies, they are unfortunately not TIE Fighter shaped. After a day of flying and a few long hikes to retrieve the expensive devices after inevitable crashes (which, fortunately, provided some nice footage), the next step was compositing.
However, how to trick the viewer into believing they were in a X-Wing quadcopter? A cheap way to do it would be to spend endless hours motion tracking and rendering a cockpit in place. It won’t look quite real. The solution they came up with is kind of dumb and kind-of brilliant. Mount a 3D printed cockpit on a 2×4 with a GoPro. Play the flight footage on a smartphone while holding the contraption. Try to move the cockpit in the same direction as the flight. We’re not certain if it was a requirement to also make whooshing and pew pew laser noises while doing so, but it couldn’t hurt.
In the end it all came together to make a goofy, yet convincingly good fan film. Nice work! Videos after the break.
What would it be like to ride a six foot rocket to nearly 400,000 feet at Mach 5.5? Thanks to UP Areospace and some GoPro cameras, you can find out.
The rocket was a test for the Maraia Capsule project. Mach 5.5, for reference, is 3,800MPH. It appears several different GoPro cameras took the footage. You can see the upward travel, some great views of Earth, and the return on the video below.
The shoebox-sized robot exceeds [Bolt]’s top speed of 44-km/hour. At that speed, following a line gets tricky. It took the development team 8 prototypes to attain that capability. Inside the BeatBot an Arduino reads 9 infrared sensors for line detection at 100 samples a second. A digital servo controls the Ackerman steering mechanism to follow the line on the track or floor. Wheel encoders provide the data for speed and distance measurement.
The user can set the distance of the run and the time to beat. Run pacing can also be adjusted. LEDs on the robot provide the starting ‘gun’ and help the runner see the BeatBot using peripheral vision. Two GoPro cameras, front and rear, provide a visual record of the run.
Puma believes that actually running against a competitor, even a robot, improves performance more than just running against the clock. They’re betting a grown-up line follower will help Olympic class athletes improve their performance. Continue reading “Line Following Robot Trains Runners”→
Last year we featured a GoPro camera remote by [Robert Stefanowicz] that was built around an ESP8266. [Robert] has been working hard on improving this project, and has just released version 2, which adds a screen and multiple buttons. These additions allow the remote to become a two-way device: you can use it to monitor the status of the GoPro, keeping an eye on things like the battery level and the current video mode.
[Robert] decided to make his own PCB to do this, so it’s also a good intro into the stinky art of PCB etching. He isn’t finished yet, though: he is looking to expand the project further by controlling more features on the camera using the third button on the remote.
GoPro cameras are getting pretty sophisticated, but they can’t yet read minds: you have to tell them when to start recording. Fortunately, they can be remote controlled very easily over a WiFi connection, and this neat tutorial from [euerdesign] shows how you can use an ESP8266 to build a very cheap GoPro remote. The idea is simple: you press a button connected to the ESP8266, which is programmed with the details of the ad hoc WiFi network that the GoPro creates. It then posts a simple URL request to the GoPro, which starts recording. Total cost? A few bucks for the ESP8266, a button and a few bits of wire.
What the remote does is defined by the URL you set it to request: pretty much all of the features of a GoPro can be controlled this way. If you wanted to get fancy, you could expand this to create a multiple button remote that could do other things, such as change frame rate or start streaming to the interwebs in a situation where you don’t want to risk a smartphone or something equally expensive.
Lightning photography is a fine art. It requires a lot of patience, and until recently required some fancy gear. [Saulius Lukse] has always been fascinated by lightning storms. When he was a kid he used to shoot lightning with his dad’s old Zenit camera — It was rather challenging. Now he’s figured out a way to do it using a GoPro.
He films at 1080@60, which we admit, isn’t the greatest resolution, but we’re sure the next GoPro will be filming 4K60 next. This means you can just set up your GoPro outside during the storm, and let it do it what it does best — film video. Normally, you’d then have to edit the footage and extract each lightning frame. That could be a lot of work.
[Saulius] wrote a Python script using OpenCV instead. Basically, the OpenCV script spots the lightning and saves motion data to a CSV file by detecting fast changes in the image.
The result? All the lightning frames plucked out from the footage — and it only took an i7 processor about 8 minutes to analyze 15 minutes of HD footage. Not bad.