You’ve seen amazing shots of water spouts and milk crowns. You’ve seen shots of bullets piercing glass ornaments, playing cards, and poor, defenseless pieces of fruit. Maybe you’ve even seen that holy grail of shots—a bullet piercing a water spout. But how is it done? How do photographers capture this two-headed mythical beast of high-speed photography? [Maurice] has cracked the code and shared it for all to see.
He uses a Camera Axe to trigger the camera, a device he came up with years ago that’s on its fifth version. His setup uses a 100mm macro lens, a key flash, and two fill flashes that sit behind a diffusing wall of whiteness. All three flashes are connected to a multi-flash board which feeds into Camera Axe. [Maurice] explains how he gets nice, tall water spouts by thickening it with xanthan gum. He adds Jet Dry to reduce the surface tension and some food coloring to keep things interesting.
[Maurice] also runs through his pellet shooting rig, which he made with some polyethylene tubing and an air compressor. He ended up shooting the pellets at 20psi, which sends them traveling at 75 feet per second. They move slowly enough that he can use his own stomach to stop them in the demonstration. Dialing in just the right settings to get the pellet to intersect the spout at the right time took some finagling, and that will hold true for anyone who attempts to recreate this setup. He gives a link to his code files in the video description to get you started. Video is after the break.
Continue reading “Photography Rig Captures Holy Grail Shots”
[Maurice] and his team just finished the airgap flash they’ve been working on for a year now. This kind of flash is useful for very high speed photography such as photographing shooting bullets. With a duration of about a millionth of a second it is 30 times faster the normal flashes at their fastest settings. In the video embedded after the break, [Maurice] first explains the differences between his flash and a conventional one which normally uses a xenon flash tube, then shows off different photos he made with his build.
Even though this video is a bit commercially oriented, [Maurice] will make another one detailing the insides. In the mean time, you can checkout the schematics in the user manual (PDF) and also have a look at an other write up he made which we covered in the past. We should also mention that trying to make this kind of flash in home is very dangerous as very high voltages are used (in this case, 16kV).
Continue reading “Making an Airgap Flash”
[Bruce] built his own high-speed photography equipment for a fraction of the price it would have cost him to purchase it. He was inspired by a friend who showed him some example images. He headed into his shop and built an Arduino-based high-speed flash controller.
To capture an image like this one the camera is placed in a dark room and set for a long exposure. At just the right instant the flash is activating, capturing the image. In this case [Bruce] used an infrared laser diode pointed at a phototransistor to trigger the flash. When the droplet breaks the laser beam the Arduino triggers the flash after a calculated delay. It’s not specifically covered in his guide, but [Bruce] also mentions that this can be modified to use sound as a trigger. Here’s another sound-activated flash controller if you need inspiration.
The image at the top was made by dropping dye from a pipette into a pool of water. If you don’t have a pipette on hand you can head over to our LIFE blog to make one out of heat shrink tubing.
One high-speed photography controller to rule them all. If you’re looking to photograph droplets of water splashing on a still reservoir this is the ticket. But if you’re not, it still offers an incredible amount of flexibility for other high-speed needs. Inside you’ll find an Arduino Mega, which has plenty of room to bend to your will.
[Michael Ross] is the man behind this box. He wanted a system that did it all; timings, droplet control, camera shutter, etc. What you can’t see in the image above is the interface panel on the back of this enclosure (this shot shows the top of the box). The video after the break will give you a look at the overall setup. It has ports to control two different light sources, detectors to snap the images using an infrared sensor or via sound (we’re thinking bullet photography), and four ports to control solenoid valves.
He produced a mammoth PDF tutorial which will guide even the biggest noob through the entire build process. Find it at his site linked above.
Continue reading “High speed photography controller built to catch water droplets”
Most people use pacemakers to, you know, keep their heart pumping at a steady rhythm. [David Prutchi] on the other hand has found a pretty novel use for some of the old pacemakers he has in his collection.
We really had no idea that pacemakers had uses outside the world of medicine, but [David] has taken advantage of their reliability in one of his favorite hobbies – high speed photography. In a darkened room, he set up an infrared barrier which feeds its signal to the atrium input of an old pacemaker. The signal is relayed through the ventricular output, which then fires his camera’s flash.
The pacemaker allows [David] to set an “AV” delay, which is the interval between when the atrium input receives an electrical impulse and when that signal is repeated from the ventricular output. This allows him to finely tune how much time elapses from when a drop of milk breaks the IR barrier to when his flash actuates.
We think this is a pretty cool way to reuse an old pacemaker, but check out the shots he has captured and judge for yourself.
[Tom] wanted to try his hand at high-speed photography and needed some equipment to get things rolling. Not wanting to spend a ton of money on a lighting rig or trigger mechanism, he decided to build his own. In a three part series on his blog, he details the construction and testing of his high-speed setup along with the improvements and lessons learned along the way.
His adventures started out with a small off-brand Cree LED clone and an ATiny15L that was collecting dust in his workshop. He built a simple circuit that would trigger the LED to light his subject, which in [Tom’s] case was a bowl of milk. Rather than using a motion or sound trigger, he opted to mount a small piezo to the bottom bowl, firing the LED any time a droplet hits the bowl’s surface.
The pictures he took were decent, but he knew he could get better results. He purchased a new, more powerful Cree LED, and wrote a small terminal program that allows him to tweak his flash parameters using his laptop. The results he gets now are far better – in fact, he has a whole gallery of pictures you can check out.
If you want to delve into high-speed photography as well, all of the schematics and code can be found on his blog.
High speed video is everywhere these days, but the cameras and necessary equipment is a bit out of reach for a hobbyist. [Bassam] found a compromise and came up with a way to shoot high-speed photographs using a sound triggered flash.
Continue reading “Sound activated flash for high speed photography”