Most people use pacemakers to, you know, keep their heart pumping at a steady rhythm. [David Prutchi] on the other hand has found a pretty novel use for some of the old pacemakers he has in his collection.

We really had no idea that pacemakers had uses outside the world of medicine, but [David] has taken advantage of their reliability in one of his favorite hobbies – high speed photography. In a darkened room, he set up an infrared barrier which feeds its signal to the atrium input of an old pacemaker. The signal is relayed through the ventricular output, which then fires his camera’s flash.

The pacemaker allows [David] to set an “AV” delay, which is the interval between when the atrium input receives an electrical impulse and when that signal is repeated from the ventricular output. This allows him to finely tune how much time elapses from when a drop of milk breaks the IR barrier to when his flash actuates.

We think this is a pretty cool way to reuse an old pacemaker, but check out the shots he has captured and judge for yourself.

[Tom] wanted to try his hand at high-speed photography and needed some equipment to get things rolling. Not wanting to spend a ton of money on a lighting rig or trigger mechanism, he decided to build his own. In a three part series on his blog, he details the construction and testing of his high-speed setup along with the improvements and lessons learned along the way.

His adventures started out with a small off-brand Cree LED clone and an ATiny15L that was collecting dust in his workshop. He built a simple circuit that would trigger the LED to light his subject, which in [Tom’s] case was a bowl of milk. Rather than using a motion or sound trigger, he opted to mount a small piezo to the bottom bowl, firing the LED any time a droplet hits the bowl’s surface.

The pictures he took were decent, but he knew he could get better results. He purchased a new, more powerful Cree LED, and wrote a small terminal program that allows him to tweak his flash parameters using his laptop. The results he gets now are far better – in fact, he has a whole gallery of pictures you can check out.

If you want to delve into high-speed photography as well, all of the schematics and code can be found on his blog.

High speed video is everywhere these days, but the cameras and necessary equipment is a bit out of reach for a hobbyist. [Bassam] found a compromise and came up with a way to shoot high-speed photographs using a sound triggered flash.

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[Destin] has been doing some high-speed and high-resolution video photography using a standard DSLR. He accomplishes this using a bit of ingenuity to capture images of repetitive events at slightly different points in time.

The banner image above shows a bullet travelling through a set of matchsticks. [Destin] uses the sound of the gun firing to trigger the flash that captures the image. A piezeo transducer picks up the sound, triggering a precision pulse generator. That pulse generator then triggers the flash, adding a delay based on the settings. In this way, [Destin] can capture video by firing a bullet for each frame, but adjusting the delay period of the pulse generator to capture the image when the bullet is in a slightly different place from the previous frame. It’s an old technique, but after some post-processing it produces a high-quality output without sinking thousands of dollars into an actual high-speed camera. Check out the video we’ve embedded after the break.

We like this guy’s style. We saw him strapping a camera onto a chicken back in December and we hope to see a lot more from him in the future.

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[Shakir] sent us this fairly easy way to do high speed photography. The idea is to use a microphone to detect a sharp sound on a surface and trigger the flash. The camera is set up with a long exposure to capture the action. Assuming your room is dark enough, you shouldn’t get much ghosting in your exposure. The circuit is a two stage amplifier that engages the flash using a silicon controlled rectifier. Be sure to check out the photos, some are pretty stunning.