The Atari Punk Console, Now With More Vacuum Tubes

January 11, 2022 by Dan Maloney 7 Comments

Most of us have beheld the sonic glory of an Atari Punk Console, that lo-fi synth whose classic incarnation is a pair of 555 timers set up to warble and bleep in interesting ways. Very few of us, however, have likely seen an APC built from 555s that are made from vacuum tubes.

It’s little surprise to regular readers that this one comes to us by way of [David] at Usagi Electric, who hasn’t met a circuit that couldn’t be improved by realizing it in vacuum tubes. His “hollow-state” Atari Punk Console began with the 18-tube version of the 555 that he built just for fun a while back, which proved popular enough that he’s working on a kit version, the prototype of which served as the second timer for the synth. With 32 tubes aglow amid a rats-nest of jumpers, the console managed to make the requisites sounds, but lacked a certain elegance. [David] then vastly simplified the design, reducing the BOM to just four dual-triode tubes. Housed on a CNC milled PCB in a custom wood box, the synth does a respectable job and looks good doing it. The video below shows both versions in action, as well as detailing their construction.

As cool as a vacuum tube synth may be, we realize that not everyone goes for the hot glass approach. No worries — plenty of silicon Atari Punk Consoles to choose from here. There’s one built into a joystick, a circuit sculpture version complete with mini-CRT, or even eight APCs teamed up with MIDI control.

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Classic Chip Line-Up Powers This Fun Dub Siren Synth

September 24, 2021 by Dan Maloney 8 Comments

There’s a certain elite set of chips that fall into the “cold, dead hands” category, and they tend to be parts that have proven their worth over decades, not years. Chief among these is the ubiquitous 555 timer chip, which nearly 50 years after its release still finds its way into the strangest places. Add in other silicon stalwarts like the 741 op-amp and the LM386 audio amp, and you’ve got a Hall of Fame lineup for almost any project.

That’s exactly the complement of chips that powers this fun little dub siren. As [lonesoulsurfer] explains, dub sirens started out as actual sirens from police cars and the like that were used as part of musical performances. The ear-splitting versions were eventually replaced with sampled or synthesized siren effects for recording studio and DJ use, which leads us to the current project. The video below starts with a demo, and it’s hard to believe that the diversity of sounds this box produces comes from just a pair of 555s coupled by a 741 buffer. Five pots on the main PCB control the effects, while a second commercial reverb module — modified to support echo effects too — adds depth and presence. I built-in speaker and a nice-looking wood enclosure complete the build, which honestly sounds better than any 555-based synth has a right to.

Interested in more about the chips behind this build? We’ve talked about the 555 and how it came to be, taken a look inside the 741, and gotten a lesson in LM386 loyalty.

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Teardown: Franz Crystal Metronome

June 22, 2021 by Tom Nardi 16 Comments

I wish I could tell you that there’s some complex decision tree at play when I select a piece of hardware to take apart for this series, but ultimately it boils down two just two factors: either the gadget was something I was personally interested in, or it was cheap. An ideal candidate would check both boxes, but that’s not always the case. This time around however, I can confidently say our subject doesn’t fall into either category.

Now don’t get me wrong, at first glance I found the Franz Crystal Metronome to be intriguing in its own way. With that vintage look, how could you not? But I’m about as far from a musician as one can get, so you’d hardly find a metronome on my wish list. As for the cost, a check on eBay seems to show there’s something of a following for these old school Franz models, with ones in good condition going for $50 to $80. Admittedly not breaking the bank, but still more than I’d like to pay for something that usually ends up as a pile of parts.

That being the case, why are you currently reading about it on Hackaday? Because it exploits something of a loophole in the selection process: it doesn’t work, and somebody gave it to me to try and figure out why. So without further ado let’s find out what literally makes a Franz Crystal Metronome tick, and see if we can’t get it doing so gain.

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Reliable Frequency Reference From GPS

February 28, 2021 by Bryan Cockfield 35 Comments

GPS technology is a marvel of the modern world. Not only can we reliably locate positions on the planet with remarkable accuracy and relatively inexpensive hardware, but plenty of non-location-based features of the technology are available for other uses as well. GPS can be used for things like time servers, since the satellites require precise timing in order to triangulate a position, and as a result they can also be used for things like this incredibly accurate frequency reference.

This project is what’s known as a GPSDO, or GPS-disciplined oscillator. Typically they use a normal oscillator, like a crystal, and improve its accuracy by pairing it with the timing signal from a GPS satellite. This one is a standalone model built by [Szabolcs Szigeti] who based the build around an STM32 board. The goal of the project was purely educational, as GPSDOs of various types are widely available, but [Szabolcs] was able to build exactly what he wanted into this one including a custom power supply, simple standalone UI, and no distribution amplifier.

The build goes into a good bit of detail on the design and operation of the device, and all of the PCB schematics and source code are available on the projects GitHub page if you want to build your own. There are plenty of other projects out there that make use of GPS-based time for its high accuracy, too, like this one which ties a GPS time standard directly to a Raspberry Pi.

Inside An Oscillator With [Ken Shirriff]

February 21, 2021 by Al Williams 13 Comments

We are always glad to see [Ken Shirriff] tear into something new and this month he’s looking inside a quartz oscillator module. Offhand, you’d think there’s not much to these. A slab of quartz and some sort of inverter, right? But as [Ken] mentions, “There’s more happening in the module than I expected…”

If you’ve ever wanted to decap devices, big hybrid modules like these are a good way to get started since you don’t need exotic chemicals to get at the insides. [Ken] managed to break the fragile crystal wafer on the way in. Inside was also a small CMOS IC die. Time to get out the microscope.

If you follow [Ken’s] blog, you know he’s no stranger to analyzing IC dice. The oscillator IC is a pretty standard Colpitts oscillator but it also provides a programmable divider and output drive.

The circuit uses some unusually configured capacitors. [Ken] takes the time to point out CMOS logic structures throughout. If you haven’t seen one of [Ken’s] deep dives before, before, it’s a great introduction.

You can learn more about crystal oscillator theory. We used some test equipment to characterize a crystal a few years ago.

Tuning Fork Keeps This Throwback Digital Clock Ticking

February 13, 2021 by Dan Maloney 37 Comments

Whatever kind of clock you’re interested in building, you’re going to need to build an oscillator of some sort. Whether it be a pendulum, a balance wheel, or the atomic transitions of cesium or rubidium, something needs to go back and forth in a predictable way to form the timebase of the clock. And while it might not make the best timepiece in the world, a tuning fork certainly fits the bill and makes for a pretty interesting clock build.

One of the nice things about this build is that [Kris Slyka] got their inspiration from a tuning fork clock that we covered a while back — we love it when someone takes a cool concept and makes it their own. While both clocks use a 440 Hz tuning fork — that’s an A above middle C for the musically inclined — [Kris] changed up the excitation method for their build. She used a pair of off-the-shelf inductors, placed near the ends of each arm and bridged by a strong neodymium magnet to both sense the 440-Hz vibrations and to provide the kick needed to keep the fork vibrating.

As for the aesthetic of the build, we think [Kris] really nailed it. Using through-hole components, old-school seven-segment displays, and a home-etched PCB, she was able to capture a retro look that really works. The RS-232 port and the bell jar enclosure complete the feel, although we’re not sure about the custom character set [Kris] designed — it’s cool and all, but makes it hard for anyone else to read without a little practice. Regardless, this is a fun build, and we’d imagine the continuous tone coming from the clock is pretty pleasing.

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Clara Rockmore. Photo by Renato Toppo, © The Nadia Reisenberg / Clara Rockmore Foundation

The Theremin Is 100 Years Old; Celebrating The Spookiest Of Instruments

October 30, 2020 by Kristina Panos 16 Comments

It wouldn’t be October without Halloween, and it wouldn’t be Halloween without some spooky music. There’s no instrument spookier than a Theremin, which also happens to be one of the world’s first electronic instruments.

Leon Theremin plays his namesake instrument. Image via Linda Hall Library

You’ve no doubt heard the eerie, otherworldly tones of the Theremin in various 1950s sci-fi films, or heard the instrument’s one-of-a-kind cousin, the Electro-Theremin in “Good Vibrations” by the Beach Boys. The Theremin turns 100 years old this month, so we thought we’d take a look at this strange instrument.

One hundred years ago, a young Russian physicist named Lev Sergeyevich Termen, better known as Leon Theremin, was trying to invent a device to measure the density of various gases. In addition to the standard analog needle readout, he wanted another way to indicate the density, so he devised an oscillator whistle that would change pitch based on the density.

He discovered by accident that having his hand in the field of the antenna changed the pitch of the whistle, too. Then he did what any of us would do — played around until he made a melody, then called everyone else in the lab over to check it out.

Theremin soon showed his device to Lenin, who loved it so much that he sent Lev on a world tour to show it off. While in New York, he played it for Rachmaninoff and Toscanini. In fact you can see a video recording of Leon playing the instrument, a performance that’s more hauntingly beautiful than spooky. In 1928, he patented the Theremin in the United States and worked with RCA to produce them.

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