From animatronic dinosaurs to [Jeff Goldblum]’s prosthetic chest hair, Jurassic Park is known for its practical effects and props. While it’s not as fancy as a breathing triceratops, YouTube’s god of resin casting has recreated one of the more endearing props from this movie. [Peter Brown] and [Pocket83] made a replica of the amber-topped cane carried by John Hammond, and it took him two years to do it.
The ‘mosquito in amber’ walking cane prop from Jurassic Park is just what you think it is – a large mosquito-looking bug trapped in 100 million year old amber. Of course, finding such a chunk of amber with the included mosquito would cost a fortune, so [Peter] turned to polyurethane resin. This block of resin was cast in two halves, with a ‘mosquito eater’ (or a crane fly) embedded in the middle. It took two years for [Peter] to cast this block of amber, but really all but two weeks of that was waiting for a few adult crane flys to appear.
With a bug encased in resin, the project went over to [Pocket83] who turned the walking cane on his lathe. There’s not much to this part of the build except for drilling a three-foot long hole down the center of a piece of wood, although the finish does make this cane look spectacular.
The long wait for crane fly breeding season was worth it. This is one of the best looking functional props from Jurassic Park. You can check out the videos for this build below.
Some of us have looked at clear resin jewelry casting kits online and started to get ideas. Hackaday’s own [Nava Whiteford] decided to take the plunge and share the results. After purchasing a reasonably economical clear resin jewelry casting kit from eBay, a simple trial run consisted of embedding a solar lantern into some of the clear resin to see how it turned out. The results were crude, but promising. A short video overview is embedded below.
The big hangup was lack of a proper mold. [Nava]’s attempt to use a plastic bag and a cup as an expedient stand-in for a proper mold was not without its flaws, and the cup needed to be broken before the cured resin could be removed. Despite this, the results were good; the mixing needed careful measurement and the curing process was lengthy but the cured resin is as attractive as the advertisements promise. Mixing introduced many air bubbles into the mixture, but most of them seemed to disappear on their own during the curing process. The results of this quick test may not be pretty, but the resin seems to have held up its end of the bargain and delivered the expected smooth, clear finish.
If the [realjohnnybravo] is the one from the show, it appears he finally managed to get a girlfriend, marry her, and produce at least one son. As the old schoolyard rhyme goes, first comes love, then comes marriage, then comes filling the whole *!$&# backyard with brightly colored plastic garbage. One of these items, a Power Wheels quad bike, suffered a blow from planned obsolescence leaving behind a traumatized child. [realjohnnybravo] decided to fix it.
He made frequent mention of how one could go to a store and purchase replacement gears for the toy. Perhaps it’s a German thing. Regardless, he shows experience with internet comments by justifying his adventure in gear manufacturing with, paraphrased, “I’m having fun and learning so back off you pedantic jerks.”
Resin casting is great, and is often overlooked vs 3D printing. He purchased some hardware store RTV silicone and some slow-cure resin. The faster cure resin would get too hot with this much volume and potentially burn.
Materials procured he took apart both gearboxes from the machine. He first made a silicone mold of the broken parts (from the good copies out of the working gearbox) and removed the master. Without a vacuum or pressure casting chamber, the molds came out a little rough and bubbly, but it’s nothing some work with a carpet knife can’t fix. For big gears like this it hardly matters. Next he poured the two part resin into the molds and waited.
After some finishing with regular woodworking tools the parts fit right into the voids in the defective gearbox. His son can once again happily whir around the lawn, until the batteries die anyway.
Sometimes we need the look, feel, and weight of a metal part in a project, but not the metal itself. Maybe you’re going for that retro look. Maybe you’re restoring an old radio and you have one brass piece but not another. It’s possible to get a very metal like part without all of the expense and heat required in casting or the long hours in the metal fabrication shop.
Before investing in the materials for cold casting, it’s best to have practical expectations. A cold cast part will not take a high polish very well, but for brushed and satin it can be nearly indistinguishable from a cast part. The cold cast part will have a metal weight to it, but it clinks like ceramic. It will feel cool and transfers heat fairly well, but I don’t have numbers for you. Parts made with brass, copper, and iron dust will patina accordingly. If you want them to hold a bright shine they will need to be treated with shellac or an equivalent coating afterward; luckily the thermoset resins are usually pretty inert so any coating used on metal for the same purpose will do.
It is best to think of the material as behaving more or less like a glass filled nylon such as the kind used for the casing of a power tool. It will be stiff. It will flex a relatively short distance before crazing and then cracking at the stress points. It will be significantly stronger than a 3D printed part, weaker than a pure resin part, and depending on the metal; weaker than the metal it is meant to imitate.
[Gregg Eshelman] reproduces plastic parts for antique car restorations for a living; likewise, he’s very good at it. Greg always chimes in with helpful hints whenever we post about resin casting. Shown above is a lens for a car turn signal. Manufactured in 1941, having [Gregg] cast a few copies is an easy option for replacing the rare part.
[Gregg] uses a similar method to us, but it is easy to see that he has done it more and his process has been refined by lots of experience. We really liked how he avoids using expensive foam core by wrapping cardboard in packing tape, or using the kind that has a plastic coating on it; the kind most retail packaging is made out of. He also has better techniques for keying the part to be manufactured, and prepping difficult geometry between different mold halves. It also never would have occurred to us to use Dremel cutting disks to cut the sprues and air vents in the silicone, a surprisingly tricky material to cut precisely with a knife.
It’s always nice when a professional takes time to write about their processes for the hobbyist trying to emulate it. We hope [Gregg] writes more tutorials, and continues to contribute in the comment section. If you have your own fabrication techniques to share we’d love to hear about it on the tips line.
Resin casting lets you produce parts that would be otherwise impossible to make without a full CNC and injection molding set-up. It costs about as much as a 3d printer, 300 to 600 US dollars, to get a good set-up going. This is for raw material, resin, dye, pressure chamber, and an optional vacuum degassing set-up. A good resin casting set-up will let you produce parts which are stronger than injection molding, and with phenomenal accuracy, temperature resistance, and strength. I will be covering various techniques from the simple to advanced for using resin casting from a hacker’s perspective.
[thelostspore] was experimenting with resin casting, and discovered that he needed a pressure casting chamber in order to get clear casts. There are commercial solutions for sale, and they are really nice. However, many hackers are on a budget, and if you’re only casting every now and then you don’t need such a fancy set-up.
Re-purposing equipment like this is pretty common in the replica prop making community. Professional painters use a pressurized pot filled with paint to deliver to their spray guns. These pots can take 60-80 PSI and are built to live on a job site. By re-arranging some of the parts you can easily get a chamber that can hold 60 PSI for enough hours to successfully cast a part. Many import stores sell a cheap version, usually a bit smaller and with a sub-par gasket for around 80 US Dollars. [thelostspore] purchased one of these, removed the feed tube from lid and plugged the outlet. He then attached a quick release fitting to the inlet of the regulator.
We used this guide to build our own pressure casting set-up. Rather than plug up the outlet on ours, we put a ball valve with a muffler in its place to quickly and safely vent the chamber when the casting has set. We recommend putting a female quick connect coupling or another ball valve in combination with the male fitting (if your hose end is female). It is not super dangerous to do it the way the guide recommends, but this is safer, and you can disconnect the compressor from the tank without losing pressure.
All that was left was to test it. He poured an identical mold and it came out clear!