It was one of the more interesting consumer tech stories floating around at the turn of the century, a disposable cell phone manufactured using a multi-layer folded paper circuit board with tracks printed in conductive ink. Its feature set was basic even by the standards of the day in that it had no display and its only function was to make calls, but with a target price of only $10 that didn’t matter. It was the brainchild of a prolific New Jersey based inventor, and it was intended to be the first in a series of paper electronic devices using the same technology including phones with built-in credit card payment ability and a basic laptop model.
The idea of a $10 mobile phone does not seem remarkable today, it’s possible that sum might now secure you something with features far in excess of the Nokias and similar that were the order of the day at that time. But when you consider that those Nokias could have prices well into three figures without a contract, and that the new features people considered exciting were things like integrated antennas or swappable coloured plastic covers rather than the multicore processors or high-res cameras we’re used to today, a phone so cheap as to be disposable promised to be very disruptive.
The product’s wonderfully dated website (Wayback Machine link, we’ve skipped the Flash intro for you) has pictures of the device, and the video below the break features shots of it in use as its inventor is interviewed. But by the end of 2002 the Wayback Machine was retrieving 404 errors from the server, and little more was heard of the product. No sign of one ever came our way; did any make it to market, and did you have one?
With the benefit of fifteen years hindsight, why did we not have paper mobile phones as part of the ephemera of the early years of the last decade? It was not a product without promise; a ten-dollar phone might have been a great success. And the description of a cheap laptop that talks to a remote server for its software sounds not unlike today’s Chromebooks.
Some of you might claim the product was vapourware, but given that they demonstrated a working prototype we’d hesitate to go that far. The likelihood is that it did not find the required combination of component price and manufacturing ease to exploit its intended market segment before its competition improved to the point that it could no longer compete. If you have ever taken apart a typical mobile phone of the period you’ll have some idea of why they were not cheap devices, for example the RF filter modules of the day were individually adjusted precision components. And paper-and-ink printed circuit boards are still a technology with a way to go even now, perhaps the idea was simply too far ahead of its time. Meanwhile within a relatively short period of time the price of simple candybar phones dropped to the point at which they would tempt the $10 buyer to spend more for a better product, so the window of opportunity had passed.
Piano rolls are the world’s longest-lasting recording medium, and its first digital one. They were mass-produced from 1896 to 2008, and you can still get some made today, although they’re a specialty item. The technology behind them, both on the player and the recorder side, is simply wonderful.
[lwalkera] sent us in this marvelous video (embedded below) that provides a late-80s peek inside the works of QRS Records, and the presenter seems to be loving every minute of it.
Player pianos are cool enough, with their “draw bar” pulling air through the holes in the paper roll as it goes by, and pneumatically activating the keys. But did you ever think of how the rolls are made?
We take recorded telephone messages for granted in these days of smartphones and VOIP. Our voicemail lives on an anonymous server in a data centre in the cloud somewhere, in a flash memory chip on our DECT base station, or if we’re of a retro persuasion, on a micro-cassette. Wherever we go, we now know our calls will not go unanswered.
Today’s subject takes us back to a time when automatically recording a phone call was the last word in high technology, with a British Pathé newsreel piece from 1959 entitled “Modern Telephone”. Its subject is the Ansafone J10, one of the first telephone answering machines available on the British market. After featuring a fantastic home-made Meccano answering machine with turntable recording created by a doctor, it takes us to the Ansafone factory where the twin tape mechanisms of the commercial model are assembled and tested. Finally we get to see it in use on the desk of a bona fide Captain of Industry, probably about the only sort of person who could afford an Ansafone in 1959.
It seems hard to imagine, but in the early part of the 20th century, there weren’t a lot of great options for creating copies of documents. The most common method was to use carbon paper to create multiple copies at once from a typewriter or a line printer. All that changed with a company called Haloid. Never heard of them? They later became the Xerox company.
The underlying technology dates back to 1938 (invented by a physicist who was also a lawyer). In 1944, they produced a practical copier and shortly thereafter sold the rights to Haloid. The Haloid company originally made photographic copy machines that used wet chemistry.
In 1959, the Xerox 914 (so called because it could copy a 9″ x 14″ document) came on the scene (that’s it, below). The 650 pound copier could make seven copies per minute and came with a fire extinguisher because it had a tendency to burst into flames. If you didn’t want to spend the $27,500 price tag, you could rent for only $25/month (keep in mind that in 1959, $25 would buy about 25 pounds of T-bone steaks). You can see a commercial for the 914 in the video below.
In the commercial, you’ll see them make a big deal out of the fact that the print was dry. That’s because a lot of previous machines used actual photographic processes with wet chemistry. Obviously, that also took special paper.
Even Further Back
If the copier didn’t exist until recently, how did people make copies before? Turns out there were lots of ways to make copies of varying degrees of bad quality or extreme trouble. In some sense, the best copies were made by scribes just writing down a second copy of things. There were a variety of machines that would capture what you wrote and make a copy by mechanical or other means. A polygraph (not the lie detecting kind) allowed Thomas Jefferson to write letters and make a copy. The machine moved a pen to match the movements of the author’s pen, thus making a near perfect copy. With a few adjustments, this became the pantograph which not only does the same job, but also can shrink or enlarge the copy. Carbon paper was widely used to make multiple copies of handwritten and typewritten documents.
When it comes to the superlatives of aviation, there are aircraft larger than the C-5 Galaxy. [Howard Hughes]’s Spruce Goose has the largest wingspan, and the Soviet and now Ukranian Antonov AN-225 Mriya has the largest cargo capacity. When it flies in the next year or so, Scaled Composites Stratolaunch – a twin-hulled beast of a plane designed to haul rockets up to 30,000 feet – will be the aircraft with the largest wingspan and the greatest cargo capacity.
These superlatives, while completely accurate, fail to realize these huge planes are one of a kind. There is no plan to build a second Stratolaunch, and the second airframe for the AN-225 is rusting away in a field. If you want to find a fleet of enormous aircraft, there’s only one contender: the C5 Galaxy, the largest plane in the US Air Force inventory.
This video, from the USAF Archives circa 1968, goes over the design, construction, and operation of the C5 Galaxy. It covers the program beginnings, the shortcomings of earlier aircraft, and – of course – completely disregards the initial problems of the C5.
Electricity comes in two basic forms: Alternating Current (AC) and Direct Current (DC). DC is handy to use and is easy to analyze. However, AC has some useful properties too. In particular, AC current can operate a transformer which can step it up or down easily. Power is conserved, of course (well, actually, you get less power because of losses in the transformer).
You can’t do that trick with pure DC. You can reduce a voltage, although that typically wastes power in heat (for example, a voltage divider or linear regulator). You can’t readily increase a DC voltage unless you convert it into some sort of AC first.
This was a particularly bad problem in the era of tubes–especially tubes in car radios. The car’s voltage was probably 12V but the tube’s plates might take hundreds of volts. What do you do? Some old car radios used what is called a dynamotor. This is just a motor and a generator in one box. You could spin the motor with 12V and have the generator produce a different voltage (even a DC voltage).
Computer graphics have come a long way. Some video games today exceed what would have passed for stunning cinema animation only a few years ago. However, it hasn’t always been like this. One of the earliest forms of computer-generated graphics used text characters to draw on printers.
Early computer rooms were likely to have a Snoopy character on green and white fan-fold paper. Calendars with some artwork were also popular (see left, and find out about the FORTRAN that created it, if you like). Ham radio operators who use teletypes (RTTY, in ham parlance) often had vast collections of punched tape that held artwork. Given that most hams in the 1950s and 1960s were men and the times were different, a lot of them were more or less “R” rated.
Not all of them were, though. For example, Richard Nixon was decidedly “G” rated (see right). Simple pictures would use single characters, but sophisticated ones would use the backspace character to overprint multiple characters.
Ham Radio Art
You often hear this described as ASCII art, today, although hams usually use 5-bit BAUDOT code, so that’s a misnomer for those images, at least. Of course, today, people aren’t keen on storing roll after roll of paper tape (or even owning a tape reader) so there have been several projects to capture this art in a more modern format.
Although there is still some RTTY art activity, picture sending has been mostly replaced by slow scan TV (SSTV) which sends actual still images or other modes like FAX. Some of the newer digital modes even have the ability to send pictures. You can be discussing your radio for example, and then show the other ham a photo of the radio.