We’ve featured quite a few camera gimbals and steady cams here, but this one stands out. For one, [Daniel Rhyoo] was in his sophomore year when he built it. His 2-axis camera gimbal uses brushless DC motors, and is made out of carbon fiber.
[Daniel] machined the carbon fiber parts on a CNC desktop mill and some hand tools. And he also had to teach himself Solid Works to design it. In his slick DIY guide, he starts off by listing the parts and where to source them from, along with the tools needed. Most gimbals use servos for axis movements, which limits the range and do not provide very smooth motion. Brushless motors overcome these limitations allowing a nice, smooth moving gimbal to be built with a wide range of movement. When [Aleksey Moskalenko] introduced the AlexMos brushless motor controller, [Daniel] ordered it out, and then waited until he could get his hands on the right kind of motors. CAD files for all of the machined parts are available for download (.zip file).
He then goes on to blog his build progress, with ample photos to describe the machining and assembly. He does a couple of nice design choices along the way – like using press-nuts to make assembly and dis-assembly easy, and dismantling one of the motors and replacing its shaft with a custom, longer one instead of using a coupler to extend it. At the end, the result is not only a nice looking, light weight rig, but one that works very well thanks to the motors and controller that he used. Check out the video below to see it in action.
Continue reading “Homemade Camera Stabilizer”
We’ve all prematurely stopped watching some Youtube video because of shaky camera work that makes the video unwatchable. There is a solution available for this problem, it’s a device called a camera stabilizer and it is designed to compensate for jerky camera movement. There are several types available for purchase but they can get fairly expensive. Even the cheaper ones at a few hundred dollars are not economical for hobbyists. [John] set out to make his own camera stabilizer using some unorthodox parts.
[John’s] chose a gimble style design that effectively lowers the camera’s center of gravity down close to the camera persons hand. The handle of the device must also be mounted in a manor to prevent angular and rotation movement of the supporting hand from transferring to the camera.
The handle is from a cement trowel, on top of which is a ball bearing mounted to a threaded rod. A PVC fitting was heated to soften it and the bushing pressed in. This bearing is responsible for allowing the rotational freedom between the handle and the camera. To decouple any angular movements, two hinges were attached to the PVC fitting. The hinges are perpendicular to each other, one allows forward-back tilting while the other allows left-right tilting. The upper hinge is attached to a piece of poplar wood that also serves as a base for the camera.
At this point, if you were to try to hold this contraption with the camera installed, it would immediately tip over due to gravity. To prevent this, the center of gravity of the moving parts (including the camera) must be lowered. [John] did this by using some aluminum tubing to support wood weights that reside lower than the pivot points created by the hinges.
If you like the DIYer-style stabilizers, check this other wooded one out. Want something more polished looking? How about this pistol grip stabilizer?
Commercial vest-based camera stabilizer systems are quite expensive, sometimes bearing price tags in the $700-$800 dollar range. Photographer [Miguel Vicente] has a pretty well-stocked workshop and decided there was no way he would shell out that much cash for a rig, so he simply built his own.
“Simply” is a bit of a misstatement, to be honest. The system looks relatively complex, judging by the build videos embedded below. Constructed of steel tubing, custom-built springs, and a really snazzy vest, the rig is adjustable in almost every direction. He has tested its capacity up to 2.5 Kg (roughly 5.5 pounds), though he says it’s pretty unruly to manage at that weight. [Miguel] says that 1.5 Kg (3.3 pounds) is a far more reasonable limit, and that the stabilizer works quite well at or below that weight.
While it looks pretty good to us, he says that there are plans to improve the design even further. One particular point that he wants to address is the ability for the stabilizer to accept asymmetric camera setups, i.e. cameras with attached lighting and microphones.
Stick around to see a short “highlight” film of the build process, as well as a video featuring a more thorough documentation of the stabilizer’s construction.
Interested in more DIY camera equipment? Check out this overhead camera dolly and this DIY gimbal mount we featured a short while back.
Continue reading “DIY camera stabilizer keeps your video shake free on the cheap”