[magnetovore] made himself an electronic cello. Instead of pulling a few cello samples off of an SD card, he did it the old school analog way. The finished build is really impressive and leaves us wondering why we haven’t seen anything like this before.

[magnetovore] uses a permanent magnet to play each ‘string’. A lot of details are in this post and [magnetovore]‘s provisional patent (PDF warning). From what we can gather, each string is a resistive ribbon sensor connected to a voltage controlled oscillator. The output of the VCO is sent to a variable gain amplifier that is controlled by a coil of wire and the magnetic ‘bow’.

From the video (after the break), [magnetovore] already has an amazing reproduction of the cello sound. It’s a bit electronic on the lowest parts of the C string, but with a little bit of processing it could definitely pass for an acoustic instrument. We’re left wondering why we haven’t seen anything like this cello before. VCOs and VGAs were the bread and butter of the old Moogs and even the ancient ondes martenot. Ribbon controllers were being attached to electronic instruments back in the 50′s, so we’re really at a loss on why a magnetic cello is new to us. If any Hack A Day readers have seen anything like this before, leave a message in the comments.

The folks at [anyma] have been working on an analog video processor called Synkie for a while now, and we’re amazed a project this awesome has passed us by for so long.

Like a Moog or Doepfer synth, the Synkie was developed with modularity in mind. So far, [anyma] has built modules to split and combine the sync and video signals, and modules to invert, add, subtract, mix, filter and amplify those signals. The end result of all this video processing produces an output that can look like a glitched Atari, art installation, and scrambled cable station all at the same time.

The Synkie’s output reminds us of the original Doctor Who title sequence, and actually this idea isn’t far off the mark – both use video feedback that will produce anything from a phantasmagoric ‘flying through space’ aesthetic to a fractal Droste effect visualization. We’re impressed with Synkie’s capabilities, but we’re astounded by the [anyma] crew’s ability to control a video signal in real time to get what they want.

Check out a video of the Synkie after the jump. There’s also more footage of the Synkie in action on the Synkie Vimeo channel.

Inspired by the memory of a childhood electronics kit, [Frank] decided to make a new 555 Synthesizer and enter it into the 555 contest. [Frank's] remake is played with a stylus, and sports an attack and release envelope circuit, housed in a quick but effective acrylic case.

Using a single 555 timer, a hand full of capacitors, two transistors, and a healthy dose of resistors and potentiometers, the sound is quite impressive thanks to optional filtering, enveloping, and a lot of fine tuning. Full schematics, bill of materials, formulas, and board files are all available along with sources for some of the more specialized potentiometers.

Join us after the break for a ~13 minute long video, which is pretty cool, as it shows the device from prototype, and does some fast forward action though to the final product pictured above, though if you just want a demo of the 555 synth fast forward to 10:44

[Dino] recently sent us some info on his latest project, a 555 timer-based slider synthesizer. The synth was built to emulate the sound made by playing a slide whistle, and also as an entry into the 555 Design Contest, which is quickly coming to a close. If you’re not familiar with a slide whistle, just spend a few minutes on YouTube looking for clips of Sideshow Bob – it’s ok, we’ll wait.

The circuit is pretty simple, though the implementation is quite clever. While traditional slide whistles require the user to blow in one end, this electronic version operates using a LED and photo cell. When the main switch is closed, the 555 timer is activated, and a tone is produced. The pitch of the tone is controlled by the LED as it slides in and out of the tube. The more light that hits the photo cell, the higher the pitch, and vice versa.

Continue reading to see a quick demonstration of [Dino’s] slide synth, and be sure to check out his other 555 contest entry we featured a short while back.

We were sent [Dr. Offset’s] most recent project, a kid’s toy that is half sculpture/half noisemaker, but 100% cool. The device uses several 555 Timers and is his entry into the 555 Design Contest, which wraps up in just a few days. To really enjoy his creation, you need to suspend disbelief for a moment, and indulge the space fantasy he creates. In other words, let yourself be a kid again, if only for a few minutes.

What he has built is a containment unit for an alien life form found during an outer space exploratory mission. The creature has fused its organic bits with electronic components in order to survive in the stark, empty world it used to call home. The containment unit allows you to zap the “bug” with various frequencies to see how it reacts. The “bug” is light sensitive, so it always offers a varying experience, day or night.

It’s definitely one of the most artistically creative entries into the 555 Design Contest we have seen yet. Continue reading to see a thorough walkthrough and demonstration of his project.

[Thanks Rich Decibels]

[Jeri Ellsworth] sent over a 555 design contest entry that struck her as particularly interesting. The Synthanola is a three-channel music synthesizer that accepts input from an old Heathkit paper tape reader. While this hack might seem overly retro, it’s actually an extremely appropriate use of technology, as the Heathkit H-10 and the 555 timer were both popular tech in the 70′s. This retro-focused synth uses fourteen 555 timers, twelve of which are dedicated to synthesizing audio. If this entry does not win the contest, it certainly must be a strong contender for most 555 timers used.

[Thrashbarg] gives a detailed explanation of the logic used to drive the music playback from the punch tape, as well as full circuit diagrams for his entry. So far he has encoded MP3s of Bach’s Invention and Fugue in D Minor to tape, with hopefully more to come. In order to truly appreciate his efforts, the Synthanola should be seen as well as heard. Stick around for a pair of videos of the synth in action.

If you’re interested in seeing more 555 contest entries, be sure to check out some of our previously featured projects.

[NatureTM] sent in a writeup for the MIDI synthesizer he recently built using a TI LaunchPad. The construction is pretty simple overall, consisting of little more than the MSP430, a handful of resistors, and an optoiosolater. Of course, a MIDI controller is required, but he already had that on hand.

Once the MIDI data is read from the optoisolator, his code takes care of the rest, adjusting the square wave sound generator to get the proper note. He does mention that since the synthesizer is monophonic, special care is taken to ensure that simultaneous notes are processed properly. You can route all of the sound into a single speaker, but he used the optoisolator to send the sound data to multiple LaunchPads instead, resulting in a fun little MIDI quintet.

He provides code and plenty of video on his site, but keep reading for a sneak peek of his synth in action.

It’s totally excellent when a simple concept results in something inspiring and fun. [Rich Decibel]‘s Kequencer is a good example, starting off as many projects do: “I had an idea the other day and I couldn’t decide if it was good or not so I just built it to find out.” Be still our hackable hearts!

[Rich] built this sleek little sequencer from scratch and while the design may not seem very novel to begin with–eight square wave oscillators with on/off switches and pitch knobs, played in sequence–but the beauty of it is in the nuances of interaction and the potential for further hacking. From watching the video you can see how the controls can be used in very interesting ways to create and mutate adorable chippy tone patterns. Check it out after the crossfade.

Having been based off of [Nicolas Collins]‘ work (as are all the projects on [Rich]‘s blog so far) this instrument is ripe for hacking: the circuits are simple and easy to modify, so the addition of more complex (or just more) modules is a cinch. There’s always the Korg Monotron schematics to give you some ideas. Maybe incorporate some digital synthesis into the mix. Or get crazy and include some noise generators and envelopes into the design for some percussive synth possibilities. Step aside, Roland!

In all seriousness, given the quality of [Rich Decibel]‘s work we’re interested to see what he comes up with in the future. And if you haven’t already, check out [Collins]‘ Handmade Electronic Music. A lot of it is review for the seasoned hacker but it is chock full of excellent know-how and fundamental building blocks for audio electronics. Our in-house how-to on building synths is also a great place to start

Famous synth manufacturer Korg has released the schematics (get them here if you don’t like to fill out forms) for their wee little Monotron for all to see and use! This is great news for anyone looking to build up a synth from scratch or to circuit bend their existing monotron. The filter circuits alone would be fun to add to an existing electronics setup.

Granted there are already many examples of monotron mods out there, but that shouldn’t stop you from experimenting with your own variations. Now with the schematics you can make fundamental changes to the architecture of the synth all from the comfort of your own CAD software. Want more oscillators? Distortion? It’s all out there for you to explore. We’re very interested to see how far people will run with this. And big ups to Korg for recognizing the value of hacking!

[via Retrothing]

So you’re stuck in a boring class and you can’t fight off the urge to hack something, even your pencil, to pass the time. Maybe you are performing a live electronics show and you drop your synth down a flight of stairs and all that you are left with is a handful of components, a screw terminal block and a pencil. There are thousands, perhaps millions of these kinds of situations and for each one the answer is the solderless drawdio clone by [Martin].

You may have seen the original Drawdio here before, a fun piece of technology that is simple enough to recreate. This latest approach would make an excellent introductory project for a hacking workshop seeing as the guide is straightforward and the lack of soldering would make logistics so much easier. The results are very similar to the original–check the video after the break.

“Everyone needs a hobby,” they tell us. For the blogger mysteriously identified only as “R,” that hobby would be an almost fanatical nostalgia for the Commodore 64 computer.

At first we thought this was a fan community site, but apparently it’s all the work of a single person. [R] has tweaked, extended, repackaged and resurfaced this 1980’s icon in nearly every imaginable way. They tend to gloss over the technical aspects of these mods, but that’s okay – the C64 is such an exhaustively documented system now that the site dwells mainly on the aesthetics and meaning of these reborn devices.

The 64 has made an indelible impression on electronic music, and the machines are still sought after by collectors, composers and circuit-benders. [R] pays homage by housing these vintage systems in styles reminiscent of even vintage-er synthesizers. Any one of these would warrant a post here, yet there’s a whole collection to browse. Check it out!

[via Retro Thing]

(Thanks to [Aaron] for the tip) As a promo for [Calvin Harris], some of the creative minds at Sony Music have put together an Arduino-based sythesizer composed of 15 bikini clad babes. By analyzing which circuits are closed, the Arduino Mega is able to tell a sequencer which sample to play. The only innovation happens to be that the circuits are painted onto the aforementioned girls with a conductive body paint known as Bare.

Developed by students at the Royal College of Art, the paint is not available for purchase, but they are willing to mix a batch up for art installations or performances. Technical stats (such as resistance) have not been released, but for a washable paint it seems to be performing quite well.

How was the whole project set up? The video below reveals all:

We’ve covered sequencers before, but reader [Johan] sent in his latest project that is much more minimalistic approach. Dubbed the BBox, he based his drum generator on an Arduino and an LCD display. Rather than synthesizing sound, the Arduino just outputs MIDI which is then interpreted by his Roland Juno-D. In building the device he used a favorite trick of ours to keep the interface clean. He then found an awesome banana box to use as a case. Although, the project may not be as functional as some of the others out there, it certainly has flair. Video of it in action after the break.

Any musician who has ever used a computer to create music will tell you that while this technology is more than capable of producing great music, it is always a much more intimate experience to create by physically playing an instrument. In an effort to bridge this gap, [Randall Jones] has built a passive multidimensional interface that uses multitouch input to create an intimate experience that rivals that of a traditional musical instrument. While this concept may seem very complicated, the interface is made of only copper strips, rubber, and wood. At $50, this interface was designed to be inexpensive and appears to be very easy to use. As seen in the video, this interface can be used as anything from a drum to a multitouch synthesizer.

[via Make]

Sometimes, a little bit of noise can be fun. This little noise synth called the Nandhopper, is a quick simple project to get started. The parts list is pretty short, mainly material for the sensors and a 4093 Quad, 2-input Schmitt trigger and NAND gate. You end up with an easy to use, fairly small 1-Bit synth. If you don’t know what a 1-Bit synth sounds like, watch the demo video. Sure, it just sounds like noise to us, but that’s music to some people.