At the end of every semester, we get a bunch of cool and well-documented student projects from Cornell’s ECE4760 class. [Scott] and [Alex]’s infrared theremin is no exception.
The classic theremin design employs each of the player’s hands as the grounded plate of a variable capacitor in an LC circuit. For the pitch antenna, this circuit is part of the oscillator. For the volume antenna, the hand capacitor detunes another oscillator, changing the attenuation in the amplifier.
[Scott] and [Alex] put a twist on the theremin by using two IR sensors to control volume and pitch. The sensors compute the location of each hand and output a voltage inversely proportional to its distance from the hand. An ATMega1284P converts the signal to an 8-bit binary number for processing. They built four voices into it that are accessible through the push-button switch. The different voices are created with wave combinations and modulation effects. In addition to Classic Theremin, you can play in pure sine, sawtooth, and FM modulation.
If you’re just not that into microcontrollers, you could build this digital IR theremin instead. If you find IR theremins soulless or plebeian, try this theremincello.
Continue reading “IR Theremin Speaks In Four Voices”
[Ville] loves the sound of an ondes martenot and decided to build his own. No, it’s not made of vacuum tubes like a 1920s original, this one is made out of a cheap, off-the-shelf analog synth and just a few extra parts.
The ondes martenot is a theremin-like musical instrument; instead of waving your hands around aerials on the theremin, the ondes uses a small ring attached to the player’s finger on a wire loop and a volume lever. The ondes isn’t a common instrument by any means, but Radiohead uses
one several in any event.
[Ville] began his build by taking a small, cheap, and new Korg Monotron analog ribbon synth, cracking it open, and reading the schematics. A 100k multiturn pot was wired into the monotron and fastened to a printed paper keyboard with a system of pulleys and a small metal ring. With the multiturn pot wired into the pitch input on the monotron, [Ville] had a semi-accurate and very functional ondes martenot replica.
You can hear [Ville]’s ondes in action after the break. It’s a little rough starting out, but by the time he’s looping multiple phrases it really does sound wonderful.
Continue reading “The Ondes Martenot; Better than a Theremin”
Lots of people build custom steampunk goggles, but most don’t implement any interactivity – they’re just an aesthetic accessory. [Sarah] recently decided to built a pair that, besides looking cool, would engage the wearer in creating sound. She accomplished this by integrating an optical theremin into their design.
To keep the build both affordable and wearable she researched simplified theremins, and eventually settled on creating a basic model that uses only a handful of components and two 555 timers. The main body of the goggles was constructed using mostly random mismatched pieces of metal and leather. Mounted on the outer edge of each lens, there is a photo sensor and a corresponding slider control. Adjusting the slider alters the level of resistance, therein changing the pitch of the sound. The theremin will produce different pitches and octaves depending on how much light the sensors receive. So, the wearer, or a nearby friend, waves their hands around the wearers head to control it.
The speaker and volume knob are cleverly disguised as the two ‘lenses’. Rotating the volume knob lens adjusts an internal potentiometer that’s held in place by a custom laser etched piece of acrylic. To top it all off, she even designed her own PCB using Eagle.
Check out a video demonstration after the break.
Continue reading “Steampunk theremin goggles”
We totally missed the ball on this project. It should have been run on April Fools’ day and you would have no idea if it were real or a hoax. That’s because the very serious performance given after the break is hard to watch without a least a bit of a chuckle. The instrument shown above is a Theremincello. It’s an instrument in the shape of a cello which functions in a similar way to a Theremin.
The instrument being played in that video clip is the first generation and the one pictured above is its successor. The creator wanted to refine the electronics so that the resulting sound wasn’t so ‘flutey’. The result can be heard on the video embedded in this Theremin World article and we think they’ve accomplished the goal; it sounds much better! In the clip [Thierry Frenkel] demonstrates changing notes on the fingerboard with the left hand. The right hand which would normally bow the strings operates the lever to adjust the volume of the note being played back.
If a single fingerboard isn’t enough for your needs you may consider building this four-track design instead.
Continue reading “Building a Theremincello”
This Digital IR Theremin creates tones based on the distance of an object from its IR sensor. There’s no microcontroller here, since the project is part of an Introduction to Digital Electronics course. Instead, it uses a handful of comparators, transistors, AND gates, and a 555 timer to make noise.
The comparators are connected to create window comparators. This configuration will output a digital 1 if the input is between two reference voltages, and 0 if it is not. Using this, the analog output of the IR range sensor can be converted to digital values.
The 555 timer takes care of creating the output waveform. A specific resistor is switched in to the timer’s RC circuit depending on which window comparator is active. This allows for a different tone to be played depending on the distance from the IR sensor.
The result is a square wave, which has a frequency dependant on how close an object is to the IR sensor. By selecting the right resistances for each distance, the theremin can be tuned to play a specific scale.
This is a neat project for people looking to learn digital electronics, and the write up does a great job of explaining the theory. After the break, check out a video of the theremin generating some tones.
Continue reading “Digital IR Theremin”
Multitouch builds are all the rage now, so it’s not surprising someone would come up with a multi-touchless interface sooner or later. [Hanspeter] did just that; his Multi-touchless ribbon controller, a.k.a. Polymagnetophonic Theremin is multi-touch without the touch.
[Hanspeter]’s touchless ribbon controller uses an array of 24 Hall effect sensors that activate whenever a magnet mounted on a thimble is placed near a build. These sensors go to an ARM-equipped Maple Mini to record multitouch events and send them out over Ethernet.
Even though [Hanspeter] is only using his “multi-touchless ribbon sensor” as a theremin, there’s no reason why it couldn’t be put to other uses. It’s entirely possible to place several of these magnetic sensors in an array and build a real Minority Report interface where the user interacts with a computer without touching anything.
After the break is a video demo showing off how much control [Hanspeter] can get with the thimble/magnet setup. There’s also a few demo songs made with SuperCollider showing off a trio of sitar/Moog/harpsichord synths.
Continue reading “Theremin takes the touch out of multitouch”
[Rob Morris] has been hard at working improving his guitar augmentation techniques. Here he’s demonstrating the use of an iPhone to control the effects while he plays. This builds on the work he shared a few years ago where he strapped a Wii remote to the body of his ax.
Just like the Wii remote, the iPhone includes an accelerometer. As you would expect the best parts of the older hack made it into this one, but the inclusion of the touch screen adds a lot more. In the clip after the break he starts by showing off the screen controlling a whammy bar functionality. But we really love the octave offset feature that comes next. This kind of sound manipulation simply can’t be done using a purely physical method (like the whammy bar can). But he’s not done yet. The demo finishes with a Theremin feature. You’ll notice he plucks a string but no sound comes out until he starts touching the screen. This turns it into an entirely different type of instrument.
The only info we have about putting this together is the list of packages he’s using: TouchOSC, Max/Msp, and GuitarRig
Continue reading “iPhone wielding guitar adds tip of your finger or tip the instrument control”