In our eyes, there isn’t a much higher calling for Arduinos than using them to make musical instruments. [victorh88] has elevated them to rock star status with his homemade electronic drum kit.
The kit uses an Arduino Mega because of the number of inputs [victorh88] included. It’s not quite Neil Peart-level, but it does have a kick drum, a pair of rack toms, a floor tom, a snare, a crash, a ride, and a hi-hat. With the exception of the hi-hat, all the pieces in the kit use a piezo element to detect the hit and play the appropriate sample based on [Evan Kale]’s code, which was built to turn a Rock Band controller into a MIDI drum kit. The hi-hat uses an LDR embedded in a flip-flop to properly mimic the range of an actual acoustic hi-hat. This is a good idea that we have seen before.
[victorh88] made all the drums and pads out of MDF with four layers of pet screen sandwiched in between. In theory, this kit should be able to take anything he can throw at it, including YYZ. The crash and ride cymbals are MDF with a layer of EVA foam on top. This serves two purposes: it absorbs the shock from the sticks and mutes the sound of wood against wood. After that, it was just a matter of attaching everything to a standard e-drum frame using the existing interfaces. Watch [victorh88] beat a tattoo after the break.
If you hate Arduinos but are still reading for some reason, here’s a kit made with a Pi.
Continue reading “Homemade E-Drums Hit All The Right Notes”
Piezoelectric sensors are great for monitoring mechanical impacts with a microcontroller. Whether you’re monitoring knocks on a door or watching a heartbeat, they are a cheap way to get the job done. They do have their downsides, though, so when [Jeremy] wanted to build an electronic drum set, he decided to use more expensive accelerometers to measure the percussive impacts instead.
Even though piezo sensors are cheap, they require a lot of work to get them working properly. The ADXL377 3-axis accelerometer that [Jeremy] found requires much less work, plus provides more reliable data due to a 1kHz low-pass filter at the output. In his setup, a Raspberry Pi handles all of the heavy lifting. An ADC on each drum sends data about each impact of the drum, and the Raspberry Pi outputs sound via the native Alsa driver and a USB sound card.
This project goes a long way to show how much simpler a project like this is once you find the right hardware for the job. [Jeremy]’s new electronic drums are very well documented as well if you are curious about using accelerometers on your newest project rather than piezo sensors. And, if you’re into drums be sure to see how you can have drums anywhere, or how you can build your own logic drums.
Continue reading “RaspiDrums Uses Expensive Sensors”
Filters and Drums
Logic Noise is an exploration of building raw synthesizers with CMOS logic chips. This session, we continue to abuse the 4069UB as an amplifier. We’ll turn the simple unity-gain buffer of last session into a single-pole active lowpass filter with a single part. (Spoiler: it’s a capacitor.)
While totally useful, this simple filter is a bit boring and difficult to make dynamic. So we’ll look into an entirely different filter, the Twin-T notch filter, that turns out to be sharp enough to build a sine-wave oscillator on, and tweakable enough that we’ll make a damped-oscillator drum sound out of it.
Here’s a quick demo of where we’re heading. Read on to see how we get there.
Continue reading “Logic Noise: Filters And Drums”
The students over at Cornell’s School of Electrical and Computer Engineering have been hard at it again with their senior projects. This time, it’s the very tiny and portable drumset dubbed Drums Anywhere by its creators [Shiva Rajagopal] and [Richard Quan]. Since there are other highly portable instruments like roll-up pianos, they suppose there should be a portable drum kit that actually sounds like drums, and this ECE duo have hit the metaphorical and physical drum on the head… except that this project doesn’t actually use physical drums to make sound.
The project consists of two 3D-printed box-like sensors with velcro straps that can be attached to any drumstick-shaped object that might be lying around. Inside the box is a flex sensor and a tiny microphone which report the “beats” to a microcontroller when they strike another object.
On the software side, there are two sampled sounds stored in the microcontroller but they plan to add more sounds in the future. The microcontroller outputs sound to a pair of speakers, and the sensors are sensitive to force, so the volume can range from almost inaudible all the way up to [John Bonham]-style booms. This could also be theoretically expanded to include more than two “beat boxes” for extra sounds, or be wireless. The options are virtually limitless, although the team notes that they are limited by the number of interrupts and ADC converters on their particular microcontroller, an ATmega1284.
This is another interesting take on a having drumset without the drums, and definitely expands the range of what a virtual drum set can do. It’s also great to see interesting projects coming from senior design classes! Be sure to check out the video after the break.
Continue reading “Drums Anywhere!”
If you’re going to be the drummer in a band for a Back to the Future themed New Years Eve party, you really need to add something to your gig that captures that kitschy futuristic ambiance as seen by the 80s. Rainbow LEDs will do the trick.
For his drum set’s reactive trailing light display, [Alec Smecher] was inspired by a similar project he’d seen in the past where Neopixels were added to a regular drum kit and activated with several individual microphones. Since the microphones ultimately heard all of the thundering noise from every drum and cymbal at once, there was a lot of bleed over in the response of the LEDs. To remedy this, [Alec] used piezo pickups which listen to discrete surface vibrations rather than sound in order to clean up the effect produced by the lights. Each of the five LED strips lining the stands of his cymbal and inside of his drums were programmed to react with a burst of light equal in brightness to the intensity of the vibration sensed by the piezo.
To insure everything kept together amidst all the constant motion and shaking during performance, [Alec] soldered his connections directly onto his Trinket’s pins as well as the fragile pickup of the piezo. The pickup of the sensors were taped directly against the skin of his drums and along the inside of each cymbal to maximize responsiveness. After ringing in the new year appropriately as the ‘band from the future’, [Alec] reports that his colorful addition worked fantastic the whole night.
Those interested in building their own can find a nice schematic on [Alec’s] blog as well as the code he used on github. Difficulty level taken into account, this is a great first project for a musician who has yet to dabble in electronics… and seeing that it’s a brand new year, there’s no better time to have a go at something new.
Continue reading “Sound Reactive Drums Of Trailing Light”
This tutorial from Adafruit shows how to create a custom interactive drum set that lights up with sound. It uses a mic amp sensor that is connected to a miniature Arduino Gemma board to detect when the instrument is being hit by the sticks. Neopixels then illuminate into a range of colors creating a beautifully synced up music presentation.
The container that houses the electronics is 3D printed. The entire circuit is integrated into the snare, mid-tom, hi-tom and a drum kick. All the code and step-by-step instructions can be found on Adafruit’s website. Now imagine something like this being packed up in a suitcase and carried from venue to venue as an up-and-coming band travels from state to state on tour; especially at Drum n’ Bass raves or electronic based music festivals. A video of the kit being used is below.
Continue reading “Gemma-Powered NeoPixel Sound Reactive Drums”
Although there are several vertical axis wind turbines listed on greenterrafirma’s page, the one built with 55 gallon drums was especially interesting to us. Although the spouse approval factor of any of these designs is debatable, at $100, the 55 gallon drum design could provide a very good return on investment. The tools required to make one of these are relatively simple, so this could make this experiment accessible to those without a vast arsenal of equipment.
If large blue barrels aren’t your thing, the post also features several other turbine designs, including one made with wood and aluminium foil, and one constructed out of PVC pipe. The video after the break does a good job of explaining the “blue barrel” construction process, but if you’d rather just see this [VAWT] in action, fast forward to 5:25.
Continue reading “Make A Wind Turbine From 55 Gallon Drums”