Retrotechtacular: Julius Sumner Miller Breaks Lamps With Magnets

If you watched the Mickey Mouse Club way back when, you might remember Professor Wonderful, who was, in reality, physics professor [Julius Sumner Miller]. He also had his own show, “Why Is It So?” along with appearances on talk shows. We recently ran across one of the shows from 1962 where [Miller] uses electromagnets to break a lamp.

[Miller] moved to Australia, and this episode is from the Australian version of “Why Is It So?” As you might expect, given the topic, the professor covers Oersted and Faraday.

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Retrotechtacular: Bleeding-Edge Memory Devices Of 1959

Although digital computers are – much like their human computer counterparts – about performing calculations, another crucial element is that of memory. After all, you need to fetch values from somewhere and store them afterwards. Sometimes values need to be stored for long periods of time, making memory one of the most important elements, yet also one of the most difficult ones. Back in the 1950s the storage options were especially limited, with a 1959 Bell Labs film reel that [Connections Museum] digitized running through the bleeding edge of 1950s storage technology.

After running through the basics of binary representation and the difference between sequential and random access methods, we’re first taking a look at punch cards, which can be read at a blistering 200 cards/minute, before moving onto punched tape, which comes in a variety of shapes to fit different applications.

Electromechanical storage in the form of relays are popular in e.g. telephone exchanges, as they’re very fast. These use two-out-of-five code to represent the phone numbers and corresponding five relay packs, allowing the crossbar switch to be properly configured.

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Retrotechtacular: Mr. Wizard Jams With IBM

You may not remember [Mr. Wizard], but he was a staple of nerd kids over a few decades, teaching science to kids via the magic of television. The Computer History Archives Project has a partially restored film of [Mr. Wizard] showing off sounds and noise on a state-of-the-art (for 1963) Tektronix 504 oscilloscope. He talks about noise and also shows the famous IBM mainframe rendition of the song “Daisy Bell.” You can see the video along with some extras below.

You might recall that the movie “2001: A Space Odyssey” paid homage to the IBM computer’s singing debut by having HAL 9000 sing the same song as it is being deactivated. The idea that HAL was IBM “minus one” has been repeatedly denied, but we still remain convinced.

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Retrotechtacular: RCA Loses Fight To IBM

If you follow electronics history, few names were as ubiquitous as RCA, the Radio Corporation of America. Yet in modern times, the company is virtually forgotten for making large computers. [Computer History Archive Project] has a rare film from the 1970s (embedded below) explaining how RCA planned to become the number two supplier of business computers, presumably behind behemoth IBM. They had produced other large computers in the 1950s and 1960s, like the BIZMAC, the RCA 510, and the Spectra. But these new machines were their bid to eat away at IBM’s dominance in the field.

RCA had innovative ideas and arguably one of the first demand paging, virtual memory operating systems for mainframes. You can hope they were better at designing computers than they were at making commercials.

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Retrotechtacular: IBM’s The World Of OCR

Optical Character Recognition (OCR) forms the bridge between the analog world of paper and the world of machines. The modern-day expectation is that when we point a smartphone camera at some characters it will flawlessly recognize and read them, but OCR technology predates such consumer technology by a considerable amount, with IBM producing OCR systems as early as the 1950s. In a 1960s promotional video on the always delightful Periscope Film channel on YouTube we can get an idea of how this worked back then, in particular the challenge of variable quality input.

What drove OCR was the need to process more paper-based data faster, as the amount of such data increased and computers got more capable. This led to the design of paper forms that made the recognition much easier, as can still be seen today on for example tax forms and on archaic paper payment methods like checks in countries that still use it. This means a paper form optimized for reflectivity, with clearly designated sections and lines, thus limiting the variability of the input forms to be OCR-ed. After that it’s just a matter of writing with clear block letters into the marked boxes, or using a typewriter with a nice fresh ink ribbon.

These days optical scanners are a lot more capable, of course, making many of such considerations no longer as relevant, even if human handwriting remains a challenge for OCR and human brains alike.

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Retrotechtacular: Learning The Slide Rule The New Old Fashioned Way

Learning something on YouTube seems kind of modern. But if you are watching a 1957 instructional film about slide rules, it also seems old-fashioned. But Encyclopædia Britannica has a complete 30-minute training film, which, what it lacks in glitz, it makes up for in mathematical rigor.

We appreciated that it started out talking about numbers and significant figures instead of jumping right into the slide rule. One thing about the slide rule is that you have to sort of understand roughly what the answer is. So, on a rule, 2×3, 20×30, 20×3, and 0.2×300 are all the same operation.

You don’t actually get to the slide rule part for about seven minutes, but it is a good idea to watch the introductory part. The lecturer, [Dr. Havery E. White] shows a fifty-cent plastic rule and some larger ones, including a classroom demonstration model. We were a bit surprised that the prestigious Britannica wouldn’t have a bit better production values, but it is clear. Perhaps we are just spoiled by modern productions.

We love our slide rules. Maybe we are ready for the collapse of civilization and the need for advanced math with no computers. If you prefer reading something more modern, try this post. Our favorites, though, are the cylindrical ones that work the same, but have more digits.

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Jerry Seinfeld dressed up as a honey bee promoting his film Bee Movie.

Retrotechtacular: The $550K Video Conferencing System Used To Make Bee Movie

The modern office environment has shifted in recent years. Employees are routinely asked to collaborate with co-workers half way around the globe and be camera ready, or whatever passes for webcam ready, in order to telecommute when they are out of office. Every office laptop, tablet, or cell phone these days comes equipped with some sort of camera sensor capable of recording at HD resolution. Twenty years ago, that was not the case. Though tech conglomerates like HP had a different idea of teleconferencing to sell back in 2005 dubbed the Halo Collaboration Studio.

The Halo Studio was a collaboration between HP and Dreamworks that was used during the production of Bee Movie. Studio heads at Dreamworks thought it necessary to install the HP teleconferencing solution inside the New York office of Jerry Seinfeld, the writer of the film, as to allow him to avoid long trips to Dreamworks production offices in Los Angeles. According to the HP Halo Collaboration Studio brochure, “Halo actually pays for itself, not only by reducing travel costs, but also by encouraging higher productivity and stronger employee loyalty.” Certainly Dreamworks believed in that sales pitch for Bee Movie, because the upfront asking price left a bit of a sting.

Less of a singular machine, more of an entire dedicated room, the Halo Studio had a $550,000 asking price. It utilized three 1280×960 resolution plasma screens each fitted with a 720p broadcast camera and even included an “executive” table for six. The room lighting solution was also part of the package as the intent was to have all participants appear true to life size on the monitors. The system ran on a dedicated T3 fiber optic connection rated at 45 Mbps that connected to the proprietary Halo Video Exchange Network that gave customers access to 24×7 tech support for the small sum of $30,000 a month.

For more Retrotechtacular stories, check out Dan’s post on the Surveyor 1 documentary. It’s out of this world.

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