Marion Stokes Fought Disinformation With VCRs

You’ve likely at least heard of Marion Stokes, the woman who constantly recorded television for over 30 years. She comes up on reddit and other places every so often as a hero archivist who fought against disinformation and disappearing history. But who was Marion Stokes, and why did she undertake this project? And more importantly, what happened to all of those tapes? Let’s take a look.

Marion the Librarian

Marion was born November 25, 1929 in Germantown, Philadelphia, Pennsylvania. Noted for her left-wing beliefs as a young woman, she became quite politically active, and was even courted by the Communist Party USA to potentially become a leader. Marion was also involved in the civil rights movement.

Marion Stokes on the set of her public access television show, Input.
Marion on her public-access program Input. Image via DC Video

For nearly 20 years, Marion worked as a librarian at the Free Library of Philadelphia until she was fired in the 1960s, which was likely a direct result of her political life. She married Melvin Metelits, a teacher and member of the Communist Party, and had a son named Michael with him.

Throughout this time, Marion was spied on by the FBI, to the point that she and her husband attempted to defect to Cuba. They were unsuccessful in securing Cuban visas, and separated in the mid-1960s when Michael was four.

Marion began co-producing a Sunday morning public-access talk show in Philadelphia called Input with her future husband John Stokes, Jr. The focus of the show was on social justice, and the point of the show was to get different types of people together to discuss things peaceably.

Outings Under Six Hours

Marion’s taping began in 1979 with the Iranian Hostage Crisis, which coincided with the dawn of the twenty-four-hour news cycle. Her final tape is from December 14, 2012 — she recorded coverage of the Sandy Hook massacre as she passed away.

In 35 years of taping, Marion amassed 70,000 VHS and Beta-max tapes. She mostly taped various news outlets, fearing that the information would disappear forever. Her time in the television industry taught her that networks typically considered preservation too expensive, and therefore often reused tapes.

But Marion didn’t just tape the news. She also taped various programs such as The Cosby Show, Divorce Court, Nightline, Star Trek, The Oprah Winfrey Show, and The Today Show. Some of her collection includes 24/7 coverage of news networks, all of which was recorded on up to eight VCRs: 3-5 were going all day every day, and up to 8 would be taping if something special was happening. All family outings were planned around the six-hour VHS tape, and Marion would sometimes cut dinner short to go home and change the tapes.

People can’t take knowledge from you.  — Marion Stokes

You might be wondering where she kept all the tapes, or how she could afford to do this, both financially and time-wise. For one thing, her second husband John Stokes, Jr. was already well off. For another, she was an early investor in Apple stock, using capital from her in-laws. To say she bought a lot of Macs is an understatement. According to the excellent documentary Recorder, Marion own multiples of every Apple product ever produced. Marion was a huge fan of technology and viewed it as a way of unlocking people’s potential. By the end of her life, she had nine apartments filled with books, newspapers, furniture, and multiples of any item she ever became obsessed with.

In addition to the creating this vast video archive, Marion took half a dozen daily newspapers and over 100 monthly periodicals, which she collected for 50 years. This is not to mention the 40-50,000 books in her possession. In one interview, Marion’s first husband Melvin Metelits has said that in the mid-1970s, the family would go to a bookstore and drop $800 on new books. That’s nearly $5,000 in today’s money.

Why Tapes? Why Anything?

It’s easy to understand why she started with VHS tapes — it was the late 1970s, and they were still the best option. When TiVo came along, Marion was not impressed, preferring not to expose her recording habits to any possible governments. And she had every right to be afraid, with her past.

Those in power are able to write their own history.  — Marion Stokes

As for the why, there were several reasons. It was a form of activism, which partially defined Marion’s life. The rest I would argue was defined by this archive she amassed.

Marion started taping when the Iranian Hostage Crisis began. Shortly thereafter, the 24/7 news cycle was born, and networks reached into small towns in order to fill space. And that’s what she was concerned with — the effect that filling space would have on the average viewer.

Marion was obsessed with the way that media reflects society back upon itself. With regard to the hostage crisis, her goal was trying to reveal a set of agendas on the part of governments. Her first husband Melvin Metelits said that Marion was extremely fearful that America would replicate Nazi Germany.

The show Nightline was born from nightly coverage of the crisis. It aired at 11:30PM, which meant it had to compete with the late-night talk show hosts. And it did just fine, rising on the wings of the evening soap opera it was creating.

To the Internet Archive

When Marion passed on December 14, 2012, news of the Sandy Hook massacre began to unfold. It was only after she took her last breath that her VCRs were switched off. Marion bequeathed the archive to her son Michael, who spent a year and half dealing with her things. He gave her books to a charity that teaches at-risk youth using secondhand materials, and he says he got rid of all the remaining Apples.

A screen capture of the Marion Stokes video collection on the Internet Archive.
Image via The Internet Archive

But no one would take the tapes. That is, until the Internet Archive heard about them. The tapes were hauled from Philadelphia to San Francisco, packed in banker’s boxes and stacked in four shipping containers.

So that’s 70,000 tapes at let’s assume six hours per tape, which totals 420,000 hours. No wonder the Internet Archive wasn’t finished digitizing the footage as of October 2025. That, and a lack of funding for the massive amount of manpower this must require.

If you want to see what they’ve uploaded so far, it’s definitely worth a look. And as long as you’re taking my advice, go watch the excellent documentary Recorder on YouTube. Check out the trailer embedded below.

Main and thumbnail images via All That’s Interesting

4 thoughts on “Marion Stokes Fought Disinformation With VCRs

  1. I hate to screw up a good story with facts, but this is such a bad take that you read somewhere else that now is snowballing into its own cringey fake lore. You are rewriting history and assigning motives that never existed – exactly the opposite of what you thumbsucked that Marion was about. It had nothing to do with any kind of activism. This is romanticising of history, based purely on today’s hindsight, which Stokes wasn’t privy to. Do you HONESTLY think she was expecting The Cosby Show to disappear, so it was solely on her to archive it? In what universe did you think that was a thing? I have hundreds of tapes recorded in the 80s and 90s as well (I couldn’t afford thousands), and I can tell you this: She recorded it because she wanted to have it at hand whenever she needed it. Occam’s razor, my friend. Plain and simple.

    1. Because breaking news never occurs and interrupts regularly-scheduled broadcasts, does it?

      Just because you’re bitter that, like many HaD commenters you’re getting on in life and realizing that nobody will remember you at all, let alone write about you after you pass away, don’t take it out on the editors here.

    2. What facts are you stating exactly? Any sources?

      Do you HONESTLY think she was expecting The Cosby Show to disappear,

      Maybe she did, maybe she didn’t. Do you think the same “reasoning” can be applied to EVERYTHING she recorded?

      She recorded it because she wanted to have it at hand whenever she needed it.

      Do you HONESTLY think she “just” wanted to have everything else she recorded at hand whenever she needed it?
      She probably recorded more than she could watch in her lifetime.

      Maybe she was just a very specific hoarder. Thou considering the technical requirements I kinda doubt that.

      1. “By the end of her life, she had nine apartments filled with books, newspapers, furniture, and multiples of any item she ever became obsessed with.”

        Maybe not that specific.

        I am not a mental health professional, but surely it’s possible that taping the airwaves may have been both an intentional effort to preserve history and a symptom of hoarding.

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