Jerry Seinfeld dressed up as a honey bee promoting his film Bee Movie.

Retrotechtacular: The $550K Video Conferencing System Used To Make Bee Movie

The modern office environment has shifted in recent years. Employees are routinely asked to collaborate with co-workers half way around the globe and be camera ready, or whatever passes for webcam ready, in order to telecommute when they are out of office. Every office laptop, tablet, or cell phone these days comes equipped with some sort of camera sensor capable of recording at HD resolution. Twenty years ago, that was not the case. Though tech conglomerates like HP had a different idea of teleconferencing to sell back in 2005 dubbed the Halo Collaboration Studio.

The Halo Studio was a collaboration between HP and Dreamworks that was used during the production of Bee Movie. Studio heads at Dreamworks thought it necessary to install the HP teleconferencing solution inside the New York office of Jerry Seinfeld, the writer of the film, as to allow him to avoid long trips to Dreamworks production offices in Los Angeles. According to the HP Halo Collaboration Studio brochure, “Halo actually pays for itself, not only by reducing travel costs, but also by encouraging higher productivity and stronger employee loyalty.” Certainly Dreamworks believed in that sales pitch forĀ Bee Movie, because the upfront asking price left a bit of a sting.

Less of a singular machine, more of an entire dedicated room, the Halo Studio had a $550,000 asking price. It utilized three 1280×960 resolution plasma screens each fitted with a 720p broadcast camera and even included an “executive” table for six. The room lighting solution was also part of the package as the intent was to have all participants appear true to life size on the monitors. The system ran on a dedicated T3 fiber optic connection rated at 45 Mbps that connected to the proprietary Halo Video Exchange Network that gave customers access to 24×7 tech support for the small sum of $30,000 a month.

For more Retrotechtacular stories, check out Dan’s post on the Surveyor 1 documentary. It’s out of this world.

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DIY B-Movie Robot Is A-OK

While we certainly agree that “Devil Girl From Mars” is an attractive movie title, we have yet to see this apparent British B-movie delight for ourselves. If [Cory Collins]’ fantastic build of Chani, the lumbering, terrifying robot that accompanies the vinyl-clad and caped Devil Girl in question is any indication, we bet it’s delightfully bad.

[Cory] was able to faithfully reproduce Chani — lights, lumbering and all — for less than $50. This price tag does not include the vacuum former required to make the domed head, but hey, it’s an investment into future projects.

[Cory] started by dissecting an R/C stunt car from Harbor Freight and stringing the innards up to a 3D-printed walking mechanism that’s been modified to use gear-reduced motors so it walks more slowly. While Chani is stomping around on TPU treads, the LEDs from the R/C car’s headlights shine inside of its dome. Chani’s boxy body is a big paper sculpture that looks spot-on to us when compared to the movie’s trailer.

We love the way that Chani walks — it sort of dips and glides along in a forward-facing Moonwalk fashion. As you can see in the video below, [Cory] totally nailed the robot’s gait, and it’s hilarious to watch Chani’s little coolant hose-looking arms dangle and shake as he makes his slow and menacing way across the table. Stick around for some scary nighttime footage of Chani against a thunderstorm.

Want your robots to move more like movie robots? All you gotta do is use the right tools.

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