Stylus Synth Should Have Used A 555– And Did!

For all that “should have used a 555” is a bit of a meme around here, there’s some truth to it. The humble 555 is a wonderful tool in the right hands. That’s why it’s wonderful to see this all-analog stylus synth project by EE student [DarcyJ] bringing the 555 out for the new generation.

The project is heavily inspired by the vintage stylophone, but has some neat tweaks. A capacitor bank means multiple octaves are available, and using a ladder of trim pots instead of fixed resistors makes every note tunable. [Darcy] of course included the vibrato function of the original, but no, he did not use a 555 for that, too. He used an RC oscillator. He put a trim pot on that, too, to control the depth of vibrato, which we don’t recall seeing on the original stylophone.

The writeup is very high quality and could be recommended to anyone just getting started in analog (or analogue) electronics– not only does [Darcy] explain his design process, he also shows his pratfalls and mistakes, like in the various revisions he went through before discovering the push-pull amplifier that ultimately powers the speaker.

Since each circuit is separately laid out and indicated on the PCB [Darcy] designed in KiCad for this project. Between that and everything being thru-hole, it seems like [Darcy] has the makings of a lovely training kit. If you’re interested in rolling your own, the files are on GitHub under a CERN-OHL-S v2 license,  and don’t forget to check out the demo video embedded below to hear it in action.

Of course, making music on the 555 is hardly a new hack. We’ve seen everything from accordions to paper-tape player pianos to squonkboxes over the years. Got another use for the 555? Let us know about it, in the inevitable shill for our tip line you all knew was coming. Continue reading “Stylus Synth Should Have Used A 555– And Did!”

Know Audio: Amplifier Nuts And Bolts

As we’ve followed a trail through Hi-Fi and audio systems from the listener’s ear towards the music source, we’ve reached the amplifier. In our previous article we gave a first introduction to distortion and how some amplifier characteristics can influence it, and here we’ll continue along that path and look at the amplifier itself. What types of audio amplifier circuits will you encounter, and what are their relative merits and disadvantages?

A Few Amplifier Basics

Horowitz and Hill's Transistor Man
Horowitz and Hill’s Transistor Man

If you know anything about a transistor, it’s probably that it’s a three terminal device whose output pin forms part of a potential divider whose state is dependent on what is presented to its input pin. The Art of Electronics had it as a cartoon of a man standing inside a bipolar transistor and adjusting a variable resistor between collector and emitter while watching an ammeter on the base.

Properly biased in its conducting range, a transistor can behave as a linear device, in which the potential divider voltage moves in response to the input in a linear relationship, and thus the voltage on the output is an amplified version of the voltage on the output. This is the simplest of transistor amplifiers, and because different types of amplifier are referred to by lettered classes, it’s known as a class A amplifier. Continue reading “Know Audio: Amplifier Nuts And Bolts”