If you have about an hour to kill, you might want to check out [Shahriar’s] video about the Stanford Research SR530 lock in amplifier (see below). If you know what a lock in amplifier is, it is still a pretty interesting video and if you don’t know, then it really is a must see.
Most of the time, you think of an amplifier as just a circuit that makes a small signal bigger in some way — that is, increase the voltage or increase the current. But there are whole classes of amplifiers designed to reject noise and the lock in amplifier is one of them. [Shahriar’s] video discusses the math theory behind the amplifier, shows the guts, and demonstrates a few experiments (including measuring the speed of sound), as well.
Continue reading “Lock In Amplifiers”
It sounds like a scene from a movie. A dark night in London, 1972. A young man walks alone, heading home after a long night of practicing with his band. His heavy Fender bass slung over his back, he’s weary but excited about the future. As he passes a skip (dumpster for the Americans out there), a splash of color catches his attention. Wires – not building power wires, but thinner gauge electronics connection wire. A tinkerer studying for his Electrical Engineering degree, the man had to investigate. What he found would become rock and roll history, and the seed of mystery stretching over 40 years.
The man was John Deacon, and he had recently signed on as bassist for a band named Queen. Reaching into the skip, he found the wires attached to a circuit board. The circuit looked to be an amplifier. Probably from a transistor radio or a tape player. Queen hadn’t made it big yet, so all the members were struggling to get by in London.
Deacon took the board back home and examined it closer. It looked like it would make a good practice amplifier for his guitar. He fit the amp inside an old bookshelf speaker, added a ¼ “ jack for input, and closed up the case. A volume control potentiometer dangled out the back of the case. Power came from a 9-volt battery outside the amp case. No, not a tiny transistor battery; this was a rather beefy PP-9 pack, commonly used in radios back then. The amp sounded best cranked all the way up, so eventually, even the volume control was removed. John liked the knobless simplicity – just plug in the guitar and play. No controls to fiddle with.
And just like that, The Deacy amp was born.
Continue reading “A Queen Mystery: The Legend of The Deacy Amp”
[Michael Wiebusch] found the leftovers of a wrecked vintage tube radio in a pile of electronics junk. Unfortunately, he could not recover any vacuum tubes in it. And to his dismay, it didn’t even have the output transformer, which he figured would have been useful in a guitar amplifier project. The output transformer is not easy to come by nowadays, so he was hoping to at least score that item for his future build. All he could dig out from his dumpster find was a pair of speakers and he ended up building nice Output-Transformer-Less Tube Guitar Amplifier around them.
Valve output stages are generally high-impedance which means they cannot be directly interfaced to low impedance speakers. An impedance matching output transformer is thus used to interface the two. Back in the day when valves were still the mainstay of audio electronics, many cheap amplifier designs would skimp on the output transformer to save cost, and instead use high impedance speakers connected directly to the amplifier output.
[Michael] found a nice reference design of an OTL amplifier for a 620 ohm single speaker. He decided to use the same design but because these speakers were about 300 ohm each, he would have to wire his two speakers in series. At this point, he decided to make his build useful as a proper guitar amplifier by adding a preamplifier stage replicated from another design that he came across. A regular halogen lamp 12V transformer takes care of the heater power supply for all the tubes, and a second, smaller 12V transformer is wired backwards to provide the 300V needed for the plate supply.
The final result is pretty satisfactory, considering that it all started with just a pair of junked speakers. Check out the result in the video after the break.
Continue reading “Dumpster Dive Speaker Results In Tube Amplifier”
We tend to think that there was a time in America when invention was a solo game. The picture of the lone entrepreneur struggling against the odds to invent the next big thing is an enduring theme, if a bit inaccurate and romanticized. Certainly many great inventions came from independent inventors, but the truth is that corporate R&D has been responsible for most of the innovations from the late nineteenth century onward. But sometimes these outfits are not soulless corporate giants. Some are founded by one inventive soul who drives the business to greatness by the power of imagination and marketing. Thomas Edison’s Menlo Park “Invention Factory” comes to mind as an example, but there was another prolific inventor and relentless promoter who contributed vastly to the early consumer electronics industry in the USA: Powel Crosley, Jr.
Continue reading “More Power: Powel Crosley and the Cincinnati Flamethrower”
[Andy_Fuentes22] likes to stream music, but is (understandably) underwhelmed by the sound that comes out of his phone. He wanted to build something that not only looks good, but sounds good. Something that could stream music through a Chromecast or a Raspi, but also take auxiliary input. Something awesome, like the Junkbots Sound System.
The ‘bots, named LR-E (Larry) and R8-CHL (Rachel), aren’t just cool pieces of art. They’re both dead-bug-walking bots with an LM386-based amplifier circuit and an AN6884-based VU meter in their transparent, industrial relay bodies. LR-E is the left channel, and his lovely wife is the right channel. The best part is that they are wired into the circuit through their 3.5mm plug legs and the corresponding jacks mounted in the Altoids tin base.
[Andy] built this labor of love from the ground up. He started with some very nice design sketches and took a bazillion pictures along the way. We think it sounds pretty good, but you can judge for yourself after the break. If VU meters are your jam, here’s another that’s built into the speaker.
Continue reading ““What is My Purpose?” You Amplify and Display Signals.”
Everyone has a chip-of-shame: it’s the part that you know is suboptimal but you keep using it anyway because it just works well enough. Maybe it’s not what you would put into a design that you’re building more than a couple of, but for a quick and dirty lashup, it’s just the ticket. For Hackaday’s [Adam Fabio], that chip is the TIP120 transistor. Truth be told, we have more than one chip of shame, but for audio amplification purposes, it’s the LM386.
The LM386 is an old design, and requires a few supporting passive components to get its best performance, but it’s fundamentally solid. It’s not noise-free and doesn’t run on 3.3 V, but if you can fit a 9 V battery into your project and you need to push a moderate amount of sound out of a speaker, we’ll show you how to get the job done with an LM386.
Continue reading “You Can Have My LM386s When You Pry Them From My Cold Dead Hands”
Hearing aids are probably more high-tech than you think. They are tiny. They have to go through a lot of trouble to prevent feedback. They need a long battery life. The good ones match their amplification to the inverse of your hearing loss (amplifying only the bands where you don’t hear as well).
[NotionSunday] put together a hearing amplifier project that probably doesn’t hit many of those design criteria. However, thanks to a 3D printed case, it looks pretty good. The device uses a dual opamp to boost the output from two microphones and feeds it to a conventional headphone.
Continue reading “Simple Hearing Amplifier”