Initial plans were to wire the microphone to an input jack, and the speaker to an output jack, but things didn’t remain so simple. The toy comes with a line-in and a headphone jack already, but the wiring scheme is strange and one of the inputs can also act as an output under certain conditions. [Simon] took the kitchen sink approach, throwing a bunch of jacks at the circuit and putting it all in a pedal case with some knobs to twiddle some parameters.
Eurorack synthesizer builds are known for a lot of things; simplicity isn’t necessarily one of them. However, not everything on a modular synthesizer build has to be inordinately complicated, a mess of wires, or difficult to understand. [little-scale] has built a neat and tidy module that might just find a place in your setup – the Chromatic Drum Gate Sync. The handy little device is based on a Teensy, and uses its USB MIDI libraries to make synchronizing hardware a snap.
The device has 12 channels, each responding to a single MIDI note. A note on message is used to set a gate high, and a note off message to set it low again. This allows very fine grained control of gates in a modular setup. The device can also output a variety of sync signals controlled by the USB MIDI clock – useful for keeping your modular rack in time with other digitally controlled synths.
It’s a build that espouses [little-scale]’s usual aesthetic – clean and tidy, with a focus on compactness. All the required details to build your own are available on Github.
We’re not sure what it is, but something about LEGO and music go together like milk and cookies when it comes to DIY musical projects. [Paul Wallace]’s Lego Music project is a sequencer that uses the colorful plastic pieces to build and control sound, but there’s a twist. The blocks aren’t snapped onto anything; the system is entirely visual. A computer running OpenCV uses a webcam to watch the arrangement of blocks, and overlays them onto a virtual grid where the positions of the pieces are used as inputs for the sequencer. The Y axis represents pitch, and the X axis represents time.
Embedded below are two videos. The first demonstrates how the music changes based on which blocks are placed, and where. The second is a view from the software’s perspective, and shows how the vision system processes the video by picking out the colored blocks, then using their positions to change different values which has an effect on the composition as a whole.
Part of the fun of watching action movies is imagining yourself as the main character, always going on exciting adventures and, of course, being accompanied by the perfect soundtrack to score the excitement and drama of your life. While having an orchestra follow you around might not always be practical, [P1kachu] at least figured out how to get some musical orchestration to sync up with how he drives his car, Fast-and-Furious style.
The idea is pretty straightforward: when [P1kachu] drives his car calmly and slowly, the music that the infotainment system plays is cool and reserved. But when he drops the hammer, the music changes to something more aggressive and in line with the new driving style. While first iterations of his project used the CAN bus, he moved to Japan and bought an old Subaru that doesn’t have CAN. The new project works on something similar called Subaru Select Monitor v1 (SSM1), but still gets the job done pretty well.
The hardware uses an Asus Tinkerboard and a Raspberry Pi with the 7″ screen, and a shield that can interface with CAN (and later with SSM1). The new music is selected by sensing pedal position, allowing him to more easily trigger the aggressive mode that his previous iterations did. Those were done using vehicle speed as a trigger, which proved to be ineffective at producing the desired results. Of course, there are many other things that you can do with CAN bus besides switching up the music in your car.
This isn’t [Emily’s] first rodeo. She previously built the mini CRT sculpture project seen to the left in the image above. Its centerpiece is a tiny CRT from an old video camera viewfinder, and it is fairly common for the driver circuit to understand composite video. And unlike CRTs, small video cameras with composite video output are easily available today for not much money. Together they bring a piece of 1980s-era video equipment into the modern selfie age. The cubic frame holding everything together is also the ground plane, but its main purpose is to give us an unimpeded view. We can admire the detail on this CRT and its accompanying circuitry representing 1982 state of the art in miniaturized consumer electronics. (And yes, high voltage components are safely insulated. Just don’t poke your finger under anything.)
With the experience gained from building that electrically simple brass frame, [Emily] then stepped up the difficulty for her follow-up project. It started with a sound synthesizer circuit built around a pair of 555 timers, popularized in the 1980s and nicknamed the Atari Punk Console. Since APC is a popular circuit found in several other Hackaday-featured projects, [Emily] decided she needed to add something else to stand out. Thus in addition to building her circuit in three-dimensional brass, two photocells were incorporated to give it rudimentary vision into its environment. Stimulus for this now light-sensitive APC were provided in the form of a RGB LED. One with a self-contained circuit to cycle through various colors and blinking patterns.
These two projects neatly bookend the range of roles brass rods can take in your own creations. From a simple frame that stays out of the way to being the central nervous system. While our Circuit Sculpture Contest judges may put emphasis the latter, both are equally valid ways to present something that is aesthetic in addition to being functional. Brass, copper, and wood are a refreshing change of pace from our standard materials of 3D-printed plastic and FR4 PCB. Go forth and explore what you can do!
The harp is an ancient instrument, but in its current form, it seems so unwieldy that it’s a wonder that anyone ever learns to play it. It’s one thing to tote a rented trumpet or clarinet home from school to practice, but a concert harp is a real pain to transport safely. The image below is unrelated to the laser harp project, but proves that portable harping is begging for some good hacks.
Enter this laser harp, another semester project from [Bruce Land]’s microcontroller course at Cornell. By replacing strings with lasers aimed at phototransistors, [Glenna] and [Alex] were able to create a more manageable instrument that can be played in a similar manner. The “strings” are “plucked” with the fingers, which blocks the laser light and creates the notes.
But these aren’t just any old microcontroller-generated sounds. Rather than simply generating a tone or controlling a synthesizer, the PIC32 uses the Karplus-Strong algorithm to model the vibration of a plucked string. The result is very realistic, with all the harmonics you’d expect to hear from a plucked string. [Alex] does a decent job putting the harp through its paces in the video below, and the write-up is top notch too.
If you think that this scratch instrument looks as though it should be at least… three times larger in order to be useful, you’d be wrong. This mighty pocket-sized instrument can really get the club hopping despite its diminuitive size. Despite that, the quality of the build as well as its use of off-the-shelf components for almost every part means that if you need a small, portable turntable there’s finally one you can build on your own.
[rasteri] built the SC1000 digital scratch instrument as a member of the portabilist scene, focusing on downsizing the equipment needed for a proper DJ setup. This instrument uses as Olimex A13-SOM-256 system-on-module, an ARM microprocessor, and can use a USB stick in order to load beats to the system. The scratch wheel itself uses a magnetic rotary encoder to sense position, and the slider is miniaturized as well.
If you want to learn to scratch good and learn to do other things good too, there’s a demo below showing a demonstration of the instrument, as well as a how-to video on the project page. All of the build files and software are open-source, so it won’t be too difficult to get one for yourself as long as you have some experience printing PCBs. If you need the rest of the equipment for a DJ booth, of course that’s also something you can build.