Op-Amp Challenge: A Low Noise Amplifier For Those Truly Low Noise Measurements

When something is described as “Low Noise”, it is by the nature of the language a relative phrase. The higest quality magnetic tape is low noise compared to its cheaper sibling for example, but still has noise many would consider unacceptable. In instrumentation however, “Low Noise” has to really mean just that, with a range of specialist techniques to produce circuitry with a truly low noise level for the most demanding of signal applications. As an example [Floydfish] has created a low noise instrumentation amplifier that should serve as a learning exercise for anyone interested in pushing low noise circuitry to the limit.

Anyone who can dredge the hazy recesses of their mind for barely-remembered electronics lectures will know that the overall noise figure of a system is dictated by that of its first component. Thus perhaps the most interesting part of the schematic is at the input, where a row of low-noise op-amps are presented in parallel. We have to admit having to look this one up, to find that it’s a technique whereby the signal outputs of each chip are the same and thus sum, while the noise output of each is different and thus the summed noise output is proportionally lower. This stage is then followed by a buffer and a set of filters for different output frequency ranges.

Our op-amp competition of which this is a part is certainly delivering the goods when it comes to the amny techniques with which these versatile parts can be used. Few of us may need to make such a low noise amplifier, but at least now we’ve learned how.

Low Noise Floor Microphone

[Matt] likes to make videos (and he’s pretty good at it judging by the quality of his videos). But video isn’t much without audio. Handheld recorders with small built-in microphones have a fairly high noise floor so [Matt] has a Rode NT1-A — a pricey but very quiet microphone. However, for field work, it isn’t handy since it requires a power supply and preamp to go along with it.

low-noise-floor-binaural-microphoneAnother problem is that for stereo recording you need two and because they are quiet, they tend to pick up handling noise so you probably need to mount them on tripods. That’s all too much to carry around, especially on a hike. So [Matt] cannibalized two microphones. He repackaged them in a shock mount (made from a bird feeder and elastic), and added a battery pack and a custom preamp. The shock mount eliminates the handling noise and the custom PC boards mean you don’t have to carry a lot of extra gear.

The end result (see the video below) looks like someone made a purse out of a tribble, but it does sound good. If you hang on through most of the video (of fast forward to about 7:25), you can hear the microphones picking up thunderstorms, the ocean, the wind, and even [Matt’s] heartbeat.

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