Long before audio engineers had fancy digital delays, or even crappy analog delays, there were tape delays. Running a tape around in a loop with a record and play head is the basis of the Echoplex and Space Echo, and both of these machines are incredible pieces of engineering.
Microcassette recorders are not, in general, incredible pieces of engineering. They do, however, have a strip of magnetic tape, a record head, and a play head. Put two of them together, and you can build your own tape delay.
The basic principle of a tape delay is simple enough – just run a loop of tape round in a circle, through a record and playback head, record some audio, and send the output to an amplifier. In practice, it’s not that simple. [dogenigt] had to manufacture his own tape loop from microcassettes, a process that took far too long and was far too finicky.
For a control circuit, [dogenigt] is using four audio pots and one linear pot for speed control. The audio pots are responsible for input gain, feedback, the amplitude of the clean signal, and the output of the signal after it’s been run through the delay.
Apart from being one of those builds that’s very dependent on the mechanical skill of the builder, it’s a pretty simple delay unit, with all the electronics already designed for a stripboard layout. You can hear an example of what it sounds like below.
Continue reading “Microcassette Recorders Become A Tape Delay”
We’ve seen inventive sound hacking from [Jeremy Bell] before on Hackaday. You may remember reading a few months ago about how he invented a new way to produce that familiar effect DJs create when scratching records. By clipping samples from cassette tapes and stretching them across a set of short rails, he was able to refashion the audio pickup to glide over the tape at his fingertips. With a clothes pin wrapped in strips of foil teetering over a contact, he had a responsive tactile switch to aid in producing the cutting needed to carve out a beat.
Since then, [Jeremy] has been evolving this same switch concept and testing out new applications for it. The most recent of which he appropriately referrers to as the “Rocker”. With an electric guitar as a starting point, [Jeremy] uses a similar switching technique to bounce back and forth between two audio signals. The first of which being the sound produced in real-time by hammering on the frets of the guitar, and the second channel having a slight delay. By leveraging the glitchy effect created when switching between the two channels he is able to produce a sound all its own.
The prototype seen in his video is table-bound like the early versions of his Scrubboard, yet he’s able to play one-handed with the guitar and demo his device like a cake walk. It’d be fantastic to see this quirkiness and ingenuity taken to the level of his previous hack, leading to a stand-alone add-on for the guitar. Either way, this is yet another great example of sound play:
Continue reading “Rocking a New Sound for Guitar”