Video Feedback Machine Creates Analog Fractals

One of the first things everyone does when they get a video camera is to point it at the screen displaying the image, creating video feedback. It’s a fascinating process where the delay from image capture to display establishes a feedback loop that amplifies the image noise into fractal patterns. This sculpture, modestly called The God Machine II takes it to the next level, though.

We covered the first version of this machine in a previous post, but the creator [Dave Blair] has done a huge amount of work on the device since that allows him to tweak and customize the output that the device produces. His new version is quite remarkable, allowing him to create intricate fractals that writhe and change like living things.

The God Machine II is a sophisticated build with three cameras, five HD monitors, three Roland video switchers, two viewing monitors, two sheets of beam splitter glass, and a video input. This setup means it can take an external video input, capture it, and use it as the source for video feedback, then tweak the evolution of the resulting fractal image, repeatedly feeding it back into itself. The system can also control the settings for the monitor, which further changes the feedback as it evolves. [Blair] refers to this as “trapping the images.”

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Video Feedback Effects Make A Glorious Spectacle In HD

Video feedback is perhaps best known for its appearance in the film clip to Bohemian Rhapsody. It’s not a particularly popular effect that you see too often, as it’s rather messy to set up what with cameras filming screens and what not. Regardless, the effects possible are glorious, as demonstrated by [Dave Blair] and his amazing video feedback kinetic sculpture.

No computer is involved at all in the process – it’s just classic, old school video feedback. It’s produced by pointing a camera at a screen and feeding the image back to that same screen. Three cameras are combined with twin video switchers and a beam-splitting pane of glass, along with a source image via an HDMI input.

By turning and spinning the various cameras, [Dave] is able to generate beautiful curving fractal-like effects using the source imagery, with a rainbow of color melting and warping together as he interacts with the sculpture. It’s a beautiful effect and something we’re surprised we don’t see more of in the video industry.

Hopefully [Dave] is enlisted to put his machine to work on the next [Doja Cat] film clip so we can get more of this goodness. Video after the break.

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