We’ve got to admit, we don’t have any idea what to call this hack. Artist [Graham Dunning] refers to it somewhat dryly as the “Mechanical Techno method”, but that doesn’t quite do it justice. We’re thinking “Turntable-sequencer-synthesizer-beat-box-dub-stepper thingy. With cowbell.”
Call it what you will, but [Graham] has really gone the distance in extracting as much sound as possible from the humble turntable, which is used as more of a synchronizer than a sound source. Although it does play records too – at least part of them; [Graham] masks the grooves and anchors the tone arm so that only part of a track is played. Other records are masked with conductive film over which wiper contacts are placed, providing triggers for various synthesizers. Particularly clever is the mechanical percussion section; a record is cut radially to form cams that mechanical followers trip over periodically to hit either the cone of a woofer for bass notes, or a cowbell for – well, cowbell.
It may not appeal to everyone, but you’ve got to admit there’s something mesmerizing about watching this rig in action. The beat is pretty catchy, and as you can see in the live performance video after the break, there’s a lot of room for [Graham] to express himself with this instrument. We wouldn’t mind seeing how Compressorhead would put this rig to work in their performances either.
Thanks for the tip, [Shrad]
take a look at any other if the videos on that yt channel…. its quite obvious its just some kids on acid
acid? what is this, the 70s?
Well that’s something but I’ll be damned if I know what!
It’s certainly an interesting and creative blend of the mechanical and electronic, but I obviously don’t take the right drugs to appreciate the output.
I could almost see this as being good enough to call music if he could manage to line up the triggering of synth “voices” (instrument hits?) to the beat. Maybe he just needs a little bit more practice.