music

432 Articles

Digital Audio Workstation In A Box

September 23, 2024 by 4 Comments

Although it’s still possible to grab a couple of friends, guitars, and a set of drums and start making analog music like it’s 1992 and there are vacant garages everywhere yearning for the sounds of power chords, the music scene almost demands the use of a computer now. There are a lot of benefits, largely that it dramatically lowers the barrier to entry since it greatly reduces the need for expensive analog instruments. It’s possible to get by with an impressively small computer and only a handful of other components too, as [BAussems] demonstrates with this tiny digital audio workstation (DAW).

The DAW is housed inside a small wooden box and is centered around a Behringer JT-4000 which does most of the heavy lifting in this project. It’s a synthesizer designed to be as small as possible, but [BAussems] has a few other things to add to this build to round out its musical capabilities. A digital reverb effects pedal was disassembled to reduce size and added to the DAW beneath the synthesizer. At its most basic level this DAW can be used with nothing but these components and a pair of headphones, but it’s also possible to add a smartphone to act as a sequencer and a stereo as well.

For a portable on-the-go rig, this digital audio workstation checks a lot of the boxes needed including MIDI and integration with a computer. It’s excellent inspiration for anyone else who needs a setup like this but doesn’t have access, space, or funds for a more traditional laptop- or desktop-centered version. For some other small on-the-go musical instruments we recently saw a MIDI-enabled keyboard not much larger than a credit card.

Digital Bumper Sticker Tells Everyone What You’re Listening To

September 12, 2024 by 23 Comments

Bumper stickers are usually political, crude, or otherwise inflammatory. Rather a more fun example is this digital creation from [Guy Dupont], who made a bumper sticker that broadcasts what he’s listening to on the stereo.

[Guy] found a nice wide 11-inch bar LCD that was the right aspect ratio to suit the “bumper sticker” aesthetic. It had an HDMI interface, so he decided to drive it with a Raspbery Pi Zero 2W. Power for the system was derived from 12-volt lines going to his vehicle’s rear view camera. For an enclosure, he simply stuck the Pi and a buck converter on the back of the display and heat shrinked the whole thing. He also threw some magnets in there to stick it to the car.

How does the screen know what song to display? Well, [Guy] already has his Spotify listens scrobbling to Last.fm. Thus, he just made a script that scrapes his Last.fm page, which runs on a Particle Boron microcontroller, which has a cellular connection of its own. The Boron gets the song data, and spits it over to the Pi via Bluetooth. Then the Pi generates an image for the display.

Oh, and there’s also a neat Easter Egg. In honor of brat summer, the background changes to #8ACE00 green if the system detects you’re listening to Charli XCX. Neat.

It’s a neat build with a lot of moving parts. We’re surprised we haven’t seen anything like this before though, it’s really rather fun. Also, how’s about that taste of the old Internet—when was the last time you heard somebody mention scrobbling? Gosh, we’re getting old.

We’ve featured some of [Guy’s] works before, too, like the amusing Mailblocks project. Video after the break.

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Building A Subwoofer Box Out Of Decking Material

September 12, 2024 by 8 Comments

When you go to build a subwoofer box, wood is the most common choice. When it came to his project, though, [Startup Chuck] decided to go a different route entirely. Rather than the usual plywood or MDF, he decided to try Trex decking instead. Why? He had some lying around, and he suspected it might just sound good.

If you’re unfamiliar with it, Trex decking is a composite material made of recycled materials like reclaimed wood and plastic film. The best part, though? Trex decking is twice as dense as MDF. That makes it good for speaker box use because it flexes less and thus absorbs less energy from the subwoofer. [Chuck] walks us through cutting out the parts for the box and the subsequent assembly. Ultimately, it’s not dissimilar from building a speaker box out of wood; the material is simply not that different—just denser.

[Chuck] also puts his new sub through some quick little tests, demonstrating that minimal vibration is passed through to the enclosure itself. He reports that the final build has a “nice, deep sound.” Meanwhile, if you don’t like working with your hands, you could always 3D-print your speaker enclosures instead.

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A Non-Musical Use Case For 8-Track

August 28, 2024 by 23 Comments

There was a time in the not-too-distant past when magnetic tape was the primary way of listening to and recording audio. Most of us are familiar with the cassette tape, a four-track system that plays first one side of the tape, then the other. There was the eight-track tape as well which did not have quite as much popularity or longevity but did have a few interesting features that [Serial Hobbyism] took advantage of to make an interactive game.

The defining feature of the eight-track system, beyond the obvious eight tracks on the tape, is that the tape runs in a continuous loop, never needing to be stopped or flipped over. Instead, four buttons select pairs of the eight tracks, moving a head immediately to make the switch on-the-fly. [Serial Hobbyism]’s game plays a trivia-style audio recording and asks the player to answer questions by pushing one of the four “program” buttons to switch tracks. If the correct track is selected, the recorded audio congratulates the player and then continues on with the game. Likewise, if an incorrect track is selected, the recording notes that and the game continues.

Another interesting feature of this game is that it can be played without modifying an eight-track player, as the selectable tracks are a core function of this technology. They can be used in a similar way as cassette tapes to store computer data and a data recorder similar to the eight-track system was used on the Voyager space probes, although these only bear a passing resemblance.

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The Commodordion Gets A Big Usability Upgrade

August 28, 2024 by 14 Comments

The chiptune scene is dominated by Game Boys and other Nintendo hardware, but one should never forget the gorgeous, beautiful tones that come from the hallowed Commodore 64. [Linus Åkesson] knows this well, and it’s at the heart of his work on the Commodordion. Now, he’s built an even better version.

The original idea he had was to build an accordion-like control surface for the SID chip in a Commodore 64. The device is capable of creating beautiful accordion-like music with a simple 8-bit flair. He has since dubbed the original Commodordion the “bass Commodordion,” while the new version is classified as a tenor instrument.

The prime upgrades are ergonomic. The previous instrument was too heavy, with the left hand having to carry an entire Commodore 64 on its own. It was also hard to reach the keys. The new version is much lighter, with one of the two C64s of the original having been removed. The supporting electronics have been redesigned to more neatly fit into a space behind the bellows.

The result is a machine that’s far easier to play, and one that won’t injure the user in extended play sessions. “It’s now a pleasure, not a pain,” says [Linus]. The payoff in usability is obvious, and the tunes themselves are hauntingly beautiful.

We first covered the Commordordion back in 2022, but it wasn’t the first time we saw one of [Linus]’s impressive creations.

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The Macintosh Plus Sounds Great If You Do Exactly This With It

August 26, 2024 by 3 Comments

The Macintosh Plus is not exactly known as particularly relevant in the worlds of chiptune or electronic music more broadly. That’s not to say it can’t do anything that sounds cool, however. As [Action Retro] demonstrates,  it’s got some really impressive tricks up its sleeve if you know what you’re doing.

The video centers around “Music Mouse”, a piece of software created by Laurie Spiegel for the Macintosh Plus all the way back in 1986. Spiegel saw the Macintosh Plus as a potential instrument for musical expression, with the then-innovative mouse as the key human interface.

[Action Retro] shows off the software, which is able to create rather pleasing little melodies with little more than a swish and a swash across the mousepad. The software makes smart use of scales so you’re not forever dodging around dissonant notes, so it’s quite easy to play something beautiful. He then makes things more interesting by pairing the Macintosh Plus with his favorite guitar pedal—the Old Blood Noise Endeavors Sunlight. It’s a dynamic reverb that really opens up the sonic landscape when paired with the Mac Plus. If you’re looking for a weird avant-garde setup to take on stage at your next noise show, this has to be it.

We’re usually used to seeing Nintendo and Commodore products in the retro computer music space. The Mac makes a nice change. Video after the break.

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Get More Freedom With This Guitar Pedal

August 19, 2024 by 13 Comments

When the electric guitar was first produced in the 1930s, there was some skepticism among musicians as to whether or not this instrument would have lasting impact or be a flash-in-the-pan novelty. Since this was more than a decade before the invention of the transistor, it would have been hard then to imagine the possibilities that a musician nowadays would have with modern technology to shape the sound of an instrument like this. People are still innovating in this space as well as new technology appears, like [Gary Rigg] who has added a few extra degrees of freedom to a guitar effects pedal.

A traditional expression pedal, like a wah-wah pedal, uses a single motion to change an aspect of the sound of the guitar, and is generally controlled with the musician’s foot. [Gary]’s pedal, on the other hand, can be manipulated in three different ways to control separate elements of the instrument’s sound. It can be pitched forward and back like a normal effects pedal, but also rolled side-to-side and twisted around its yaw axis. The pedal has a built-in IMU to measure the various position changes of the pedal, which is then translated by an RP2040 microcontroller to a MIDI signal which controls the three different aspects of the sound digitally.

While the yaw motion might be difficult for a guitarist to create with their foot while playing, the idea for this pedal is still excellent. Adding in a few more degrees of freedom gives the musician more immediate control over the sound of their instrument and opens up ways of playing that might not be possible or easy with multiple pedals, with the MIDI allowing for versatility that might not be available in many analog effects pedals. Not every pedal needs MIDI though; with the help of a Teensy this digital guitar pedal has all its effects built into a self-contained package.

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