If you like to read with gentle music playing, do yourself a favor and start the video while you’re reading about [Hugo Swift]’s MIDISWAY. The song is Promises, also by [SWIFT], which has piano phrases modulated during the actual playing, not in post-production.
The MIDISWAY is a stage-worthy looking box to sit atop your keys and pulse a happy little LED. The pulsing corresponds to the amount of pitch bending being sent to your instrument over a MIDI DIN connector. This modulation is generated by an Arduino and meant to recreate the effect of analog recording devices like an off-center vinyl or a tape that wasn’t tracking perfectly.
While recording fidelity keeps inching closer to perfect recreation, it takes an engineer like [Hugo Swift] to decide that a step backward is worth a few days of hacking. Now that you know what the MIDISWAY is supposed to do, listen closely at 2:24 in the video when the piano starts. The effect is subtle but hard to miss when you know what to listen for.
MIDI projects abound at Hackaday like this MIDI → USB converter for getting MIDI out of your keyboard once you’ve modulated it with a MIDISWAY. Maybe you are more interested in a MIDI fighter for controlling your DAW. MIDI is a robust and time-tested protocol which started in the early 1980s and will be around for many more years.
Part of the problem with getting involved in a new hobby is the cost. Whether you’re learning to surf, weld, garden, or program, often the entry cost is several hundred dollars. We’re huge fans of things with low barriers to entry, though, so we were happy to see the latest project from [pappas.chris] which promises to introduce newcomers to the musical hobby of synthesizers for just over $20.
The build revolves around an STM32F7 microcontroller and offers a 6-voice virtual analog synthesizer. The build is expandable, too, so if you want to build on the STM platform with any other add ons the process is relatively simple. This might not be necessary for a while, though; the current iteration offers many features that a typical synthesizer would have. Exhausting the possibilities with this tiny device will take some effort.
Since the synth is built on a common microcontroller platform, it’s easily programmable too, which isn’t often a feature of commercial synthesizers. You can listen to a sample audio file on the project page, and get started building your own as well. If you don’t have your own keyboard to use with it, there are other DIY synths that cover that area as well.
Many of us have put our making/hacking/building skills to use as a favor for our friends and family. [Boris Werner] is no different, he set about creating a music festival stage with Playmobil figures and parts for a couple of friends who were getting married. The miniature performers are 1/24 scale models of the forming family. The bride and groom are on guitar and vocals while junior drums.
Turning children’s toys into a wedding-worthy gift isn’t easy but the level of detail [Boris Werner] used is something we can all learn from. The video after the break does a great job of showing just how many cool synchronized lighting features can be crammed into a tiny stage in the flavor of a real show and often using genuine Playmobil parts. Automation was a mix of MOSFET controlled LEDs for the stage lighting, addressable light rings behind the curtain, a disco ball with a stepper motor and music, all controlled by an Arduino.
Unless you are some kind of Playmobil purist, this is way cooler than anything straight out of the box. This is the first mention of Playmobil on Hackaday but miniatures are hardly a new subject like this similarly scaled space sedan.
Let’s say you’ve got a modular synthesizer. You’re probably a pretty cool person. But all your cool laptop DJ friends keep showing off their MIDI-controlled hardware, and you’re getting jealous. Well, [little-scale] has the build for you.
The Teensy 3.6 is the current top-of-the-line Teensy from PJRC, and it’s [little-scale]’s weapon of choice here. With USB-MIDI and two 12-bit DACs on board, it’s made creating an interface between the worlds of analog and digital music into a remarkably simple job. Control voltages for pitch and velocity are pushed out over the analog pins, while pin 29 is used for gate signals.
Musicians have an array of electronic tools at their disposal to help make music these days. Some of these are instruments in and of themselves, and [Wai Lun] — inspired by the likes of Choke and Shawn Wasabi — built himself a midi fighter
Midi fighters are programmable instruments where each button can be either a note, sound byte, effect, or anything else which can be triggered by a button. [Lun]’s is controlled by an ATmega32u4 running Arduino libraries — flashed to be recognized as a Leonardo — and is compatible with a number of music production programs. He opted for anodized aluminum PCBs to eliminate flex when plugging away and give the device a more refined look. Check it out in action after the break!
When it comes to making music, there are really only a few ways to create the tones needed — pluck something, blow into something, or hit something. But where does that leave this dry-ice powered organ that recreates tunes with wind chimes and blocks of solid CO2?
It turns out this is firmly in the “hit something” camp, as [Leah Edwards] explains of her project. When the metal wind chime tubes come in contact with dry ice, the temperature difference sublimates the solid CO2. The puff of gas lifts the tube slightly, letting it fall back against the brick of dry ice and making a tone. The process is repeated rapidly, providing a vibrato effect while the tube is down. [Leah] used solenoids to lift the tubes and, having recently completed a stint at National Instruments, a bunch of NI gear to control them. The videos below show a few popular tunes and a little bit about the organ build. But what — no songs from Frozen?
Most projects have one or two significant aspects in which custom work or clever execution is showcased, but this Music Box Hole Punching Machine by [Josh Sheldon] and his roommate [Matt] is a delight on many levels. Not only was custom hardware made to automate punching holes in long spools of paper for feeding through a music box, but a software front end to process MIDI files means that in a way, this project is really a MIDI-to-hand-cranked-music-box converter. What a time to be alive.
The hole punch is an entirely custom-made assembly, and as [Josh] observes, making a reliable hole punch turns out to be extremely challenging. Plenty of trial and error was involved, and the project’s documentation as well as an overview video go into plenty of detail. Don’t miss the music box version of “Still Alive”, either. Both are embedded below.