Photogrammetry is a great way to produce accurate 3D models of real objects. A turntable is often a common tool used in this work as it helps image an object from all angles. [Peter Lin] wanted a way to run the photogrammetry process with minimal human intervention, and set about building an automated turntable setup.
The build relies on a smartphone to take images of the physical object. The phone is triggered to take photos by an ESP8266, which fires the shutter via the phone’s audio socket. The microcontroller then turns the turntable on for a short period of time after each shot, rotating it by a set angle.
The build still requires objects to be repositioned in various orientations on the turntable now and then, in order to capture the top and bottom areas that would otherwise be obscured. However, the grunt work of taking the photos and rotating the objects is now entirely automated.
For me, the vinyl record player is the spiritual home of my audio listening experience, probably because I’m of the last generation to grow up when vinyl was king. The 12″ album, with its full-size sleeve and copious sleeve notes, used to be an integral part of musical enjoyment that hasn’t been adequately replicated in the age of streaming.
And like anyone who became an adult while CD players were still expensive luxury items, I started my journey into Hi-Fi with a turntable set-up that sounded pretty good. Since a new generation have in recent years rediscovered vinyl, it’s once again something that should be part of any review of audio technology.
I would have started this piece with a full run-down of the constituent parts of a good turntable, but since that’s a piece that I wrote back in 2017, it’s time to investigate some of the audiophile claims about vinyl recordings. It’s fair to say that this is an area where a lot of complete rubbish is spouted by people who should know better, and that’s something I find immensely entertaining to poke fun at. Buckle up. Continue reading “Know Audio: Get Into The Groove”→
3D scanners aren’t cheap, and the last thing you want to see after purchasing one is bad data. But that’s what [Dave Does] and others were getting from their Revopoint POP scanners until some communal brainstorming uncovered the reason: the motorized turntable that came with the Kickstarter edition of the product was spinning too fast for the software to accurately keep track of the object. So he decided to replace the stepper motor controller in his turntable and document the process for anyone else who’s scanner might be struggling.
In the video below, [Dave] pops open the plastic case of the turntable and reveals a pretty sparse interior. There’s an incredible amount of empty space inside, and even some mounting studs to screw down new components, should you want to get into some hardcore upgrades. But for his purposes, a generic stepper motor controller that featured a potentiometer to adjust the speed was enough. He found a suitable board online for around $5 USD, and got to designing a 3D printed bracket that mates up to the existing screw holes on the turntable.
But it’s not exactly a drop-in replacement. For one thing, you’ve got to pop a hole in the side of the enclosure for the potentiometer knob to stick out of. You’ve also got to solder wires coming from the original DC jack and power switch to the new board to get it hooked up, but at least the motor plugs right in. In the video below, you can see [Dave] demonstrate the impressively deep throttle capability of the new driver.
Clocks are a popular project around here, and with good reason. There’s a ton of options, and there’s always a new take on ways to tell time. Clocks using lasers, words, or even ball bearings are all atypical ways of displaying time, but like a mathematician looking for a general proof of a long-understood idea this clock from [Julldozer] shows us a way to turn any object into a clock.
His build uses AA-powered clock movements that you would find on any typical wall clock, rather than reaching for his go-to solution of an Arduino and a stepper motor. The motors that drive the hands in these movements are extremely low-torque and low-power which is what allows them to last for so long with such a small power source. He uses two of them, one for hours and one for minutes, to which he attaches a custom-built lazy Suzan. The turntable needs to be extremely low-friction so as to avoid a situation where he has to change batteries every day, so after some 3D printing he has two rotating plates which can hold any object in order to tell him the current time.
While he didn’t design a clock from scratch or reinvent any other wheels, the part of this project that shines is the way he was able to utilize such a low-power motor to turn something so much heavier. This could have uses well outside the realm of timekeeping, and reminds us of this 3D-printed gear set from last year’s Hackaday prize.
Hackaday editors Elliot Williams and Mike Szczys stomp through a forest full of highly evolved hardware hacks. This week seems particularly plump with audio-related projects, like the thwack-tackular soldenoid typewriter simulator. But it’s the tape-loop scratcher that steals our hearts; an instrument that’s kind of two-turntables-and-a-microphone meets melloman. We hear the clicks of 10-bit numbers falling into place in a delightful adder, and follow it up with the beeps and sweeps of a smartphone-based metal detector.
Take a look at the links below if you want to follow along, and as always, tell us what you think about this episode in the comments!
It goes without saying that not everyone has the same taste in music, and what sounds amazing to one person will be the next person’s noise. But even if you’re not into hip-hop and the whole DJ scene, it’s hard not to be impressed with what [Jeremy Bell] has done here with his homemade tape loop “scratching” rig.
Most people have probably seen a DJ in a club using dual turntables to scratch or “scrub” a vinyl record back and forth to create effects that add to the music. Part musician and part performance artist, DJs and “turntablists” tend to be real crowd-pleasers. [Jeremy]’s “ScrubBoard” uses a loop of 2″ audiotape, the kind recording studios once used for multitrack recordings. The loop is driven across a wide platen by a motor with a foot pedal control, which he can use to quickly reverse the direction of travel and control the speed of the tape. A pair of playback heads are wired into the amplifier and can be positioned anywhere on the sometimes moving, sometimes stationary tape. The sounds he can create are rhythmic, percussive, and at times frenetic, but they’re always interesting. Check it out in action in the video below.
This version of the ScrubBoard is far from the first [Jeremy] has built. You may recall his first prototype from our coverage in 2014; that one used just a few feet of 1/4″ tape fixed to a board. He was still able to get some great sounds from it, but this version should really change things for him.
With little more than a gutted record player, a light bulb, and the legendary 555 timer IC, [Jacob Ellzey] has constructed this very slick optical tremolo effect for his guitar. By modulating the volume of the input signal, the device creates the wavering effect demonstrated in the video after the break.
The key is a vinyl record with large tabs cut out of it. As the record spins, these voids alternately block and unblock a small incandescent bulb. A common GL5537 photoresistor, mounted on the arm that originally held the player’s needle, picks up the varying light levels and passes that on to the electronics underneath the deck. An important note here is that different spacing and sizing of the cutouts will change the sound produced by the effect. [Jacob] has already produced a few different designs and plans on experimenting with more now that the electronics are completed.
Under the hood there’s a voltage divider and low gain amplifier connected to the photoresistor, and also a 555 timer circuit that’s driving the incandescent bulb. Once he was done fiddling with them, the circuit was moved to a neat little protoboard. A pair of potentiometers mounted through the side of the record player allow for adjusting the depth of the effect itself, as well as the output volume. Naturally, there’s also an external foot pedal that allows keying the effect on and off without taking your hands from the guitar.
As is usually the case, everything was going well on this project until the final moments, when [Jacob] found that the circuit and bulb were both browning out when powered from the same transformer. As a quick fix, he gutted a Keurig and used its transformer to drive the light bulb by itself. With independent power supplies, he was ready to rock.