Some of us are guilty of picking up questionable hardware from garage sales, fleamarkets, and well-meaning relatives. There is a balance between turning down a good investment and hoarding, and if we figure out how to tell the difference you will be the first to know. [Clem Mayer] may start on the side of unwise acquisition, but he pushes a broken fetal detector into the realm of awesome by converting it to an analog synthesizer, born to headline at an Eastern European dance party.
He starts with a basic teardown, and we get to see how old hardware was serviceable with only two standard screws. It is a good thing too, because the nickel-cadmium batteries are older than some of you and they are in need of replacement. New nickel-metal hydride batteries got it up and running but [Clem] does not have a baby bump so its functionality turned to Pink Floyd era synthesizer circuit bending. Circuit bending involves modifying a circuit for sound it was not intended to make.
Continue reading “A Baby Named DJ”
Liner notes? Passé. In Berlin, the release of a special edition synth-wave record came with an accompanying experimental synthesizer called Wired Heart.
At the core of this adorable heart-shaped synth, designed by music technology enthusiast [tobi tubbutec], is the classic 74HCT14 chip with six Schmitt trigger oscillators. The bright red PCB has eight gold touch and humidity sensing pads that activate and modulate these oscillators. As well as changing the sounds by playing with pressure and conductive liquids you can use the six sets of header pins on board to plug in your own components for noisy experimentation. Wired Heart ships with LEDs, photoresistors and a potentiometer, but we’ve also plugged our own DIY fabric pressure sensors into this synth to make some excellent electronic sounds.
In the Hackaday.io post linked above, [tobi tubbutec] walks us through a number of the circuit design decisions he made while prototyping his “cardiotronic human-touch hexoscillatric stereo esoteric snythespacer”. We enjoyed his creative and sometimes unconventional designs, from his inclusion of non-functioning traces for aesthetic reasons to his chosen method of hard syncing — injecting a small pulse of one oscillator into the other. If you want to examine his layout in more detail, [tobi tubbutec] has helpfully included the KiCad schematic file in his write up.
This adorable, hackable synth caught our eye at this year’s SuperBooth — an annual indie electronic music conference in Berlin that’s well worth checking out if odd noises and handmade electronics are your thing — but it’s recently been listed on Tindie too. To listen to the upbeat synth-wave record Wired Heart originally shipped with, visit the artist Hyboid’s bandcamp.
If you’re interested in experimental musical instruments and synthy chip tune you’ll also love [jarek319]’s Sega Genesis synthesiser.
Check out a demo of the Wired Heart synth in the video after the break.
Continue reading “Hack My Wired Heart”
There’s nothing new, ever. It’s all been done. But that doesn’t mean you can’t invent something interesting. A case in point is the Motor Synth, a crowdfunding project from Gamechanger Audio. It’s what you get when you combine advanced quadcopter technology with the market for modular and semi-modular synthesizers.
The core feature of the Motor Synth is an octet of brushless motors tucked behind a plexiglass window. These (either through an electromagnetic pickup or something slightly more clever) produce a tone, giving the Motor Synth four-note polyphony with two voices per key. On top of these motors are reflective optical discs sensed with infrared detectors. These are mixed as harmonics to the fundamental frequency. The result? Well, they got an endorsement from [Jean-Michel Jarre] at Superbooth earlier this month (see video below). That’s pretty impressive. Continue reading “The Motor Synth Is What You Get When You Forget Hammond Organs Exist”
The ESP32 is well known for both its wireless communication abilities, as well as the serious amount of processing power it possesses for a microcontroller platform. [Robert Manzke] has leveraged the hardware to produce a Eurorack audio synthesis platform with some serious capabilities.
Starting out as a benchmarking project, [Robert] combined the ESP32 with an WM8731 CODEC chip to handle audio, and an MCP3208 analog-to-digital converter. This gives the platform stereo audio, and the ability to handle eight control-voltage inputs.
The resulting hardware came together into what [Robert] calls the CTAG Strämpler. It’s a sampling-based synthesizer, with a wide feature set for some serious sonic fun. On top of all the usual bells and whistles, it features the ability to connect to the freesound.org database over the Internet, thanks to the ESP’s WiFi connection. This means that new samples can be pulled directly into the synth through its LCD screen interface.
With the amount of power and peripherals packed into the ESP32, it was only a matter of time before we saw it used in some truly impressive audio projects. It’s got the grunt to do some pretty impressive gaming, too. Video after the break.
Continue reading “Eurorack Synth Module Runs On ESP32”
Making waves in the music world is getting harder. Almost anyone who has access to the internet also has access to a few guitars and maybe knows a drummer or can program a drum machine. With all that competition it can be difficult to stand out. Rather than go with a typical band setup or self-producing mediocre rap tracks, though, you could build your own unique musical instrument from scratch and use it to make your music, and your live performances, one-of-a-kind.
[Pete O’Connell]’s instrument is known as the Rhysonic Wheel, which he created over the course of a year in his garage. The device consists of several wheels, all driven at the same speed and with a common shaft. At different locations on each of the wheels, there are pieces of either metal or rubber attached to strings. The metal and rubber bits fling around and can strike various other instruments at specified intervals. [Pete O’Connell] uses them to hit a series of percussion instruments, a set of bells, and even to play a guitar later on in the performance.
While it looks somewhat dangerous, we think that it adds a level of excitement to an already talented musical performance. After all, in skilled hands, any number of things can be used to create an engaging and unparalleled musical performance with all kinds of sounds most of us have never heard before.
Continue reading “The Rhysonic Wheel Automates Live Music”
[Aidan] is really into FM synthesis chips for creating audio, and one of the most interesting chips from that era is found on the Sega Genesis. Anyone involved in the console wars at that time certainly remembers the classic, unique sound that those video game systems were able to produce, so [Aidan] built a device using a sound chip from a Genesis to play any piece of music from any game. The second iteration of that project, though, is able to use those same sound files as a MIDI synthesizer.
The interesting aspect of these chips is how they use registers to change the audio output. Essentially, there is a complicated register map (one section of his write-up is simply called “Register Hell”) that can be called in order to access the various types of effects one would normally see on a synthesizer. It’s not straightforward at all, though, and got even more complicated once [Aidan] started adding MIDI functionality to it as well. Once he finished sifting through the Sega Genesis technical manuals and a bunch of registers, though, he had a unique synthesizer working that doesn’t sound like anything you’ve ever heard, unless you’ve ever played a Genesis.
If you’d like to check out his first project, the MegaBlaster, which plays the sound files of the old Genesis games directly, we featured that a while ago. Keep in mind though that his latest project isn’t just an updated MegaBlaster, though. He built this entire thing from the ground up.
Continue reading “MIDI Synthesizer From A Sega Genesis”
The future of the music instrument industry lies in synthesizers, and nowhere is this more apparent than the suite of tiny, pocket-sized synths more than capable of making bleeps and bloops. You’ve got tiny Korgs and Pocket Operators, and the time is ripe for people to wake up to tiny, pocket-sized synths.
The latest in a wide, diverse range of pocketable synthesizers is the Bitty. It’s a pocket-sized drum machine that’s the closest we’ve seen to a pocketable MPC to date. It’s a Kickstarter project that’s already completely funded only a day into the campaign.
The core of the Bitty is built around the Arduino, and for good reason. The last few years have seen some incredible advances in Arduino audio libraries, and this is no exception. The Bitty is built around the Mozzi library that gives it actual oscillators and ready-made wavetables. The Bitty comes with ‘software packs’ that include the Theremin Bitty, Techno Bitty, Basement Bitty, Trap Bitty, Lofi Bitty Bitty, and Beach Bitty. All of these are different sounds and samples, turning this tiny device into an all-in-one sampling solution. Seriously: look at how many Pocket Operators there are, how much they sell for, and realize this is a device that can download new samples and sounds. There’s a market here.
The Arduino-compatible Bitty is available on Kickstarter right now, with the base reward starting at under $100, with delivery in February, 2020. You can check out the video demo below.
Continue reading “The Sampler That Fits In Your Pocket”