Queue Up Your Tracks With A Well Placed Hexagon

Besides a few stalwart holdouts, most of us have have switched over listening to music in digital form, often via an online stream. As long as no data caps stand in your way, it’s a quick and easy way to listen to your favorite artists or discover new ones. But there’s something visceral about act of loading a piece of physical media into a player that can’t be replicated by just clicking or tapping on a screen.

Which is why [InfiniteVideo] put together this RFID playlist launcher peripheral. There’s an important distinction to be made here, as this device isn’t actually playing or even storing audio. A nearby Raspberry running Volumio handles the actual playback. This device is just an RFID reader with some clever tokens that the listener can use to select their favorite artists and albums with physical tokens. It’s certainly not a new concept, but we think the nuances of this particular build warrant a closer look.

The “player” consists of a ESP8266 with a MFRC522 RFID reader wired directly to the GPIO pins. The pair are housed in a rather large 3D printed enclosure, which at first might seem a bit excessive. But it turns out that [InfiniteVideo] is actually trying to replicate a crowd sourced project called Qleek which is based around a similarly chunky reader.

Likewise, the hexagon tiles are also lifted from the Qleek concept. But rather than being made out of wood as in the original, [InfiniteVideo] is printing those as well. Halfway during the process, the print is paused and an RFID sticker is placed in the middle of the hexagon. Once resumed, the RFID tag becomes permanently embedded in the tile with no visible seams to reveal how the trick was pulled off. With the addition of a suitable label, each printed hexagon gets associated with the desired album or artist in software.

This project is notable for its convenience and visual flair, but using RFID tags for media identification can also be a practical choice. It can be used as an assistive technology, or as a way for young children to easily interact with devices.

1960’s Console Stereo Gets Raspberry Pi Touch Screen

When he was but a wee hacker, [WhiskeyDrinker] loved to play with the big console stereo his grandparents had. The idea of a functional piece of furniture always appealed to him, and he decided that when he grew up and had a place of his own he’d get a similar stereo. Fast forward to the present, and a Craigslist ad for a working Penncrest stereo seemed to be a dream come true. Until it wasn’t.

The original physical controls are connected to the Pi’s GPIO

As difficult as it might be to believe, sometimes things we read on the Internet are not true. The “working” Penncrest radio turned out to be a dud. But realizing that the look of the cabinet was more important to him than historical accuracy, [WhiskeyDrinker] decided to outfit it with a Raspberry Pi powered touch screen that would look as close to stock hardware as possible.

The final result really does look like some kind of alternate timeline piece of consumer electronics: where chunky physical buttons and touch screens coexisted in perfect harmony. The vintage stereo aficionados will probably cry foul, but let them. [WhiskeyDrinker] did a fantastic job of blending old and new, being respectful to the original hardware and aesthetic where it made sense, and clearing house where only nostalgia had lease.

A HiFiBerry DAC+ Pro is used to get some decent audio out of the Raspberry Pi, and the touch screen interface is provided by Volumio. [WhiskeyDrinker] mentions that it even has a GPIO plugin which he successfully used to handle getting the physical buttons to play nice with their digital counterparts.

Updating old audio gear is always a sensitive subject around these parts. Sometimes they go so far that the original hardware is almost an afterthought. On the other side of the spectrum are the projects which try to take modern gear and mimic the look of the classics. In any event, one thing is clear: they don’t make ’em like they used to.

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