In the course of building a new delta printer, [thehans] decided he needed his own endstop design that used minimal hardware. Endstops are just switches that get hit when the printer moves at the extreme of an axis, but [thehans] wanted something with a bit of refinement for his BigDelta 3D Printer build.
The result is a small unit that cradles a microswitch and needs only a single zip tie that mounts flush, resulting in a super tidy looking piece. In addition, it mounts on the delta’s v-slot rails such that the mount does not take up any of the machine’s range of motion, because the carriage can travel past it. It is a parametric design made in OpenSCAD, so feel free to modify it to accommodate other types of switches.
Every year, nestled between a swine auction and beef auction at the fairgrounds in Goshen, Indiana, the world’s greatest 3D-printing meetup happens. The Midwest RepRap Festival draws the greatest minds in 3D printing from around the world, with teams flying in from Prague, Oxford, and Hong Kong. This year was bigger than any other year. Over 1,000 people ventured forth into the sticks to attend this awesome festival dedicated to DIY printers.
There was more to see at MRRF than a single weekend would allow. [Jason Kridner] from BeagleBone was there talking about the latest in fancy single-chip Linux computers. Hackerspaces were there talking about their coolest builds and doing the calculations necessary to strap model rocket engines to 3D printed rockets. A few local colleges sent teams out to talk about their efforts to bring additive manufacturing to their programs. YouTube personalities were there. Check out the rest of the goodies we saw below.
The Midwest RepRap Festival is the best place to go if you want to see the latest in desktop 3D printing. This weekend, we saw full-color 3D printers, a printer with an infinite build volume, new extruders, a fantastic development in the pursuit of Open Source filament, and a whole bunch of D-bots. If you want the bleeding edge in 3D printing, you’re going to Goshen, Indiana.
Of course, it wasn’t always like this. In 2009, MakerBot released the Cupcake, a tiny printer that ushered in the era of democratized 3D printing. The Cupcake was a primitive machine, but it existed, it was open source, and it was cheap – under $500 if you bought it at the right time. This was the printer that brought customized plastic parts to the masses, and even today no hackerspace is complete without an unused Cupcake or Thing-O-Matic sitting in the corner.
The MakerBot Cupcake has not aged well. This should be expected for a technology that is advancing as quickly as 3D printing, but today it’s rare to see a working first generation MakerBot. Not only was the Cupcake limited by the technology available to hackers in 2009, there are some pretty poor design choices in these printers. There’s a reason that old plywood MakerBot in your hackerspace isn’t used anymore – it’s probably broken.
This year at MRRF, [Ryan Branch] of River City Labs brought out his space’s MakerBot Cupcake, serial number 1515 of 2,625 total Cupcakes ever made. He got his Cupcake to print a test cube. If you’re at all familiar with the Cupcake, yes, this is a hack. It’s a miracle these things ever worked in the first place.
The Midwest RepRap Festival is the best 3D printer con on the planet. In the middle of Indiana, you’ll find the latest advances for CNC hot glue guns and the processes that make squirting filament machines better, more accurate, and more efficient. There’s more to 3D printing than just filament-based machines, though, and for the last few MRRFs we’ve been taking a look at resin-based machines.
While most of the current crop of resin printers use either DLP projectors or LCDs and a big, bright backlight [Mark Peng]’s Moai printer uses a 150 mW laser diode and galvos. This is somewhat rare in the world of desktop 3D printers, thanks in no small part to the ugliness between Formlabs and 3D Systems. Still, it’s a printer that looks fantastic and produces prints that are far beyond what’s possible with a filament-based machine.
3D printing has evolved to a point where dual extrusion isn’t really that special anymore. A few years ago, a two-color frog print would have been impressive, but this isn’t the case anymore. The Midwest RepRap Festival is all about the bleeding edge of what 3D printers are capable of, and this year is no exception. This year, we were graced with a few true multicolor filament-based 3D printers. The biggest and best comes from [Daren Schwenke] and the rest of the Arcus3D crew. This printer is a full color, CMYKW mixing printer that’s able to print in any color imaginable.
The extruder assembly, suspended from the top of the printer
The bizarre mixing hotend, powered by a brushless motor
The electronics for this printer are, to say the least, very weird. The controller board is BeagleBone Black plus a CRAMPS running Machinekit. The hotend is bizarre, feeding six PTFE tubes into a weird water-cooled assembly that mixes and squirts filament out of the nozzle with the help of a small brushless motor. Thanks to a clever design, the end effector of the hotend weighs only about 150 grams – about the same as any other delta printer out there – and this printer is able to move very fast.
Over the last year, we’ve seen a lot of improvements in the state of multi-material and multi-color extrusion for 3D printers. At last year’s Maker Faire NY, Prusa’s i3 quad extruder made an appearance alongside the ORD Solutions RoVa4D printer. These are two completely different approaches to multicolor 3D printing, with the RoVa mixing filament, and the Prusa merely extruding multiple colors. Both approaches have their merits, but mixing extruders are invariably harder to build and the software stack to produce good prints isn’t well-defined.
Even though we’re still in the early years of full-color filament-based printing, this is still an awesome result. In a few years, we’ll be able to look back on [Daren]’s efforts and see where our full-color 3D printers came from – open source efforts to create the best hardware possible.
[Daren] has been working on this printer for a while, and he’s been uploading all his project updates to hackaday.io. You can check out the build log here.
Downing] is no stranger to building portable consoles, employing all manner of techniques in the process. However, when it came time to start on this commission, [Downing] decided to take a different tack – employing a Form 2 SLA printer in this Nintendo 64 portable build.
Modifying home consoles to become portables often involves tricks like Frankencasing – hacking together original factory parts such as controllers, cases, and accessories, and using body filler and a lot of sanding to create a template for vacuum moulding, which then results in a seamless final product. It’s possible to get some really impressive results, but it does limit the builder to relying on existing parts.
By using the Form 2, [Downing] was able to take advantage of the SLA printer’s ability to create parts with good surface finish that would normally require a lot of post-print finishing when 3D printed with more common FDM technology. This was particularly useful as it allowed the creation of custom buttons and small parts that “just fit” – normally such parts are made from stock pieces that are then modified.
The build also features a few other cool features – there’s a breakout box which allows the connection of extra controllers, as well as hosting AV out for hooking up to a television. The breakout box connects to the portable over an HDMI cable. It’s a tidy choice – it’s a standard cable that has an abundance of conductors available so you don’t have to be particularly tricky to get 3 controllers and a few analog signals talking over it.
In the end, [Downing] wouldn’t use SLA printing again for the case itself – the process was too slow and expensive. In this respect, FDM may require more work after printing but it still comes out ahead in terms of time and money. But for small custom parts like buttons and structural brackets, the Form 2 is the machine for the job.
Since the beginning of time, or 2006, the ‘hot glue gun’ part of our CNC hot glue guns have had well-defined parts. The extruder is the bit that pushes plastic through a tube, and the hot end is where all the melty bits are. These are separate devices, even though a shorter path from the extruder to hotend is always better. From Wade’s gear extruder to a nozzle made from an acorn nut, having the hotend and extruder as separate devices has become the standard.
This week at the Midwest RepRap Festival, E3D unveiled the Titan Aero. It’s an extruder and hotend rolled into one that provides better control over the filament, gives every printer more build height, and reduces the mass of a 3D printer toolhead.
The Titan + V6 hotend. This is significantly longer than the Titan Aero
The Titan Aero extruder + hotend
The aluminum thermal block of the Titan Aero
The Titan Aero, revealed on the E3D blog yesterday, is the next iteration of E3D’s entry into the extruder market. It’s a strange mashup of their very popular V6 hotend, with the heat break coupled tightly to the extruder body. A large fan provides the cooling, and E3D’s thermal simulations show this setup will work well.
The core component of the Aero extruder is a fancy and complex piece of milled aluminum. This is the heatsink for the extruder and provides the shortest path possible between the hobbed gear and the nozzle. This gives the Aero better control over the extrusion of molten plastic and makes this the perfect extruder and hotend setup for hard to print materials.
Combine the Aero with a smaller ‘pancake’ stepper motor, and you have a very small, very light hotend and extruder. This makes it perfect for the small printers we’re so fond of and for printers built for fast acceleration. I can easily see a few end effectors for Delta-style printers built around this extruder in the near future.
E3D’s Volcano nozzle sock
Also at the E3D booth were a few prototypes of nozzle socks. Late last year, E3D released silicone nozzle covers – we’re calling them nozzle socks – for their V6 hotend. These are small silicone covers designed to keep that carbonized crap off of your fancy, shiny hotend. It’s not something that’s necessary for a good print, but it does keep filament from sticking to your hotend, and you get the beautiful semantic satiation of saying the words nozzle socks.
E3D’s other hotend, the Volcano, a massive and powerful hotend designed to push a lot of plastic out fast, did not get its own nozzle sock at the time. Now, the prototypes are out, and the E3D guys expect them to be released, ‘in about a month’.
