Let The Bass Cannon Kick It!!

If you’ve ever found yourself immersed in the wild realm of electronic dance music, then chances are you’ve probably heard [Flux Pavilion]’s dubstep banger ‘Bass Cannon.’ The music video released for the track shows [Flux] and his minion [Doctor P] performing twisted audio experiments on unexpecting research candidates by blasting them in the face with strong waves of sound vibrations, which blew back the hair of the people strapped to the chair. The audio trials took place inside what looks to be a warehouse filled to the brim with speakers, heavy duty subs, and sound boards; making it more like a ‘room of bass’ rather than a bass cannon itself. Yet, it inspired one of Hackaday’s Alum to literally create a bass cannon himself. And as you can see in the video below, his device packs quite a punch.

Most of us know [Adam Munich] as the guy who built this portable x-ray machine that could look through just about anything. He’s also built a nuclear bomb detector and has documented several radiation safety techniques, but every once in a while he decides to make something utterly ridiculous like this! He describes his homemade bass cannon as having a variety of fun and exciting uses including a mobile party on one’s shoulders, a way to frizz your hair, or an electrifying method to scare the neighbors.

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Extrinsic Motivation: An Open, Modular Effects Pedal

Microcontrollers and Arduinos are cool and all, but dealing only in the digital domain does have its limitations. In fact, most of your electron heroes didn’t begin their electronics career by blinking pins on digital outputs; they were solely in the analog domain with their radios and, yes, guitar effects pedals.

[Josh]’s entry for The Hackaday Prize was by far the most analog project of the entire contest. It’s an open source effects pedal that takes advantage of the modular design of the most popular pedals in history.

A good number of the famous circuits for turning an electric guitar into an aural experimentation are based on small circuit modules, packaged and repackaged again until the desired tone is achieved. [Josh] wants to pack these modules separately on different boards, specifically shields, although no Arduino is used, so any sound can be created.

Already [Josh] has done some research to determine what circuits and circuit modules to clone. The list should be fairly familiar to anyone with a pedalboard – Tube Screamers, Fuzz Faces, Big Muffs, and Phase 90s are at the top of the list. He may not get to the complicated digital effects like pitch shifters and digital delays, but it’s still a great project for experimentation.

You can see [Josh]’s project video below.


SpaceWrencherThis project is an official entry to The Hackaday Prize that sadly didn’t make the quarterfinal selection. It’s still a great project, and worthy of a Hackaday post on its own.

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Gemma-Powered NeoPixel Sound Reactive Drums

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This tutorial from Adafruit shows how to create a custom interactive drum set that lights up with sound. It uses a mic amp sensor that is connected to a miniature Arduino Gemma board to detect when the instrument is being hit by the sticks. Neopixels then illuminate into a range of colors creating a beautifully synced up music presentation.

The container that houses the electronics is 3D printed. The entire circuit is integrated into the snare, mid-tom, hi-tom and a drum kick. All the code and step-by-step instructions can be found on Adafruit’s website. Now imagine something like this being packed up in a suitcase and carried from venue to venue as an up-and-coming band travels from state to state on tour; especially at Drum n’ Bass raves or electronic based music festivals. A video of the kit being used is below.

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An IPod Dock Converted Into Chromecast Speakers

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[easybakejake] figured out a way to fuse together an iPod speaker dock and a wireless Chromecast receiver. His method utilized a modified HDMI-to-VGA adapter. From the looks of it, apps like music for Google Play, Pandora, and Music All Access seem to able to be streamed through this device.

A few problems did come up with this project though when researching the functionality of this music hack. For one, there is little to no documentation since the tip came to us through a Reddit post. Another inconvenience had to do with supporting different monitor sizes. [easybakejake] confirmed in the comments of that post that he ran into an error where the input was not working; probably due to a resolution issue. Eventually, he got it working and dubbed the device the MusicBox. Now stick it on a roomba and get it to DJ a party (like this Parks and Recreation skit that follows after the break):

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Cutting Records Out Of CDs

3D Printed Record Lathe

Lovers of records rejoice! Did you know you can cut your own vinyl using something called a record lathe? [Beau Walker] just put the finishing touches on his 3D printed record lathe, and the results speak for themselves!

A Recording Lathe was once used for cutting records, and previously, wax cylinders – if you want to get really old school. [Beau], being an analog lover, decided he had to try making his own. He designed the whole thing in FreeCAD and got 3D printing. A single stepper motor drives the lead screw which moves the writing head back and forth as the record spins in place. As to not waste materials, he’s reusing old CD’s for his newly created vinyls. Two 25W speakers cause vibrations in the needle to cut into the disc, via a clever little mechanism.

The system works pretty well, but he wants to replace the turntable with another stepper motor for finer control of the recording — sometimes the turntable slows down during recording under load which messes up the sound. There’s a video of it in action on his site that we can’t embed here, so you should definitely go check it out!

Of course you could skip the middleman and go straight to 3D printing your records…

Poor Audio Quality Made Great: Listen To Vintage Music Using An Antique Radio Without Removing The Insides

Sometimes it is not how good but how bad your equipment reproduces sound. In a previous hackaday post the circuitry of a vintage transistor radio was removed so that a blue tooth audio source could be installed and wired to the speaker. By contrast, this post will show how to use the existing circuitry of a vintage radio for playing your own audio sources while at the same time preserving the radio’s functionality. You will be able to play your music through the radio’s own audio signal chain then toggle back to AM mode and listen to the ball game. Make a statement – adapt and use vintage electronics.

Pre-1950’s recordings sound noisy when played on a high-fidelity system, but not when played through a Pre-War console radio. An old Bing Crosby tune sounds like he is broadcasting directly into your living room with a booming AM voice. You do not hear the higher frequency ‘pops’ and ‘hiss’ that would be reproduced by high-fidelity equipment when playing a vintage recording. This is likely due to the fact that the audio frequency signal chain and speaker of an antique radio are not capable of reproducing higher frequencies. Similarly, Sam Cooke sounds great playing out of an earlier transistor radio. These recordings were meant to be played on radios from the era in which they were recorded.

Choosing an Antique Radio

Vintage radios can be found at garage sales, estate sales, hamfests, antique shops, antique radio swap meets, and Ebay. Millions of radios have been manufactured. People often give them away. For this reason, antique radios are relatively inexpensive and the vast majority are not rare or valuable.

Generally speaking, tube radios must be serviced and may not even work. Transistor radios often work to some level. Try to find a radio that is clean and uses a power supply transformer or batteries.

Click past the break to learn how to restore these radios to working condition

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Controlling Music With The Wave Of A Hand

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[Thomas] created a magical music player that gives the listener the ability to change songs and alter the volume levels without having to touch anything but air. Called the LighTouch, this device puts the control in the hands of the user by interpreting input from an ultrasonic sensor and plays back tracks based on waving gestures.

It is the 2nd iteration of a prototype that he completed about a year ago and functions as a streaming radio/alarm clock. The sensor is hooked up to a Raspberry Pi with a fading LED. Everything is highly customizable including the distances used for playback features. The criteria [Thomas] put in place has the pause method trigger when an object is detected between 0-10cm from the sensor. The volume control on the next level up brightens and dims the LED light just for some added flair.

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