Pi Pico Lays Down The Groove

From the 60s to perhaps the mid-00s, the path to musical stardom was essentially straight with very few forks. As a teenager you’d round up a drummer and a few guitar players and start jamming out of a garage, hoping to build to bigger and bigger venues. Few people made it for plenty of reasons, not least of which was because putting together a band like this is expensive. It wasn’t until capable electronic devices became mainstream and accepted in popular culture in the last decade or two that a few different paths for success finally opened up, and this groovebox shows just how much music can be created this way with a few straightforward electronic tools.

The groovebox is based on a Raspberry Pi Pico 2 and includes enough storage for 16 tracks with a sequencer for each track, along with a set of 16 scenes. Audio plays through PCM5102A DAC module, with a 160×128 TFT display and a touch-sensitive pad for user inputs. It’s not just a device for looping stored audio, though. There’s also a drum machine built in which can record and loop beats with varying sounds and pitches, as well as a sample slicer and a pattern generator and also as the ability to copy and paste clips.

There are a few limitations to using a device this small though. Because of memory size it outputs a 22 kHz mono signal, and its on-board storage is not particularly large either, but it does have an SD card slot for expansion. But it’s hard to beat the bang-for-the-buck qualities of a device like this, regardless, not to mention the portability. Especially when compared with the cost of multiple guitars, a drum set and a bunch of other analog equipment, it’s easy to see how musicians wielding these instruments have risen in popularity recently. This 12-button MIDI instrument could expand one’s digital musical capabilities even further.

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Nifty Soundbender Built From EBay Modules

Custom audio greeting cards are a trifling gimmick, and a hefty investment compared to their paper-based colleagues. However, the technology inside can be twisted and hacked towards more interesting ends, as [lonesoulsurfer] demonstrates with his sound-bending build.

Rather then go to the trouble and expense of gutting a greeting card, [lonesoulsurfer] simply purchases the sound recording module off eBay which often turns out cheaper anyway. It’s hacked with a couple extra buttons and a speed control, and then wired up with a reverb module that itself gets tweaked to add an echo mode. It’s all bundled up with a speaker and microphone and installed in a case that formerly held an ignition tuning analyzer from the 1970s.

The final result is quite handsome, with a wooden panel holding the speaker and a smattering of knobs, buttons, and switches to play with. After recording an audio sample, it’s possible to speed it up, slow it down, and add echo and reverb until you’re left with something unrecognizable and weird. We’ve actually seen similar projects before, like this author’s first ever article for these hallowed pages. Video after the break.

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Fizzle Loop Synth Does It With 555 Timers

For every project that uses an Arduino to make soup or an ESP8266 to hash bitcoin, there’s always someone out there uttering the same old refrain. I could have done it with a 555. More often than not, this is true, even if it is tangential to the discussion being had. In this case however, such a statement is moot. [lonesoulsurfer] has built the Fizzle Loop Synth, featuring not one, but three triple-nickel timers.

It’s a build that delights in both presentation and performance. The hardware is elegantly slotted into a vintage metal flashlight case, which is absolutely covered in controls. It’s an aesthetic that gives us an irresistible urge to start twiddling knobs and flicking switches. Inside, two 555s are set up as basic flasher circuits, each feeding a vactrol – essentially a resistive optoisolater. Inside is an LED, which is optically coupled to a light-dependent resistor. The LEDs are flashed by the 555s, and this creates a varying resistance which is used to feed a third 555 which generates the tones.

The final result is a fun little noisebox that’s capable of generating quite the variety of bleeps, bloops and blops. There’s an onboard speaker for noodling on the go, as well as a line-out if you need to record your work on external hardware. It would be great fun to hear this circuit hooked up to a modular synth, too.

For a history lesson on the venerable 555, we’ve got you covered. Video after the break.

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