Typically, when we think of a music sequencer, we envisage LEDs and boards covered in buttons. Of course, there are naturally other ways to build such a device. MesoTune takes a different tack entirely, relying on magnets and rotating mechanisms to get the job done.
MesoTune acts as a MIDI controller, and is designed to be hooked up to a computer or other MIDI synthesizer device. The heart of MesoTune is a set of eight magnet wheels, rotating together on a common shaft. The rotational speed of the shaft, dictated by the requested tempo in beats per minute, is controlled by an Arduino. Each magnet wheel has 16 slots into which the user can place a spherical magnet. Every time a magnet on the wheel passes a hall sensor, it sends a MIDI message to the attached computer which is then responsible for using this to synthesize the relevant sound.
There are other useful features, too. Each of the eight magnet wheels, or channels, gets its own fader, which can be used to control volume or other parameters. There’s also a handy tempo display, and a 16-button touchpad for triggering other events. These additions make it more practical to use in a compositional context, where it’s nice to have extra controls to make changes on the fly.
Made out of 3D printed parts and readily available off the shelf components, it’s a fun alternative sequencer design that we’re sure many makers could whip up in just a weekend. We’d love to see other remixes of the design – if you’ve got one, hit us up at the tipline. We’ve seen other great sequencer builds before, too. Video after the break.
Nothing says Rockstar Musician Lifestyle like spreadsheet software. Okay, we might have mixed up the word order a bit in that sentence, but there’s always Python to add some truth to it. After all, if we look at the basic concept of MIDI sequencers, we essentially have a row of time-interval steps, and depending on the user interface, either virtual or actual columns of pitches or individual instruments. From a purely technical point of view, spreadsheets and the like would do just fine here.
Amused by that idea, [Maxime] wrote a Python sequencer that processes CSV files that works with both hardware and software MIDI synthesizers. Being Python, most of the details are implemented in external modules, which makes the code rather compact and easy to follow, considering it supports both drums and melody tracks in the most common scales. If you want to give it a try, all you need is the
mido module, and you should be good to go.
However, if spreadsheets aren’t your thing, [Maxime] has also a browser-based sequencer project with integrated synthesizer ongoing, with a previous version of it also available on GitHub. And in case software simply doesn’t work out for you here, and you prefer a more hands-on experience, don’t worry, MIDI sequencers seem like an unfailing resource for inspiration — whether they’re built into an ancient cash register, are made entirely out of wood, or are built from just everything.
Continue reading “Never Mind The Sheet Music, Here’s Spreadsheet Music”
We’re not sure what it is, but something about LEGO and music go together like milk and cookies when it comes to DIY musical projects. [Paul Wallace]’s Lego Music project is a sequencer that uses the colorful plastic pieces to build and control sound, but there’s a twist. The blocks aren’t snapped onto anything; the system is entirely visual. A computer running OpenCV uses a webcam to watch the arrangement of blocks, and overlays them onto a virtual grid where the positions of the pieces are used as inputs for the sequencer. The Y axis represents pitch, and the X axis represents time.
Embedded below are two videos. The first demonstrates how the music changes based on which blocks are placed, and where. The second is a view from the software’s perspective, and shows how the vision system processes the video by picking out the colored blocks, then using their positions to change different values which has an effect on the composition as a whole.
Continue reading “Turning LEGO Blocks Into Music With OpenCV”
Stylish! is a wearable music synthesizer that combines slick design with stylus based operation to yield a giant trucker-style belt buckle that can pump out electronic tunes. With a PCB keyboard and LED-surrounded inset speaker that resembles an eyeball over a wide grin, Stylish! certainly has a unique look to it. Other synthesizer designs may have more functions, but certainly not more style.
The unit’s stylus and PCB key interface resemble a Stylophone, but [Tim Trzepacz] has added many sound synthesis features as well as a smooth design and LED feedback, all tied together with battery power and integrated speaker and headphone outputs. It may have been originally conceived as a belt buckle, but Stylish! certainly could give conference badge designs a run for their money.
The photo shown is a render, but a prototype is underway using a milled PCB and 3D printed case. [Tim]’s Google photo gallery has some good in-progress pictures showing the prototyping process along with some testing, and his GitHub repository holds all the design files, should anyone want a closer look under the hood. Stylish! was one of the twenty finalists selected for the Musical Instrument Challenge portion of the 2018 Hackaday Prize and is therefore one of the many projects in the running for the grand prize!
Playing the drums is pretty hard, especially for the uncoordinated. Doing four things at the same time, all while keeping an even tempo, isn’t reasonable for most of us. Rather than hiring a drummer for your band who is well versed in this art, though, you might opt instead to outsource this job to a machine instead. It’s cheaper and also less likely to result in spontaneous combustion.
This drum machine is actually a MIDI Euclidean sequencer. Euclidean rhythms are interesting in their own regard, but the basics are that a common denominator between two beats is found in order to automatically generate complicated beats. This particular unit is running on a Teensy 3.5 and consists of four RGB rotary encoders, an SSD1306 LCD, four momentary buttons, and four 16 LED Neopixel rings. Setting each of the dials increases the number of beats for that particular channel, and it can be configured for an almost limitless combination of beats and patterns.
To really get a feel of what’s going on here, it’s worth it to check out the video after the break. MIDI is also a fascinating standard, beyond the fact that it’s one of the few remaining standards created in the 80s that still enjoys active use, it can also be used to build all kinds of interesting instruments like one that whacks wine glasses with mallets or custom synthesizers.
Thanks to [baldpower] for the tip!
Continue reading “Elegant Drum Machine From Teensy”
[Tommy] is a one-man-shop making electronic musical things, but that’s not what this post is about. This post is about the outstanding prototyping post-mortem he wrote up about his attempt to turn his Four-Step Octaved Sequencer into a viable product. [Tommy] had originally made a hand-soldered one-off whose performance belied its simple innards, and decided to try to turn it into a product. Short version: he says that someday there will be some kind of sequencer product like it available from him, “[B]ut it won’t be this one. This one will go on my shelf as a reminder of how far I’ve come.”
The unit works, looks great, has a simple parts list, and the bill of materials is low in cost. So what’s the problem? What happened is that through prototyping, [Tommy] learned that his design will need many changes before it can be used to create a product, and he wrote up everything he learned during the process. Embedded below is a demo of the prototype that shows off how it works and what it can do, and it helps give context to the lessons [Tommy] shares.
Continue reading “Learn What Did And Didn’t Work In This Prototyping Post-Mortem”
Sequencers are useful for bringing regular structure to your music, particularly if you enjoy noodling around with rackmount synthesizers. [little-scale] is here to share an ADC Binary Gate sequencer for your setup.
In a quest for ever greater minimalism, the build relies on a barebones ATMega328p without an external oscillator. Instead, the chip’s internal RC oscillator is used instead. It’s possible to still use this with the Arduino IDE, as [little-scale] shares here.
The music production begins with a clock input signal, which is patched in from elsewhere in the rack synth. The sequencing is controlled with potentiometers. There are four potentiometers, and four corresponding output channels. The pots are all read with the onboard analog to digital converters, and the position transformed into an 8-bit value, from 0 to 255. Our best understanding is that the 8-bit number is then used as the sequence to follow. For example, if the potentiometer is set to 255, which is 11111111 in binary, the sequencer will trigger on every beat. If instead the potentiometer was turned to around 2/3rds of the maximum, and the ADC reads a value of 170, in binary this is 10101010 which would trigger on every second beat.
It’s an interesting way to sequence several channels with the bare minimum of input devices. While it may not be the most intuitive system, it really suits the knob-and-dial noodling so relished by rackmount fanatics. Be sure to check out the video below for [little-scale]’s rackmount sounds and impressively pretty videography. Never before did breadboards look so good.
New to rack mount synths? Check this one out.