Zen Flute Is A Teensy Powered Mouth Theremin

An intriguing mouth-played instrument emerged—and won—at the 2023 Guthman Musical Instrument Contest hosted by Georgia Tech. [Keith Baxter] took notice and reproduced the idea for others to explore. The result is the Zen Flute Mouth Theremin, a hybrid of acoustics, electronics, and expressive performance.

At its core lies a forced Helmholtz resonator, a feedback system built with a simple microphone and speaker setup. The resonator itself? The user’s mouth. The resulting pitch, shaped by subtle jaw and tongue movements, is detected and used to drive a MIDI controller feeding an external synthesizer.

Like a trombone or classic electromagnetic theremin, the Zen Flute doesn’t rely on discrete notes. Instead, the pitch is bent manually to the desired frequency. That’s great for expression, but traditional MIDI quantisation can map those “in-between” notes to unexpected semitones. The solution? MIDI Polyphonic Expression (MPE). This newer MIDI extension allows smooth pitch transitions and nuanced control, giving the Zen Flute its expressive character without the hiccups.

Physically, it’s an elegant build. A flat speaker and microphone sit side-by-side at the mouth end, acoustically isolated with a custom silicone insert. This assembly connects to a length of clear PVC pipe, flared slightly to resemble a wind instrument. Inside, a custom PCB (schematic here) hosts a mic preamp, an audio power amp, and a Teensy 4.1. The Teensy handles everything: sampling the mic input, generating a 90-degree phase shift, and feeding it back to the speaker to maintain resonance. It also detects the resonant frequency and translates it to MPE over USB.  A push-button triggers note onset, while a joystick adjusts timbre and selects modes. Different instrument profiles can be pre-programmed and toggled with a joystick click, each mapped to separate MIDI channels.

Mouth-controlled instruments are a fascinating corner of experimental interfaces. They remind us of this Hackaday Prize entry from 2018, this wind-MIDI hybrid controller, and, of course, a classic final project from the Cornell ECE4760 course, a four-voice theremin controlled by IR sensors.

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Absorbing Traffic Noise With Bricks Using Helmholtz Resonators

One inevitable aspect of cities and urban life in general is that it is noisy, with traffic being one of the main sources of noise pollution. Finding a way to attenuate especially the low-frequency noise of road traffic was the subject of [Joe Krcma]’s Masters Thesis, the results of which he gave a talk on at the Portland Maker Meetup Club after graduating from University College London. The chosen solution in his thesis are Helmholtz resonators, which are a kind of acoustic spring. Using a carefully selected opening into the cavity, frequencies can be filtered out, and extinguished inside the cavity.

Basic functionality and formula used to determine the dimensions of a Helmholtz Resonator.
Basic functionality and formula used to determine the dimensions of a Helmholtz Resonator.

As examples of existing uses of Helmholtz resonators in London, he points at the Queen Elizabeth Hall music venue, as well as the newly opened Queen Elizabeth Line and Paddington Station. For indoor applications there are a number of commercial offerings, but could this be applied to outdoor ceramics as well, to render urban environments into something approaching an oasis of peace and quiet?

For the research, [Joe]’s group developed a number of Helmholtz resonator designs and manufacturing methods, with [Joe] focusing on clay fired versions. For manufacturing, 3D printing of the clay was attempted, which didn’t work out too well. This was followed by slip casting, which allowed for the casting of regular rectangular bricks.

But after issues with making casting hollow bricks work, as well as the cracking of the bricks during firing in the kiln, the work of another student in the group inspired [Joe] to try a different approach. The result was a very uniquely shaped ‘brick’ that, when assembled into a wall, forms three Helmholtz resonators: inside it, as well as two within the space with other bricks. During trials, the bricks showed similar sound-deadening performance as  foam and wood. He also made the shape available on Thingiverse, if you want to try printing or casting it yourself.

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