midi

390 Articles

Old Midi Instruments Don’t Like Modern Midi. What’s To Be Done?

July 5, 2026 by 36 Comments

In theory, MIDI is an electrical and protocol standard that allows any such equipped instrument or computer to talk to any other. But as the wonderfully named [Knob Monster] will tell you, when the computer is new, and the instrument is old, it ain’t that simple.

They specialise in using the Web MIDI interface to allow browser control of an instrument. This might typically be done with a USB to MIDI interface, but in this lies a problem. The 8-bit microprocessor on a 1983 synth has problems keeping up with the rapid-fire data that spews relentlessly from the supercomputer-grade machine controlling it, and bad things happen as a result.

Expensive MIDI interfaces have a buffer built in, but a better solution lies in the Web MIDI code itself. They detail how to use the Web MIDI API’s built-in packet scheduler to slow things down a little and let your Yamaha DX7 chill a bit.

Meanwhile, if you need a USB to MIDI interface, we’ve covered one in the past.

Leaky Player Piano Gets MIDI Upgrade In YouTube Restomod

June 17, 2026 by 5 Comments

The word “restomod” is a bit nebulous, but it’s normally used in the automotive world to describe taking an old car and making it better-than-new with all the technological improvements the original builders would have used, had they been available. We think the word applies to [Alnwlsn]’s MIDI-actuated player piano, because what are those punched rolls of paper, but the MIDI of the 19th century?

Unlike a lot of automotive restomods though, this one is mostly reversible. He did drill few holes and slots in the original wood, but nowhere that it would alter the integrity or original operation of the player piano mechanism. The MIDI-controlled solenoids just poke the same key paddles from below that the pneumatic mechanism used. From the listener or operator’s perspective, unless the doors that reveal the music scroll or lack thereof are open, the piano behaves exactly the same. Except now it has access to the whole wide array of tracks that exist in MIDI form, rather than a paltry selection of hard-to-find piano rolls.

Each of the relays is driven by a MOSFET via shift registers to get 88 outputs out of the single Pi Pico in charge, with a level shifter involved to get the RP2040 speaking 5 V logic. If you’re wondering how that gets volume control, no, the piano isn’t smacking keys at full volume all the time. He’s using the RP2040’s powerful PIO to create a sort of PWM signal to soften the solenoid blows when needed. To save his power supply, he’s also got it set up to stagger the pulses, so multiple relays aren’t pulsed at the same time when the MIDI file calls for chords.

There was actually more overlap between player pianos and MIDI than you might think, given this presentation of an Apple ][ being used to create the piano rolls.

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Wearable MIDI Controller Built With Raspberry Pi

April 21, 2026 by 7 Comments

Most synths happily get by with keyboard or pad inputs and make lovely sounds in response. [Becky Clarke] and her fellow collaborators are building a synth that works rather differently. DigitSynth is a wearable controller that’s rather fun to interact with.

The heart of the build is a Raspberry Pi 5. It’s set up to talk to a TI ADS1115 ADC chip that lets it read a bunch of analog flex sensors embedded in a right-hand glove, while the Pi can also read a bunch of tactile buttons activated by the left hand. The flex sensors are used to control synth parameters like LFO rate and filter cutoffs, while the buttons control chord changes. The Raspberry Pi runs custom code to read these devices and generate the requisite MIDI commands to send to a Roland JD-Xi synth which is responsible for actually making the sound. Both sets of fingers are also dotted with LEDs for visual feedback, controlled via a TLC59711 PWM driver.

It’s a fun build that creates some ethereal sounds in an intuitive way, thanks to the nature of the interface. We’ve featured some similar builds before, using the flexure of the hand to create musical soundscapes. Video after the break.

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Simple MIDI Sample Player Runs On ESP32

March 19, 2026 by 4 Comments

[Jakub] is a musician, and found himself in need of a simple way to trigger samples via MIDI when on stage. So many commercial solutions exist, but most were overkill for the job or too messy and complicated to justify their use in a live environment. Thus, [Jakub] worked up Samplotron to do exactly the job needed with a minimum of fuss.

The project is based around the ESP32. It’s effectively a lightweight hardware sampler that can trigger sounds on command via MIDI. Sample data is loaded from an SD card, which also stores the device configuration. The Samplotron plays back mono 16-bit WAV files at 44,100 Hz, delivering audio via an ES8388 audio codec module connected via I2S. Two encoders are used to control the device, with a menu system presented via an SSD1309 OLED screen. Samples can be loaded and managed via this interface, and it allows tweaks to be made to volume levels and one-shot/loop playback as needed. MIDI input to the device is simply handled via the onboard UART functionality of the ESP32 itself.

It’s a neat little bit of music hardware that does exactly what [Jakub] needs and nothing more. We’ve featured similar builds before, like this neat RP2040 soundboard. If you’re building rad custom hardware for your own musical adventures, we’d love to know all about it. 

A Look Inside The Creative MB-10 MIDI Blaster

March 3, 2026 by 16 Comments

Before it became viable to distribute and play music tracks on home computers, the use of FM and Wavetable synthesis was very common, with MIDI Wavetable-based devices like the Roland MT-32 and SC-55 still highly sought after today. The Creative Midi Blaster MB-10 that [Yeo Kheng Meng] reviewed and tore down for an analysis isn’t quite as famous or sought after, but it provides a good example of what Creative Labs was doing at the time in this space.

Released in 1993, it definitely has more of a popular style vibe to it than the utilitarian Roland devices, even if this means highly impractical curves. In the list of features it claims Roland MT-32 emulation, which would have made it quite a bit more useful to the average user, including gamers of the era. Games like DOOM supported these MIDI devices for audio, for example.

In terms of price only the Roland SC-55ST comes close to the MB-10, similarly dropping a screen and a host of features. In terms of features the MB-10 claims far fewer instruments than the SC-55 variants, with even with the slightly higher priced SC-55ST massively outgunning it in raw specs. So would you ever buy the MB-10 back then and consider it a ‘good deal’? If $100 in 1990s money was worth losing full MIDI compatibility for, then it seems the answer was ‘yes’.

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Building The Haxocorder

February 26, 2026 by 9 Comments

The Haxophone is an open source MIDI saxophone project that has achieved some popularity. It’s caught the attention of [Shieladixon] not because she is a saxophonist but because she plays the recorder and is dissatisfied with existing MIDI recorder peripherals. She’s set about modifying the device to produce the Haxocorder, a better MIDI recorder.

The video below the break is the third of a series, of which part one and part two deal with the Haxophone and the shortcomings of her existing recorder peripheral. She’s replacing the Pi Zero of the Haxophone with a Pi Pico in a Zero form factor, and simplifying its design significantly to remove unnecessary features. The result is a versatile instrument capable at a touch of becoming the full range of recorders, which she demonstrates with some nifty duet work.

The upstream Haxophone project can be found here if you are interested, and we hope she follows this up with a release of her mods to make the Haxocorder. Meanwhile if you feel you might have seen her work before, she’s the brains behind the MIDISID.

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Motorized Faders Make An Awesome Volume Mixer For Your PC

January 31, 2026 by 14 Comments

These days, Windows has a moderately robust method for managing the volume across several applications. The only problem is that the controls for this are usually buried away. [CHWTT] found a way to make life easier by creating a physical mixer to handle volume levels instead.

The build relies on a piece of software called MIDI Mixer. It’s designed to control the volume levels of any application or audio device on a Windows system, and responds to MIDI commands. To suit this setup, [CHWTT] built a physical device to send the requisite MIDI commands to vary volume levels as desired. The build runs on an Arduino Micro. It’s set up to work with five motorized faders which are sold as replacements for the Behringer X32 mixer, which makes them very cheap to source. The motorized faders are driven by L293D motor controllers. There are also six additional push-buttons hooked up as well. The Micro reads the faders and sends the requisite MIDI commands to the attached PC over USB, and also moves the faders to different presets when commanded by the buttons.

If you’re a streamer, or just someone that often has multiple audio sources open at once, you might find a build like this remarkably useful. The use of motorized faders is a nice touch, too, easily allowing various presets to be recalled for different use cases.

We love seeing a build that goes to the effort to include motorized faders, there’s just something elegant and responsive about them. Continue reading “Motorized Faders Make An Awesome Volume Mixer For Your PC” →