midi

369 Articles

Laser Harp Sets The Tone

March 20, 2025 by 16 Comments

In many ways, living here in the future is quite exiting. We have access to the world’s information instantaneously and can get plenty of exciting tools and hardware delivered to our homes in ways that people in the past with only a Sears catalog could only dream of. Lasers are of course among the exciting hardware available, which can be purchased with extremely high power levels. Provided the proper safety precautions are taken, that can lead to some interesting builds like this laser harp which uses a 3W laser for its strings.

[Cybercraftics]’ musical instrument is using a single laser to generate seven harp strings, using a fast stepper motor to rotate a mirror to precise locations, generating the effect via persistence of vision. Although he originally planned to use one Arduino for this project, the precise timing needed to keep the strings in the right place was getting corrupted by adding MIDI and the other musical parts to the project, so he split those out to a second Arduino.

Although his first prototype worked, he did have to experiment with the sensors used to detect his hand position on the instrument quite a bit before getting good results. This is where the higher power laser came into play, as the lower-powered ones weren’t quite bright enough. He also uses a pair of white gloves which help illuminate a blocked laser. With most of the issues ironed out, [Cybercraftics] notes that there’s room for improvement but still has a working instrument that seems like a blast to play. If you’re still stuck in the past without easy access to lasers, though, it’s worth noting that there are plenty of other ways to build futuristic instruments as well.

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Shellcode Over MIDI? Bad Apple On A PSR-E433, Kinda

January 23, 2025 by 6 Comments

If hacking on consumer hardware is about figuring out what it can do, and pushing it in directions that the manufacturer never dared to dream, then this is a very fine hack indeed. [Portasynthica3] takes on the Yamaha PSR-E433, a cheap beginner keyboard, discovers a shell baked into it, and takes it from there.

[Portasynthinca3] reverse engineered the firmware, wrote shellcode for the device, embedded the escape in a MIDI note stream, and even ended up writing some simple LCD driver software totally decent refresh rate on the dot-matrix display, all to support the lofty goal of displaying arbitrary graphics on the keyboard’s dot-matrix character display.

Now, we want you to be prepared for a low-res video extravaganza here. You might have to squint a bit to make out what’s going on in the video, but keep in mind that it’s being sent over a music data protocol from the 1980s, running at 31.25 kbps, displayed in the custom character RAM of an LCD.

As always, the hack starts with research. Identifying the microcontroller CPU lead to JTAG and OpenOCD. (We love the technique of looking at the draw on a bench power meter to determine if the chip is responding to pause commands.) Dumping the code and tossing it into Ghidra lead to the unexpected discovery that Yamaha had put a live shell in the device that communicates over MIDI, presumably for testing and development purposes. This shell had PEEK and POKE, which meant that OpenOCD could go sit back on the shelf. Poking “Hello World” into some free RAM space over MIDI sysex was the first proof-of-concept.

The final hack to get video up and running was to dig deep into the custom character-generation RAM, write some code to disable the normal character display, and then fool the CPU into calling this code instead of the shell, in order to increase the update rate. All of this for a thin slice of Bad Apple over MIDI, but more importantly, for the glory. And this hack is glorious! Go check it out in full.

MIDI is entirely hacker friendly, and it’s likely you can hack together a musical controller that would wow your audience just with stuff in your junk box. If you’re at all into music, and you’ve never built your own MIDI devices, you have your weekend project.

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A Parts Bin MIDI Controller In 24 Hours

October 20, 2024 by 9 Comments

Part of the reason MIDI has hung on as a standard in the musical world for so long is that it is incredibly versatile. Sure, standard instruments like pianos and drums can be interfaced with a computer fairly easily using this standard, but essentially anything can be converted to a MIDI instrument with the right wiring and a little bit of coding. [Jeremy] needed to build a MIDI controller in a single day, and with just a few off-the-shelf parts he was able to piece together a musical instrument from his parts bin.

The build is housed in an off-brand protective case from a favorite American discount tool store, but the more unique part of the project is the choice to use arcade buttons as the instrument’s inputs. [Jeremy] tied eight of these buttons to an Arduino Uno to provide a full octave’s worth of notes, and before you jump to the comments to explain that there are 12 notes in an octave, he also added a button to the side of the case to bend any note when pressed simultaneously. An emergency stop button serves as a master on/off switch and a MIDI dongle on the other side serves as the interface point to a computer.

After a slight bit of debugging, the interface is up and running within [Jeremy]’s required 24-hour window. He’s eventually planning to use it to control a custom MIDI-enabled drum kit, but for now it was fun to play around with it in some other ways. He’s also posted the project code on a GitHub page. And, if this looks a bit familiar, this was not [Jeremy]’s first MIDI project. He was also the creator of one of the smallest MIDI interfaces we’ve ever seen.

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Digital Audio Workstation In A Box

September 23, 2024 by 4 Comments

Although it’s still possible to grab a couple of friends, guitars, and a set of drums and start making analog music like it’s 1992 and there are vacant garages everywhere yearning for the sounds of power chords, the music scene almost demands the use of a computer now. There are a lot of benefits, largely that it dramatically lowers the barrier to entry since it greatly reduces the need for expensive analog instruments. It’s possible to get by with an impressively small computer and only a handful of other components too, as [BAussems] demonstrates with this tiny digital audio workstation (DAW).

The DAW is housed inside a small wooden box and is centered around a Behringer JT-4000 which does most of the heavy lifting in this project. It’s a synthesizer designed to be as small as possible, but [BAussems] has a few other things to add to this build to round out its musical capabilities. A digital reverb effects pedal was disassembled to reduce size and added to the DAW beneath the synthesizer. At its most basic level this DAW can be used with nothing but these components and a pair of headphones, but it’s also possible to add a smartphone to act as a sequencer and a stereo as well.

For a portable on-the-go rig, this digital audio workstation checks a lot of the boxes needed including MIDI and integration with a computer. It’s excellent inspiration for anyone else who needs a setup like this but doesn’t have access, space, or funds for a more traditional laptop- or desktop-centered version. For some other small on-the-go musical instruments we recently saw a MIDI-enabled keyboard not much larger than a credit card.

Doing MIDI With Discrete Logic Is Neat, If Not Particularly Useful

September 13, 2024 by 4 Comments

MIDI is normally baked into the chipset of a synthesizer, or something you use a microcontroller to handle. But that’s not the only way to speak the language! [Kevin] decided to have some fun doing MIDI with discrete logic instead, with some pretty neat results.

[Kevin] had previously built a control voltage step sequencer called the Baby8, which relied on 4017 counter ICs. He later realized he could repurpose three of his old Baby8 PCBs to create something that could generate MIDI using nothing more than discrete logic. The stack of three boards generate a simple MIDI message—in this case, a two-byte Program Change command. At 8 bits per byte, plus a start and stop bit, that comes out to 20 bits in total. The bits to be sent are configured via the switches on the PCBs, and clocked out through the counter ICs via a clock running at the MIDI baud rate of 31,250 Hz.

Obviously, it’s not very practical to code your MIDI commands manually via DIP switches and then clock them out in this fashion. But—it does work, and you can do it! If you wanted to build an old-school logic circuit that just spits out simple short MIDI commands, this is one way to go about it.

We’ve seen [Kevin]’s work before, too, like this neat musical rotary phone build.

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Get More Freedom With This Guitar Pedal

August 19, 2024 by 13 Comments

When the electric guitar was first produced in the 1930s, there was some skepticism among musicians as to whether or not this instrument would have lasting impact or be a flash-in-the-pan novelty. Since this was more than a decade before the invention of the transistor, it would have been hard then to imagine the possibilities that a musician nowadays would have with modern technology to shape the sound of an instrument like this. People are still innovating in this space as well as new technology appears, like [Gary Rigg] who has added a few extra degrees of freedom to a guitar effects pedal.

A traditional expression pedal, like a wah-wah pedal, uses a single motion to change an aspect of the sound of the guitar, and is generally controlled with the musician’s foot. [Gary]’s pedal, on the other hand, can be manipulated in three different ways to control separate elements of the instrument’s sound. It can be pitched forward and back like a normal effects pedal, but also rolled side-to-side and twisted around its yaw axis. The pedal has a built-in IMU to measure the various position changes of the pedal, which is then translated by an RP2040 microcontroller to a MIDI signal which controls the three different aspects of the sound digitally.

While the yaw motion might be difficult for a guitarist to create with their foot while playing, the idea for this pedal is still excellent. Adding in a few more degrees of freedom gives the musician more immediate control over the sound of their instrument and opens up ways of playing that might not be possible or easy with multiple pedals, with the MIDI allowing for versatility that might not be available in many analog effects pedals. Not every pedal needs MIDI though; with the help of a Teensy this digital guitar pedal has all its effects built into a self-contained package.

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AI Image Generator Twists In Response To MIDI Dials, In Real-time

July 30, 2024 by 29 Comments

MIDI isn’t just about music, as [Johannes Stelzer] shows by using dials to adjust AI-generated imagery in real-time. The results are wild, with an interactivity to them that we don’t normally see in such things.

[Johannes] uses Stable Diffusion‘s SDXL Turbo to create a baseline image of “photo of a red brick house, blue sky”. The hardware dials act as manual controls for applying different embeddings to this baseline, such as “coral”, “moss”, “fire”, “ice”, “sand”, “rusty steel” and “cookie”.

By adjusting the dials, those embeddings are applied to the base image in varying strengths. The results are generated on the fly and are pretty neat to see, especially since there is no appreciable amount of processing time required.

The MIDI controller is integrated with the help of lunar_tools, a software toolkit on GitHub to facilitate creating interactive exhibits. As for the image end of things, we’ve previously covered how AI image generators work.