Advanced Timber Architecture Gives New Life To Wooden Structures

When it comes to building materials, wood doesn’t always draw the most attention as the strongest in the bunch. That honor usually goes to concrete and steel – steel embedded in concrete provides support and a foundation for tall buildings, while concrete increases tensile strength and can be formed into a variety of shapes with the help of rebar. Wood, on the other hand, decays and is vulnerable to moisture damage and fire.

That’s not necessarily the case anymore, thanks to the development of advanced timber. New materials like glulam, or sheets of timber bonded with moisture-resistant structural adhesives, can be produced using two to three times less energy than steel, making them environmentally-friendly alternatives to other building materials. Granted, this requires the beams to be burned at the end of their lifespan, but glulam still has an equivalent or better environmental profile compared to steel, not to mention a lower cost.

Among engineered wood, there are some varieties more commonly used among hobbyists – MDF, plywood, or particle board for instance. Others, like Cross-Laminated Timber (CLT) are more common among building materials. While CLT buildings have existed for decades, recently major cities like Stockholm and Vancouver have seen a resurgence of timber construction. Since wood can theoretically store carbon for the entire length of its lifespan, up to 0.8 tons in a cubic meter of spruce, some architecture firms like Oslotre are building houses with a negative carbon footprint.

Projects like Sidewalk Labs and Masthamnen are proposing entire neighborhoods and skyscrapers built from advanced timber. Compared to International Style architecture, characterized by gray concrete, shiny metal, and glass, this movement could be a step towards returning to natural architectural forms. Given the stress reducing effects of green spaces in cities, engineered wood buildings could bridge the gap between modern architectural styles and natural woodlands.

 

How To Build The Strongest Arches

When it comes to architectural features, there are probably not many as quintessentially memorable as arches. From the simplicity of the curved structure to the seemingly impossible task of a supposedly collapsable shape supporting so much weight in mid-air, they’ve naturally fascinated architects for generations.

For civil engineers, learning to calculate the forces acting on an arch, the material strength and properties, and the weight distribution across several arches may be familiar, but for anyone with only a basic physics and CAD background, it’s easy to take arches for granted. After all, they grace the Roman aqueducts, the Great Wall of China, and are even present in nature at Arches National Park. We see them in cathedrals, mosques, gateways, and even memorialized in the case of the St. Louis Gateway Arch. Even the circular construction of watch towers and wells, as well as our own rib cages, are due to the properties of arches.

But what really goes into constructing a strong arch? Continue reading “How To Build The Strongest Arches”

The Pontoon Bridge Being Floated As An NYC Transit Fix

New York City’s L train carries about 400,000 passengers a day, linking Manhattan and Brooklyn and bringing passengers along 14th Street, under the East River, and through the neighborhoods of Williamsburg, Bushwick, Ridgewood, Brownsville, and Canarsie. About 225,000 of these passengers pass through the Canarsie Tunnel, a two-tube cast iron rail tunnel built below the East River between Manhattan and Brooklyn in 1924. Like many other New York City road and subway tunnels, the Canarsie Tunnel was badly damaged when Hurricane Sandy’s storm surge inundated the tubes with million of gallons of salt water. Six years later, the impending closure of the tunnel is motivating New Yorkers to develop their own ambitious infrastructure ideas.

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The Unity Of Dance And Architecture

In an ambitious and ingenious blend of mechanical construction and the art of dance, [Syuko Kato] and [Vincent Huyghe] from The Bartlett School of Architecture’s Interactive Architecture Lab have designed a robotic system that creates structures from a dancer’s movements that they have christened Fabricating Performance.

A camera records the dancer’s movements, which are then analyzed and used to direct an industrial robot arm and an industrial CNC pipe bending machine to construct spatial artifacts. This creates a feedback loop — dance movements create architecture that becomes part of the performance which in turn interacts with the dancer. [Huyghe] suggests an ideal wherein an array of metal manipulating robots would be able to keep up with the movements of the performer and create a unique, fluid, and dynamic experience. This opens up some seriously cool concepts for performance art.

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Geodesic Dome Build At Rev Space Den Haag

[Morphje] has always wanted to build a geodesic dome. The shape and design, and the possibility of building one with basic materials interest him. So with the help of a few friends to erect the finished dome, he set about realising his ambition by building a 9.1 metre diameter structure.

The action took place at Rev Space (Dutch language site), the hackspace in The Hague, Netherlands. [Morphje] first had to create a huge number of wooden struts, each with a piece of tube hammered down to a flat lug set in each end, and with a collar on the outside of the strut to prevent it from splitting. The action of flattening the ends of hundreds of pieces of tube is a fairly simple process if you own a hefty fly press with the correct tooling set up in it, but [Morphje] didn’t have that luxury, and had to hammer each one flat by hand.

The struts are then bolted together by those flattened tube lugs into triangular sections, and those triangles are further bolted together into the final dome. Or that’s the theory. In the video below you can see they make an aborted start assembling the dome from the outside inwards, before changing tack to assemble it from the roof downwards.

This project is still a work-in-progress, [Morphje] has only assembled the frame of the dome and it has no covering or door as yet. But it’s still a build worth following, and we look forward to seeing the finished dome at one or other of the European maker events in the summer.

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How A Muslim Immigrant From Bangladesh Became America’s Master Builder

If the United States has a national architectural form, it is the skyscraper. The notion of building a tower to the heavens is as old as Genesis, but it took some brash 19th century Americans to develop that fanciful idea into tangible, profitable buildings. Although we dressed up our early skyscrapers in Old World styles (the Met Life Tower as an Italian campanile, the Woolworth Building as a French Gothic cathedral), most foreigners agreed that the skyscraper suited only our misfit nation. For decades, Americans were alone in building them. Even those European modernists who dreamed of gleaming towers along Friedrichstraße and Boulevard de Sébastopol had to cross the Atlantic for a chance to act on their ambitions. By the start of World War II, 147 of the 150 tallest habitable buildings on the planet were located in the United States. 

No building style better represented America’s industriousness, monomaniacal greed, disregard of tradition, and eagerness to attempt feats that more established cultures considered obscene. And while those indelicate traits prompted Americans to develop the skyscraper, it was our openness and multiculturalism that brought us our greatest skyscraper builder: a Bangladeshi Muslim immigrant named Fazlur Rahman Khan.

Khan was born on April 3rd, 1929 in Dhaka, Bangladesh (Dacca, British India at the time). His father, a mathematics instructor, cultivated young Fazlur’s interest in technical subjects and encouraged him to pursue a degree at Calcutta’s Bengal Engineering College. He excelled in his studies there and, after graduating, won a Fulbright Scholarship that brought him to the University of Illinois. In the United States, Khan studied structural engineering and engineering mechanics, earning two master’s degrees and a PhD in just three years. After a detour in Pakistan, Khan returned to the United States and was hired as an engineer in the Chicago office of Skidmore, Owings & Merrill (SOM), one of the most prominent architecture and engineering firms in the world.

Though he was born in a nation with no history of highrise construction, Dr. Fazlur Rahman Khan had worked his way to a position where he would revolutionize the field of structural engineering and build America’s proudest landmarks.

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Winning The Console Wars – An In-Depth Architectural Study

From time to time, we at Hackaday like to publish a few engineering war stories – the tales of bravery and intrigue in getting a product to market, getting a product cancelled, and why one technology won out over another. Today’s war story is from the most brutal and savage conflicts of our time, the console wars.

The thing most people don’t realize about the console wars is that it was never really about the consoles at all. While the war was divided along the Genesis / Mega Drive and the Super Nintendo fronts, the battles were between games. Mortal Kombat was a bloody battle, but in the end, Sega won that one. The 3D graphics campaign was hard, and the Starfox offensive would be compared to the Desert Fox’s success at the Kasserine Pass. In either case, only Sega’s 32X and the British 7th Armoured Division entering Tunis would bring hostilities to an end.

In any event, these pitched battles are consigned to be interpreted and reinterpreted by historians evermore. I can only offer my war story of the console wars, and that means a deconstruction of the hardware.

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