Double The Sensors, Double The Fun, With 2-in-1 Panoramic Camera

When film all came in rolls, it was fairly easy to play with the frame of the image. Companies like Hasselblad (and many others) made camera backs that would expose longer strips of 35 mm film to create stunning panoramic images in one single shot. [snappiness] wanted to bring that style of camera into the digital age, and ended up with a 2-in-1 Sony-based frankencamera.

Sensors just aren’t readily available in the wide aspect ratio [snappiness] was looking for, and even if they were, bare sensors are hugely expensive compared to consumer cameras. Lacking the budget for high-res scientific CMOS, [snappiness] did what any of us would do, and hacked two Sony A7ii full-frame mirrorless cameras together to get a combined 24x72mm sensor frame.

Conceptually, the hack is really very simple: a 3D print acts like a T-fitting, with the two cameras held parallel off the arms of the T and the lens making the shaft. Inside, the only optics are a pair of mirrors serving as a beam splitter. Each camera sees half the FOV of the lens in its corresponding mirror, which means the images can be stitched together later to make the double-wide pictures [snappiness] is after.

Of course both cameras must be triggered at the same time, but with what looks like a headphone splitter and an aftermarket remote shutter button, that part works perfectly. The optics, not so much– as always with conceptually simple projects, the devil is in the details, and here it’s the mirror alignment where you’ll find Old Nick. [snappiness] made no provision for adjustments, so everything needed to be designed and built with very stringent tolerances. Somewhere along the way, those tolerances were exceeded; as a result, the two cameras don’t share a focal plane.

That means half the composite image will always be out of focus, or that the main lens needs to be refocused and two snaps taken, rather defeating the point the frankencamera. If [snappiness] attempts a version two, perhaps an adjustment mechanism to focus each sensor would be in order. Still, even if it didn’t work perfectly, he’s proven that the idea is sound, and we can’t imagine many people will see this and argue it isn’t a hack.

The world of film did make all of this easier, perhaps– we’ve seen large-format film cameras out of lego, and a panorama made from four full rolls of 35 mm film. If you know of any other great photography hacks– film or digital– don’t hesitate to send us a tip.

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Using Four Rolls Of Film To Make One Big Photo

Typically, if you’re shooting 35 mm film, you’re using it in an old point-and-shoot or maybe a nice SLR. You might even make some sizeable prints if you take a particularly good shot. But you can get altogether weirder with 35 mm if you like, as [Socialmocracy] demonstrates with his “extreme sprocket hole photography” project (via Petapixel).

The concept is simple enough. [Socialmocracy] wanted to expose four entire rolls of 35 mm film all at the same time in one single shot. To be absolutely clear, we’re not talking about exposing a frame on each of four rolls at once. We’re talking about a single exposure covering the entire length of all four films, stacked one on top of the other.

To achieve this, an old-school Cirkut No.6 Outfit camera was pressed into service. It’s a large format camera, originally intended for shooting panoramas. As the camera rotated around under the drive of a clockwork motor, it would spool out more film to capture an image.

[Socialmocracy] outfitted the 100-year-old camera with a custom 3D-printed spool that could handle four rolls of film at once, rather than its usual wide single sheet of large format film. This let the camera shoot its characteristic panoramas, albeit spread out over multiple rolls of film, covering the sprocket holes and all. Hence the name—”extreme sprocket hole photography.”

It’s a neat build, and one that lets [Socialmocracy] use more readily available film to shoot fun panoramas with this old rig. We’ve featured some other great film camera hacks over the years, too, like this self-pack Polaroid-style film. Video after the break.

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