It can be hard enough to take a good photograph of a running kid or pet, and if we’re being honest, sometimes even stationary objects manage to allude our focus. Now imagine trying to take a picture of something moving really fast, like a bullet. Trying to capture the moment a fast moving projectile hits an object is simply not possible with a human behind the shutter button.
Enter the ballistic chronometer: a device that uses a set of sensor gates and a highly accurate timer to determine how fast an object is flying through it. Chronometers that operate up to a couple hundred meters per second are relatively common, but [td0g] had something a little faster in mind. He’s come up with an optical setup that he claims can capture objects moving as fast as Mach 2. With this chronometer tied into a high-speed flash rig, [td0g] is able to capture incredible shots such as the precise instant a bullet shatters a glass of water.
Because he couldn’t find any phototransistors with the sub-microsecond response time necessary to detect a small object moving at 1,000 m/s, [td0g] ended up using LEDs in a photoconductive configuration, where 27 VDC is applied backwards against the diode. Careful monitoring of voltage fluctuations across the diode allows for detection of changes in the received light level. To cut down on interference, [td0g] used IR LEDs as his light sources, reasoning there would be less ambient IR than if he used something in the visual range.
What really impresses with this build is the attention to detail and amount of polish [td0g] put into the design. From the slick angled bracket that holds the Arduino and LCD to the 3D printed covers over the optical gates, the final device looks like a professional piece of equipment with a price tag to rival that of a used car.
For the future, [td0g] plans on upgrading to faster comparators than he LM339’s he has installed currently, and springing for professionally done PCBs instead of protoboard. In it’s current state this is already a very impressive piece of kit, so we’d love to see what it looks like when it’s “finished”.
They say that a picture is worth a thousand words. But what is a picture exactly? One definition would be a perfect reflection of what we see, like one taken with a basic camera. Our view of the natural world is constrained to a bandwidth of 400 to 700 nanometers within the electromagnetic spectrum, so our cameras produce images within this same bandwidth.
For example, if I take a picture of a yellow flower with my phone, the image will look just about how I saw it with my own eyes. But what if we could see the flower from a different part of the electromagnetic spectrum? What if we could see less than 400 nm or greater than 700 nm? A bee, like many other insects, can see in the ultraviolet part of the spectrum which occupies the area below 400 nm. This “yellow” flower looks drastically different to us versus a bee.
In this article, we’re going to explore how images can be produced to show spectral information outside of our limited visual capacity, and take a look at the multi-spectral cameras used to make them. We’ll find that while it may be true that an image is worth a thousand words, it is also true that an image taken with a hyperspectral camera can be worth hundreds of thousands, if not millions, of useful data points. Continue reading “Hyperspectral Imaging – Seeing the Unseeable”→
Meticulous. Thorough. Exacting. These are all words we’d use to describe this video by [BrendaEM] about her Homemade 3D Optical Interference Scanner which can be seen after the break. The scanner uses 3D-printed parts and repurposed materials you might find lying around in your spare parts bin. An old optical drive tray acts to move the laser-wielding sled while a stripped-out webcam is an optical sensor. Links to relevant files such as 3D models and Arduino sketches will be found in the video’s author section.
The principle of operation is demonstrated with a water analog in the video at 2:00 with waves in a plastic container. By creating two small apertures between a light source and a sensor, it’s possible to measure the light waves which make it through. [BrendaEM] uses some powerful visualization software to convert her samples into 3D models which look really cool and simultaneously demonstrate the wave nature of light.
On the left side of her device are the control electronics which don’t need any special coatings since light won’t pass over this area. For the right side, where coherent light is measured, to borrow a Rolling Stones lyric: no colors anymore, I want them to turn black. Even the brass strips with apertures are chemically darkened.
It’s a problem as old as photography: your camera is only as good as your lens. As cameras shrink, so do lenses, and so do the options for upgrading to a better lens. And forget about switching to a different focal length or aperture — it’s often just not an option. Unless you make it an option by adding a CS lens mount to a high-end webcam.
We’ll stipulate that at 4k resolution and packed with all sorts of goodies, the Logitech Brio Pro is a heck of a nice camera. And the lens isn’t bad either, as you’d hope for a camera with almost 9 megapixels at its disposal. But with an optical field of view optimized for video conferencing, it’s hard to use this premium camera for much else. [Saulius] fixed that by taking the camera apart and adding a new case with a built-in C- and CS-mount, resulting in literally thousands of lens choices. [Saulius]’ post has valuable teardown information, which includes exposing the CCD sensor completely. The new case is sold as a kit, but it looks like a 3D-printed case would be pretty easy to whip up.
Seems like the first thing the new GoPro owner wants to do is a time-lapse sequence. And with good reason – time-lapses are cool. But they can be a bit bland without a little camera motion, like that provided by a dirt-cheap all-mechanical panning rig.
Let’s hope [JackmanWorks]’ time-lapse shots are under an hour, since he based his build on a simple wind-up kitchen timer, the likes of which can be had for a buck or two at just about any store. The timer’s guts were liberated from the case and a simple wooden disc base with a 1/4″-20 threaded insert for a tripod screw was added. The knob, wisely left intact so the amount of time left in the shot is evident, has a matching bolt for the camera’s tripod socket. Set up the shot, wind up the timer, and let it rip at 1/60 of an RPM. Some sample time-lapse shots are in the video below.
Borescope cameras are great inspection tools. They’re flexible, they magnify on a variable scale, and they come with their own lighting. Oh, and they’re pretty cheap, too. Because of all this, these tiny cameras can serve a number of purposes. Doctors put them down your cake hole to look for ulcers and polyps, and mechanics probe pistons with them to check for buildup. [agulesin] used one to make a reading aid for his mom.
Mom suffers from macular degeneration, and can’t read print smaller than 1″ (2.5cm). This condition can cause issues ranging from blurred vision to complete loss of vision in the center of the visual field. Standard handheld magnifiers can work fairly well depending on a person’s condition, but they only provide a fixed magnification level and most offer no lighting.
[Agulesin] had the idea to make a reading magnifier by feeding video from a downward-facing borescope camera to an old netbook. The camera is mounted in a plywood arm that’s fixed to a bi-level platform made from scrap MDF. It’s a simple idea that’s well executed—just project flat, printed material on to a vertical screen. There’s nothing for the user to hold or mount, and no risk of neck strain from looking down over the material.
With any simple project comes limitations. The camera is fixed in place. This rig built to view sheets of A4 paper (between letter and legal size) that are moved around by the user, and it can only handle a stack of so many sheets. If [agulesin]’s mom tried to read a thick novel this way, the camera would likely not focus. Even so, it’s a great piece of assistive tech for people with low vision.
What sets [Schijvenaars]’ slider apart from the pack is that it’s not a slider, at least not in the usual sense. A slider is a mechanical contrivance that allows a camera to pan smoothly during a shot. Given that the object is to get a camera from point A to point B as smoothly as possible, and that sliders are often used for long exposures or time-lapse shots, the natural foundation for them is a ball-bearing linear slide, often powered by a stepper motor on a lead screw. [Schijvenaars] wanted his slider to be more compact and therefore more portable, so he designed and 3D-printed a 3-axis pantograph mechanism. The video below shows the slider panning the camera through a silky smooth 60 centimeters; a bonus of the arrangement is that it can transition from panning in one direction to the other without any jerking. Try that with a linear slider.
Granted, this slider is not powered, but given that the axes are synced with timing belts, it wouldn’t be difficult to add a motor. We’ve seen a lot of sliders before, from simple wooden units to complicated overhead cranes, but this one seems like a great design with a lot of possibilities.