Honestly, we never wondered how those old film cameras used to put the date stamp in the lower right-hand corner of the frame. Luckily, [Ben Krasnow] does not suffer from this deplorable lack of curiosity, and his video teardown of a date-stamping film camera back (embedded below) not only answers the question, but provides a useful lesson in value engineering.
For the likely fair fraction of the audience who has never taken a photo on film before, cheap 35-mm cameras were once a big thing. They were really all one had for family snapshots and the like unless you wanted to invest in single-lens reflex cameras and all the lenses and accessories. They were miles better than earlier cartridge cameras like the 110 or – shudder – Disc film, and the cameras started getting some neat electronic features too. One was the little red-orange date stamp, which from the color we – and [Ben] assumed was some sort of LED pressed up against the film, but it ends up being much cooler than that.
Digging into the back of an old camera, [Ben] found that there’s actually a tiny projector that uses a mirror to fold the optical path between the film and a grain-of-wheat incandescent bulb. An LCD filter sits in the optical path, but because it’s not exactly on the plane of the film, it actually has to project the image onto the film. The incandescent bulb acts as a point source and the mirror makes the optical path long enough that the date stamp image appears sharp on the film. It’s cheap, readily adapted to other cameras, and reliable.
Teardowns like this aren’t fodder for [Ben]’s usual video fare, which tends more toward homemade CT scanners and Apollo-grade electroluminescent displays, but this was informative and interesting, too.
Continue reading “[Ben Krasnow] Looks Inside Film Camera Date Stamping”
There is a treasure trove of history locked away in closets and attics, where old shoeboxes hold reels of movie film shot by amateur cinematographers. They captured children’s first steps, family vacations, and parties where [Uncle Bill] was getting up to his usual antics. Little of what was captured on thousands of miles of 8-mm and Super 8 film is consequential, but giving a family the means to see long lost loved ones again can be a powerful thing indeed.
That was the goal of [Anton Gutscher]’s automated 8-mm film scanner. Yes, commercial services exist that will digitize movies, slides, and snapshots, but where’s the challenge in that? And a challenge is what it ended up being. Aside from designing and printing something like 27 custom parts, [Anton] also had a custom PCB fabricated for the control electronics. Film handling is done with a stepper motor that moves one frame into the scanner at a time for scanning and cropping. An LCD display allows the archivist to move the cropping window around manually, and individual images are strung together with ffmpeg running on the embedded Raspberry Pi. There’s a brief clip of film from a 1976 trip to Singapore in the video below; we find the quality of the digitized film remarkably good.
Hats off to [Anton] for stepping up as the family historian with this build. We’ve seen ad hoc 8-mm digitizers before, but few this polished looking. We’ve also featured other archival attempts before, like this high-speed slide scanner.
Continue reading “3D-Printed Film Scanner Brings Family Memories Back To Life”
To the average person, the application of balloon technology pretty much begins and ends with birthday parties. The Hackaday reader might be able to expand on that a bit, as we’ve covered several projects that have lofted various bits of equipment into the stratosphere courtesy of a high-altitude balloons. But even that is a relatively minor distinction. They might be bigger than their multicolored brethren, but it’s still easy for a modern observer to write them off as trivial.
But during the 1940’s, they were important pieces of wartime technology. While powered aircraft such as fighters and bombers were obviously more vital to the larger war effort, balloons still had numerous defensive and reconnaissance applications. They were useful enough that the United States Navy produced a training film entitled History of Balloons which takes viewers through the early days of manned ballooning. Examples of how the core technology developed and matured over time is intermixed with footage of balloons being used in both the First and Second World Wars, and parallels are drawn to show how those early pioneers influenced contemporary designs.
Even when the film was produced in 1944, balloons were an old technology. The timeline in the video starts all the way back in 1783 with the first piloted hot air balloon created by the Montgolfier brothers in Paris, and then quickly covers iterative advancements to ballooning made into the 1800’s. As was common in training films from this era, the various “reenactments” are cartoons complete with comic narration in the style of W.C. Fields which were designed to be entertaining and memorable to the target audience of young men.
While the style might seem a little strange to modern audiences, there’s plenty of fascinating information packed within the film’s half-hour run time. The rapid advancements to ballooning between 1800 and the First World War are detailed, including the various instruments developed for determining important information such as altitude and rate of climb. The film also explains how some of the core aspects of manned ballooning, like the gradual release of ballast or the fact that a deflated balloon doubles as a rudimentary parachute in an emergency, were discovered quite by accident.
When the film works its way to the contemporary era, we are shown the process of filling Naval balloons with hydrogen and preparing them for flight. The film also talks at length about the so-called “barrage balloons” which were used in both World Wars. Including a rather dastardly advancement which added mines to the balloon’s tethers to destroy aircraft unlucky enough to get in their way.
This period in human history saw incredible technological advancements, and films such as these which were created during and immediately after the Second World War provide an invaluable look at cutting edge technology from a bygone era. One wonders what the alternative might be for future generations looking back on the technology of today.
Continue reading “Retrotechtacular: Balloons Go To War”
It’s as if the go-to analogy these days for anything technical is, “It’s like a series of tubes.” Explanations thus based work better for some things than others, and even when the comparison is apt from a physics standpoint it often breaks down in the details. With microfluidics, the analogy is perfect because it literally is a series of tubes, which properly arranged and filled with liquids or gasses can perform some of the same control functions that electronics can, and some that it can’t.
But exploring microfluidics can be tough, what with the need to machine tiny passages for fluids to flow. Luckily, [Justin] has turned the process into child’s play with these microfluidic elements made from Shrinky Dinks. For those unfamiliar with this product, which was advertised incessantly on Saturday morning cartoon shows, Shrinky Dinks are just sheets of polystyrene film that can be decorated with markers. When placed in a low oven, the film shrinks about three times in length and width while expanding to about nine times its pre-shrunk thickness. [Justin] capitalized on this by CNC machining fine grooves into the film which become deeper after shrinking. Microfluidics circuits can be built up from multiple layers. The video below shows a mixer and a simple cell sorter, as well as a Tesla valve, which is a little like a diode.
We find [Justin]’s Shrinky Dink microfluidics intriguing and can’t wait to see what kind of useful devices he comes up with. He’s got a lot going on, though, from spider-powered beer to desktop radio telescopes. And we wonder how this technique might help with his CNC-machined microstrip bandpass filters.
Continue reading “Making Microfluidics Simpler With Shrinky Dinks”
When planning a trip by car these days, it’s pretty much standard practice to spin up an image of your destination in Google Maps and get an idea of what you’re in for when you get there. What kind of parking do they have? Are the streets narrow or twisty? Will I be able to drive right up, or will I be walking a bit when I get there? It’s good to know what’s waiting for you, especially if you’re headed someplace you’ve never been before.
NASA was very much of this mind in the 1960s, except the trip they were planning for was 238,000 miles each way and would involve parking two humans on the surface of another world that we had only seen through telescopes. As good as Earth-based astronomy may be, nothing beats an up close and personal look, and so NASA decided to send a series of satellites to our nearest neighbor to look for the best places to land the Apollo missions. And while most of the feats NASA pulled off in the heyday of the Space Race were surprising, the Lunar Orbiter missions were especially so because of how they chose to acquire the images: using a film camera and a flying photo lab.
Continue reading “The Photo Lab That Flew To The Moon”
Should a camera build start with a sand mold and molten aluminum? That’s the route [CroppedCamera] took with this thoroughly impressive camera project.
When we think of cameras these days, chances are we picture the ones that live inside the phones in our pockets. They’re the go-to image capture devices for most of us, but even for the more photographically advanced among us, when a more capable camera is called for, it’s usually an off-the-shelf DSLR from Canon, Nikon, or the like. Where do hand-built cameras fall in today’s photography world? They’re a great way to add a film option to your camera collection.
Cast lens body before machining
[CroppedCamera] previously built a completely custom large-format view camera, but for this build he decided that something a bit more portable might do. The body of the camera is scratch-built from aluminum, acting as the lightproof box to hold the roll film and mount the leaf-shutter lens. There’s an impressive amount of metalwork here — sand casting, bending, TIG welding, and machining all came into play, and most of them new skills to [CroppedCamera]. We were especially impressed with the shrink-fit of the lens cone to the body. It’s unconventional looking for sure, but not without its charm, and it’s sure to make a statement dangling around his neck.
It’s tough to find non-digital DIY camera builds around here — best we could do were these laser-cut plywood modular cameras. Then again, you can’t beat this wearable camera for functional style.
Continue reading “Shutter Bug Goes Extreme With Scratch-Built Film Camera”
If your goal is to harvest unique parts from defunct devices, the further back in time you go, the better the pickings stand to be. At least that’s what [Kerry Wong] discovered during his tear-down of a darkroom color analyzer from the early 1980s.
For readers whose experience with photography has been solely digital, you need to understand that there once was a time when images were made with real cameras on real film, and serious amateurs and pros had darkrooms to process the film. Black and white processing was pretty straightforward in terms of chemistry — it was just developer, stop, and fixing. Color processes were much trickier, and when it came to enlarging your film onto color photo paper, things could get really complicated. [Kerry]’s eBay find, a Besler PM1A color analyzer, was intended to help out in the color lab by balancing the mix of cyan, blue, and yellow components in the enlarger.
The instrument, which no doubt demanded a princely sum back in the day, is actually really simple, with the object of [Kerry]’s desire, a PM1A photomultiplier tube and its driver, being the only real find. Still, it’s an interesting teardown, and we’re eager to see what [Kerry] makes of the gem. A muon detector, perhaps? An X-ray backscatter machine? Or perhaps repeating his old speed of light experiments is on the docket.
Continue reading “Tearing Down A Darkroom Relic For Buried Treasure”