[Tristan Shone], aka Author & Punisher, found a way to make industrial music even heavier. This former mechanical engineer from Boston crafted his one-man band in the university fab labs of Southern California while pursing an art degree. He started machining robust custom MIDI controllers that allow him to get physical while performing, instead of hunching over tiny buttons and trying to finesse microscopic touch pad-style pitch sliders.
Starting about ninety seconds into the video after the break, [Tristan] explains his set up and walks through each of his handmade controllers, all of which are built on Arduinos and Raspberry Pis.
Our favorite is probably Grid Iron, because it looks like the most fun. Grid Iron is a rhythm controller that works by running back and forth and side-to-side over a grid of machined textures that act like speed bumps. A spring-loaded stylus picks up the textures, and an encoder translates them to sound. Eight buttons along the 3D-printed pistol grip let [Tristan] make changes on the fly.
Tired of twiddling tiny knobs, [Tristan] made Big Knobs, a set of three solid aluminum knobs that look to be 3-4″ in diameter. These are assigned jobs like delay and filter, and their weight combined with ball bearings allows them to spin almost indefinitely while [Tristan] injects other sounds into the mix.
[Tristan] has made a few custom microphones to make the most of his voice. One is a trachea mic made from four piezos strapped to his throat that picks up every possible vocal utterance and other guttural sounds quite nicely. The other is an 8-pack of mics built into a curved metal box. He can assign a different effect to each one and do things like turn a breathy scream into the sounds of swelling cymbals.
There are more machines not covered in the video, and you can read about those on [Tristan]’s site. In a bonus video after the break, [Tristan] discusses a trio of pneumatically-driven mask controllers he made.
Don’t have a machine shop at your disposal? Dig out that fidget spinner and get moving on your own MIDI controller.
Thanks for the tip, [saabcrow]! \m/
If i ever want to melt my brain, and have it leak out my ears then be motivated to do horrible things. I now know whos music I should listen to. Man, how can possibly listen to that crap and feel great at the end of it.
I dig it.
This comment has been made almost verbatim for literally every piece of music ever recorded. Really it sounds just like what they said about Mozart at the time. Congratulations for discovering that there is something in this world that you don’t like.
Sometimes I don’t feel great and I want the music to match my mood. Welcome to the full range of musical expression!
Casual
ok boomer
An impressive set of MIDI controllers. Though the end product isn’t quite my style.
I have wanted to work with a throat mic. I do a dub bass line as an exercise. I wouldn’t use piezo mics though, they have a poor response at the lowest frequencies. They must be compressed into a linear region and tend to be half wave otherwise. Go with dynamic. An old MFM hard drive gives lows and shrieks out of it’s two motors, which adds to the “percussion” effects.
Lights out, guerilla radio, turn that s*** up!
Physical interfaces are underrated nowadays. Just because it can be touchscreen doesn’t mean it should be
Huge fan of A&P. His gear is inspiring.
The newest rack/rhythm thing is awesome! Know of anywhere that his stuff is written up / documented in more detail?
I worked Moogfest a couple of years ago, and Tristan was one of the performers. Until then, I didn’t know a thing about his work as Author and Punisher, but I was a quick convert. He played a great set, and even did a session the next day where he went through his gear (controllers, microphones, etc.) and described how things were designed and built. His music isn’t everyone’s cup of tea (I guess you might describe it as electronic death metal, but I’m not sure that really captures it), but *I* definitely dig it. :-)