Typically, when we think of a music sequencer, we envisage LEDs and boards covered in buttons. Of course, there are naturally other ways to build such a device. MesoTune takes a different tack entirely, relying on magnets and rotating mechanisms to get the job done.
MesoTune acts as a MIDI controller, and is designed to be hooked up to a computer or other MIDI synthesizer device. The heart of MesoTune is a set of eight magnet wheels, rotating together on a common shaft. The rotational speed of the shaft, dictated by the requested tempo in beats per minute, is controlled by an Arduino. Each magnet wheel has 16 slots into which the user can place a spherical magnet. Every time a magnet on the wheel passes a hall sensor, it sends a MIDI message to the attached computer which is then responsible for using this to synthesize the relevant sound.
There are other useful features, too. Each of the eight magnet wheels, or channels, gets its own fader, which can be used to control volume or other parameters. There’s also a handy tempo display, and a 16-button touchpad for triggering other events. These additions make it more practical to use in a compositional context, where it’s nice to have extra controls to make changes on the fly.
Made out of 3D printed parts and readily available off the shelf components, it’s a fun alternative sequencer design that we’re sure many makers could whip up in just a weekend. We’d love to see other remixes of the design – if you’ve got one, hit us up at the tipline. We’ve seen other great sequencer builds before, too. Video after the break.
This one goes out to anyone who loves music and feels it in their soul, but doesn’t necessarily understand it in their head. No instrument should stand in the way of expression, but it seems like they all do (except for maybe the kazoo).
[FrancoMolina]’s hybrid synth-MIDI controller is a shortcut between the desire to play music and actually doing it. Essentially, you press one of the buttons along Synthfonio’s neck to set the scale, and play the actual notes by pressing limit switches in the controller mounted on the body. If you’re feeling blue, you can shift to minor scales by pressing the relative minor note’s neck button at the same time as the root note, e.g. A+C=Am. Want to change octaves? Just slide the entire controller up or down for a total of three.
All of these switches are muxed to two Arduinos — an MKR1010 for USB MIDI control, and a bare ‘328 to provide the baked-in synth sounds. Power comes from a stepped-up 18650 that can be charged with an insanely cheap board from that one site. [Franco] has all the code and files available, so go have fun making music without being turned off by a bunch of theory. Push that button there to check out the demo.
If ‘portable’ means pocket-sized to you, then let this mini woodwind MIDI controller take your breath away.
Continue reading “Synthfonio Makes Music Easy Like Sunday Morning”
When [KOOP Instruments] started learning the piano, he wasn’t prepared for the tedium of learning chords and their relationships on the standard keyboard layout. But instead of killing his desire to tickle the ivories, it inspired him to explore alternative layouts that are easier to play. He converted to Isomorphism, started building MIDI controllers, and hasn’t looked back.
The latest incantation is Harmonicade, a dual-decked number arranged Wicki-Hayden style. Both decks have 5½ octaves, are (electrically) identical, and run off a single Teensy 3.6. We admire [KOOP]’s use of DB25 connectors to wrangle the wiring between the decks and the Teensy — quite a neat solution. Almost as neat as his beautifully-commented code.
Although the button decks and control boxes are all printed and open source, they are designed to be easily made from acrylic or plywood instead. [KOOP] is going to keep iterating until he’s totally happy with the control locations and layout, and the ease of breakdown and reassembly. We’ve got a double shot of videos for you after the break — one of [KOOP] playing Harmonicade, and a longer one exploring and playing its precursor, the Melodicade.
Tired of conventional-looking MIDI controllers? We hear your bellows and offer this MIDI controller in a concertina.
Continue reading “Harmonicade Is A High-Scoring MIDI Controller”
[Tristan Shone], aka Author & Punisher, found a way to make industrial music even heavier. This former mechanical engineer from Boston crafted his one-man band in the university fab labs of Southern California while pursing an art degree. He started machining robust custom MIDI controllers that allow him to get physical while performing, instead of hunching over tiny buttons and trying to finesse microscopic touch pad-style pitch sliders.
Starting about ninety seconds into the video after the break, [Tristan] explains his set up and walks through each of his handmade controllers, all of which are built on Arduinos and Raspberry Pis.
Our favorite is probably Grid Iron, because it looks like the most fun. Grid Iron is a rhythm controller that works by running back and forth and side-to-side over a grid of machined textures that act like speed bumps. A spring-loaded stylus picks up the textures, and an encoder translates them to sound. Eight buttons along the 3D-printed pistol grip let [Tristan] make changes on the fly.
Tired of twiddling tiny knobs, [Tristan] made Big Knobs, a set of three solid aluminum knobs that look to be 3-4″ in diameter. These are assigned jobs like delay and filter, and their weight combined with ball bearings allows them to spin almost indefinitely while [Tristan] injects other sounds into the mix.
[Tristan] has made a few custom microphones to make the most of his voice. One is a trachea mic made from four piezos strapped to his throat that picks up every possible vocal utterance and other guttural sounds quite nicely. The other is an 8-pack of mics built into a curved metal box. He can assign a different effect to each one and do things like turn a breathy scream into the sounds of swelling cymbals.
There are more machines not covered in the video, and you can read about those on [Tristan]’s site. In a bonus video after the break, [Tristan] discusses a trio of pneumatically-driven mask controllers he made.
Don’t have a machine shop at your disposal? Dig out that fidget spinner and get moving on your own MIDI controller.
Continue reading “DIY Music Controllers For Raging With Machines”
Due to pedalboard size, complicated guitar pedals sometimes reduce the number of buttons to the bare minimum. Many of these pedals are capable of being controlled with an external MIDI controller, however, and necessity being the mother of invention and all, this is a great opportunity to build something and learn some new skills at the same time. In need of a MIDI controller, Reddit user [Earthwin] built an Arduino powered one to control his Boss DD500 Looper pedal and the result is great looking.
Five 16×2 LCD screens, one for each button, show the functionality that that button currently has. They are attached (through some neat wiring) to a custom-built PCB which holds the Arduino that controls everything. The screens are mounted to an acrylic backplate which holds the screens in place while the laser-cut acrylic covers are mounted to the same plate through the chassis. The chassis is a standard Hammond aluminum box that was sanded down, primed and then filler was used to make the corners nice and smooth. Flat-top LEDs and custom 3D printed washers finish off the project.
[Earthwin] admits that this build might be overkill for the looper that he’s using, but he had fun building the controller and learning to use an Arduino. He’s already well on his way to building another, using the lessons learned in this build. If you want to build your own MIDI controller, this article should help you out. And then you’re ready to build your controller into a guitar if you want to.
One of our favorite things about the rise of hobbyist development ecosystems such as the Arduino is that it’s now possible to make a MIDI controller out of almost anything, as long as you have the the shields and the dedication. We’re glad that [James Bruton] takes the occasional break from making robots to detour into instrument making, because his latest creation turns it up to 11.
This awesome guitar uses a barcode scanner to play notes, and various arcade controls to manipulate those notes. The barcodes themselves scan as ASCII values, and their equivalent integers are sent to an external MIDI device. This futuristic axe is built on an Arduino Mega, with a USB shield for the barcode scanner, and a MIDI shield on top that [James] connects to various synths in the video after the break.
In between shooting barcodes, the right hand also controls octave shifting and changing MIDI channels with the joystick, and doing pitch-bends with the rotary encoder. The array of arcade buttons on the bottom neck let him switch between single player for monophonic synths, and multiplayer for polys. The other three buttons are press-and-scan programmable single-note sounders that assist in chord-making and noodling.
We particularly dig the construction, which is a combination of 20/20 and 3D printed boxes. [James] found some angled PVC to serve as fretboards for the four necks, and a nice backgrounds for bar codes.The only thing we would change is the native beep of the barcode scanner — either silence it forever or make it mutable, because it doesn’t jive with every note. It might be nice to get the gun to scan continuously so [James] doesn’t get trigger finger. Or better yet, build the scanner into a glove.
Want to do something more useful with that barcode scanner in your parts bin? Use it to manage your household inventory. But first, reacquaint yourself with the history of the humble barcode as presented by [Adam Fabio].
Continue reading “Barcode Guitar Plays More Than Beep-Bop”
Back in the ’80s, home computers weren’t capable of much in terms of audio or multimedia as a whole. Arguably, it wasn’t until the advent of 16-bit computers such as the Amiga that musicians could make soundtrack-quality music without having to plug actual studio gear up to their machines. [Michael Wessel] is trying to bring some of that and many more features to the Amstrad CPC with his ambitious LambdaSpeak 3 project, an expansion card built completely up from scratch and jam-packed with features.
First, and likely giving it its name, is the speech synthesizer. [Michael] has made an emulation mode where his card can act just like the original SSA-1 expansion, being able to be controlled by the same software as back then. By default, the card offers this mode with an Epson S1V30120 daughterboard (which is based on DECTalk synthesis), however for further authenticity you also have the option of fitting it with an SP0256-AL2 chip, the same one used in the original Amstrad hardware in 1985.
As for the more musical part of the project, the board supports 4-channel PCM playback, much like the Amiga’s sound offering. This can be used for a drum machine sequencer program, and it has an Amdrum mode, emulating another expansion from the original Amstrad days. Sample playback can also be used alongside the speech synthesis as shown here, with random allophone beats that wouldn’t sound out of place in a Kraftwerk recording. Finally, by using the UART interface included on the LambdaSpeak, you can also turn the CPC itself into a synth by giving it MIDI in/out and interfacing a controller in real time with the computer’s AY-3-8912 sound chip.
If you like modern expansions giving old computers new life, did you know that you can get just about any retro computer online, perhaps a TRS-80, an Amiga and even a Psion Organizer? And if you’re interested in just using old systems’ sound chips with modern USB MIDI controllers, it’s easy to make a microcontroller do all the heavy lifting.
Continue reading “Giving The Amstrad CPC A Voice And A Drum Kit”