Over the years, artists have been creating art depicting weapons of mass destruction, war and human conflict. But the weapons of war, and the theatres of operation are changing in the 21st century. The outcome of many future conflicts will surely depend on digital warriors, huddled over their computer screens, punching on their keyboards and maneuvering joysticks, or using devious methods to infect computers to disable or destroy infrastructure. How does an artist give physical form to an unseen, virtual digital weapon? That is the question which inspired [Mac Pierce] to create his latest Portrait of a Digital Weapon.
[Mac]’s art piece is a physical depiction of a virtual digital weapon, a nation-state cyber attack. When activated, this piece displays the full code of the Stuxnet virus, a worm that partially disabled Iran’s nuclear fuel production facility at Natanz around 2008.
It took a while for [Mac] to finalize the plan for his design. He obtained a high resolution satellite image of the Iranian Natanz facility via the Sentinel Hub satellite imagery service. This was printed on a transparent vinyl and glued to a translucent poly-carbonate sheet. Behind the poly-carbonate layer, he built a large, single digit 16-segment display using WS2812 addressable LED strips, which would be used to display the Stuxnet code. A bulkhead USB socket was added over the centrifuge facility, with a ring of WS2812 LEDs surrounding the main complex. When a USB stick is plugged in, the Stuxnet code is displayed on the 16-segment display, one character at a time. At random intervals, the LED ring around the centrifuge building lights up spinning in a red color to indicate centrifuge failure.
The 16-segment display was built on an aluminum base plate, with 3D printed baffles to hold the LED strips. To hold the rest of the electronics, he built a separate 3D printed frame which could be added to the main art frame. Since this was too large to be printed in one piece on the 3D printer, it was split in parts, which were then joined together using embedded metal stud reinforcement to hold the parts together. Quite a nice trick to make large, rigid parts.
An Adafruit Feather M0 micro-controller board, with micro SD-card slot was the brains of the project. To derive the 5 V logic data signal from the 3.3 V GPIO output of the Feather, [Mac] used two extra WS2812 LEDs as level shifters before sending the data to the LED strips. Driving all the LEDs required almost 20 W, so he powered it using USB-C, adding a power delivery negotiation board to derive the required juice.
The Arduino code is straightforward. It reads the characters stored on the SD-card, and sends them sequentially to the 16-segment display. The circular ring around the USB bulkhead also lights up white, but at random intervals it turns red to simulate the speeding up of the centrifuges. Detecting when the USB stick gets plugged in is another nice hack that [Mac] figured out. When a USB stick is plugged in, the continuity between the shell (shield) and the GND terminal was used to trigger a GPIO input.
Cyber warfare is here to stay. We are already seeing increasing attacks on key infrastructure installations by state as well as non-state actors around the world. Stuxnet was one of the first in this growing category of malicious, weaponized code. Acknowledging its presence using such a physical representation can offer a reminder on how a few lines of software can wreak havoc just as much as any other physical weapon. Check out the brief project video after the break.
Further supporting evidence that I will never understand Art.
Mac! Great provocative piece of art that’s making people think.
Nice job with the code, mechanics, electronics and aesthetics.
Thanks for bringing the world to our collective doorsteps and giving us a reason to think about things farther than 100 meters from our comfortable sidewalks.
Would be nice if he used an E-ink display to update the photo with the *next* targeted facility :-)
Kidding aside, While the concept is great, I don’t think the implementation of the 7-segment could’ve been better (or different)