Synkie: The Modular Synth For Video

May 8, 2011 by Brian Benchoff 13 Comments

The folks at [anyma] have been working on an analog video processor called Synkie for a while now, and we’re amazed a project this awesome has passed us by for so long.

Like a Moog or Doepfer synth, the Synkie was developed with modularity in mind. So far, [anyma] has built modules to split and combine the sync and video signals, and modules to invert, add, subtract, mix, filter and amplify those signals. The end result of all this video processing produces an output that can look like a glitched Atari, art installation, and scrambled cable station all at the same time.

The Synkie’s output reminds us of the original Doctor Who title sequence, and actually this idea isn’t far off the mark – both use video feedback that will produce anything from a phantasmagoric ‘flying through space’ aesthetic to a fractal Droste effect visualization. We’re impressed with Synkie’s capabilities, but we’re astounded by the [anyma] crew’s ability to control a video signal in real time to get what they want.

Check out a video of the Synkie after the jump. There’s also more footage of the Synkie in action on the Synkie Vimeo channel.

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Generating Music With Credit Cards

May 8, 2011 by Mike Nathan 19 Comments

mozarts_credit_card

[Steve] was browsing around at a local electronics surplus store when he spotted an old Tranz 330 point-of-sale terminal that seemed pretty interesting. He took it home and after disassembling it, found that it contained a Z-80 based computer. Because the 330 shares the same processor as other hobbyist-friendly devices such as the TRS-80, he figured it would be quite fun to hack.

While the Z-80 processor is pretty common, [Steve] still had to figure out how it was interfaced in this particular device. After spending some time reverse engineering the terminal, he had free reign to run any program he desired. After thinking for a bit, he decided it would be cool to use the terminal to generate music based on whatever card was swiped through the reader – he calls his creation “Mozart’s Credit Card”.

He found that just playing sounds based on the raw contents of the mag strips didn’t produce anything coherent, so he wrote a small application for the terminal based on the Melisma Stochastic Melody Generator. Music is generated somewhat randomly using various card characteristics, as you can see in the video below.

We think it’s pretty cool, but [Steve] says he’s always open to suggestions, so let us know what you think in the comments.

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Adding Remote Touch Control To The Kaoss Pad

May 2, 2011 by Mike Nathan 8 Comments

touchosc_kaoss

[Munki] enjoys using his Kaoss Pad MIDI controller to add a new dimension to his music while playing guitar. The only thing that bothers him about the Kaoss Pad interface is that it can be difficult to trigger or alter effects in the middle of a bitchin’ guitar solo. He started looking around to see if there was a way to control the Kaoss Pad wirelessly via a touchscreen and found that with a little tweaking, his iPhone was a perfect candidate for the job.

He grabbed a copy of TouchOSC from the AppStore and configured it to communicate with his computer. After building an interface for his iPhone, he taped it to his guitar and gave it a try. Everything seemed to work pretty well, but he didn’t stop there – he also wanted to control Ableton Live and Max MSP from his iPhone. It took a bit of research and some tinkering with the Live API, but he eventually got everything working together nicely as you can see in the video below.

If you are interested in trying this out yourself, he has several useful links throughout his article, and he has made his TouchOSC/Max MSP patch available for download as well.

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LM386 Altoids Tin Amp

May 1, 2011 by Mike Nathan 30 Comments

altoids_amp

Hacker [Dino Segovis] is back again with the fifth installment in his “Hack a Week” series. This time around he has put together a 1/2 watt audio amplifier that would make for a great weekend project. He’s a big fan of the LM386 amplifier chip because it does so much in such a small package. Since it is so versatile, he used it as the centerpiece of his Altoids tin amplifier.

Now an audio amp inside an Altoids tin isn’t exactly a new concept, but [Dino] takes the time to discuss the circuit in detail, which is great for any beginners out there who are looking for a fun and relatively easy project. After a high-speed video of the assembly process he walks us through the completed amp, then treats us to a couple of short demos.

One thing that makes his amp different than others we have seen in the past is the addition of a 1/4” guitar jack, which allows him to use his amplifier as a combo amp/distortion effect box.

It’s another job well done, so be sure to keep reading if you’d like to watch the latest Hack a Week episode in its entirety.

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Adding A Pedal To A Yamaha DD35 Drum Kit

April 24, 2011 by Caleb Kraft 3 Comments

[Paul] Wrote in to tell us about a quick project that might be useful to others out there. He was having some problems with the DC jack on his Yamaha DD35 portable drum kit. Naturally, he did what most of us would do and just broke out the soldering iron and prepared to solder it back in place(hot glue it afterwards, that always helps too). That part isn’t a big deal, we’ve all seen it a million times. However, while inspecting the DC jack, he noticed something silk screened on the board right next to it. As it turns out, that was a kick pedal jack. After a few minutes hunting for a victim around the house that would be sacrificed for its plug, he got his hands on one. A few moments later he was jamming away with a kick pedal.

We absolutely love these super quick upgrades. [Paul] thought maybe this feature was left out at the last minute, and we’ve seen this type of thing for a number of reasons. Maybe that was a feature kept aside for a more expensive model, maybe there was some other reason it was left off. Frankly, we don’t care, we just think it is awesome that it works!

Stay with us to see a quick video demonstration.

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The Vibrotron

April 24, 2011 by Caleb Kraft 18 Comments

Behold the Vibrotron! Constructed by the Carnegie Melon University robotics club, the vibrotron is a piece of a larger project called the robOrchestra. The mechanics in action here are quite simple. You have two reservoirs of small steel balls. One at the bottom, one at the top. The bottom ones are fed to the top ones using an Archimedes’ screw. Once at the top, they are dispensed through some tubing down to plink off of a vibraphone key. All of the timing is done via solenoids mounted at the end of the tubes. The final product reminds us of the Animusic animations that were put out a few years ago.

For this system, since they wanted this to be an automated and reconfigurable bot, they are using an Arduino to control the solenoids. This way they can change songs as they please. We have to admit though, we’d love to see one where the timing for the song was all done through tube length or some other passive system allowing it to be hand cranked and purely mechanical.

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Beat707 Takes It’s Cue From A Vintage Drum Machine

April 22, 2011 by Brian Benchoff 19 Comments

We always like musical hacks at hackaday, so we were pleased to see the team at [Beat707] come out with their Beat707 MIDI groove box.

The Beat707 takes it’s inspiration from the venerable Roland TR-707. Like the Roland, the Beat707 can save songs and has MIDI In and Out. Unlike the TR-707, the Beat707 doesn’t have an audio out – it’s purely MIDI based. Don’t think of that as a drawback, though. Just connect the Beat707 to your favorite softsynth and start jamming out.

The Roland TR-707 was heavily used by acts like the Chemical Brothers, Aphex Twin, and the Cocteau Twins. Because of this history, the popularity of the TR-707 has exploded over the past few years, and getting a hold of a real TR-707 has been an expensive proposition. While rebuilds of vintage synths like [Ladyada]’s TB-303 clone, the x0xb0x have been around for a while, we’re pleased that more projects are paying their dues to the great music machines of the 1980s. Do any hackaday readers want to tackle an 808 or 909 for their next project?

Video of the Beat707 after the break.

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