3D Printing With Clay, Thanks To Custom Extruder

When it comes to 3D printing clay, there are a lot of challenges to be met. An extruder capable of pushing clay is critical, and [davidsfeir] has an updated version suitable for an Ender 3 printer. This extruder is based on earlier designs aimed at delta printers, but making one compatible with an Ender 3 helps keep things accessible.

Lightly pressurized clay comes in via the clear tube. Air escapes out the top (motor side) while an auger homogenizes the clay and pushes it out the nozzle.

What’s special about a paste extruder that can push clay? For one thing, clay can’t be stored on a spool, so it gets fed into the extruder via a hose with the help of air pressure. From there, the clay is actually extruded with the help of an auger that takes care of pushing the clay down through the nozzle. The extruder also needs a way to deal with inevitable air bubbles, which it does by allowing air to escape out the narrow space at the top of the assembly while clay gets fed downward.

[davidsfeir] was greatly inspired by the work of clay-printing pioneers [Piotr Waśniowski] and his de-airing clay extruder, and [Jonathan Keep], who has documented 3D printing with clay comprehensively in a freely-available PDF. You can check out more of [david]’s designs on his Instagram page.

There are so many different aspects to printing with clay or clay-like materials that almost every part is ripe for innovation. For example, we’ve seen wild patterns result from sticking a thumping subwoofer under a print bed.

3D-Printed Woven Coasters Save Tabletops In Style

When regular people think of 3D printing, they likely imagine semi-newfangled objects like twisty vases and useless trinkets. But there is so much more to 3D printing, as [andrei.erdei]’s printed, woven coasters demonstrate.

The design is based on the stake and strand basket weaving technique, which uses rigid strips called stakes in one direction and thinner strips called strands in the other. Since the flexibility of PLA is questionable, [andrei] printed the stakes already bent in a square wave pattern that accommodates the strands fairly easily. To tie the coasters together and make them look more polished and commercial, [andrei] designed a holder as well.

The awesome thing about this technique is that you can do so much with it, like varying the stakes’ widths or making them diagonal instead of square. [andrei] designed these in Tinkercad using Codeblocks; of course, they are open source. Be sure to check out the assembly video after the break.

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Enhance Your Enclosures With A Shadow Line

Some design techniques and concepts from the injection molding world apply very nicely to 3D printing, despite them being fundamentally different processes. [Teaching Tech] demonstrates designing shadow lines into 3D printed parts whose surfaces are intended to mate up to one another.

This is a feature mainly seen in enclosures, and you’ve definitely seen it in all kinds of off-the-shelf products. Essentially, one half of the part has a slight “underbite” of a rim, and the other half has a slight “overbite”, with a bit of a standoff between the two. When placed together, the combination helps parts self-locate to one another, as well as providing a consistent appearance around the mating surfaces.

Why is this necessary? When a plastic part is made — such as an enclosure in two halves — the resulting surfaces are never truly flat. Without post-processing, the two not-quite-flat surfaces result in an inconsistent line with a varying gap between them.

By designing in a shadow line, the two parts will not only self-locate to each other for assembly, but will appear as a much more consistent fit. There will be a clear line between the two parts, but no actual visible gaps between them. Watch the whole thing explained in the video, embedded below.

This isn’t the only time design techniques from the world of injection molding have migrated to 3D printing. Crush ribs have been adapted to the world of 3D printed parts and are a tried-and-true solution to the problem of reliably obtaining a tight fit between plastic parts and hardware inserts.

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Better 3D Prints, Courtesy Of A Simple Mass-Produced Bracket

On the “hack/not-a-hack” scale, a 3D printed bracket for aluminum extrusions is — well, a little boring. Such connectors are nothing you couldn’t buy, and even if you insisted on printing them instead, Printables and Thingiverse are full of ready-to-use designs. So why would you waste your precious time and effort rolling your own?

According to production 3D printing company [Slant 3D], a lot of times, we forget to take advantage of the special capabilities of 3D printing. The design progression of the L-bracket shown is a perfect example; it starts as a simple L, moves on to a more elaborate gusseted design, and eventually into a sturdy sold block design that would be difficult to make with injection molding thanks to shrinkage but is no problem for a 3D printer. Taking that a step further, the bracket morphs into a socketed design, taking advantage of what 3D printers can do by coming up with a part that reduces assembly time and fastener count while making a more finished, professional look.

Again, this isn’t really about the bracket. Rather, it’s about a different way of thinking about your designs and leveraging the unique capabilities of 3D printers relative to other mass-production methods, like injection molding. We’ve covered some of [Slant 3D]’s high-volume design insights before, such as including living hinges and alternatives of pins and holes for assembling printed parts. Continue reading “Better 3D Prints, Courtesy Of A Simple Mass-Produced Bracket”

Giant 3D Printer Can Print Life-Sized Human Statues

We’ve seen a few makers 3D scan themselves, and use those to print their own action figures or statuettes. Some have gone so far as building life-sized statues composed of many 3D printed parts. [Ivan Miranda] is no regular maker though, and his custom 3D printer is big enough that he can print himself a life-sized statue in one go.

The printer is a gargantuan thing, using an aluminium frame and a familiar Cartesian layout. It boasts a build volume of 1110 mm x 1110 mm x 2005 mm, making it more than big enough to print human-sized statues. Dogs, cats, and some great apes may be possible, too.

Many of the components are 3D printed, including the various braces and adapters that hold the frame together. The build uses NEMA 23 stepper motors, with Duet3D hardware running the show. Notably, it uses V-wheels for the Z-axis, as linear rails would be prohibitively expensive at the sizes required.

[Ivan] shows off the printer by having it produce a statue of his body at 1:1 scale. It’s not a perfect print, with some layer shifts and an awkward moments where the filament supply was interrupted. It took 108 hours in total, with 76 hours of that being actual print time, and is made up of 4375 layers. Despite its flaws, its an incredibly impressive way to demonstrate the capabilities of the machine.

Eager to build such a printer for yourself? [Ivan] will sell you the design files for a reasonable fee.

[Ivan]’s giant printer was once a large tabletop affair; just look how far it’s come. He’s even come up with a system for using smaller printers to create large-scale construction kits, too. We can’t wait to see what mad project he comes up with next. Video after the break.

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3D Printer Recognizes Third-Party Build Plates, Just Make Your Own ID Codes

The Bambu X1C 3D printer is a machine known for its speed, and it has a number of useful features like automatic build platform recognition. Factory build platforms are marked with an identifier code, and thanks to [elumspe] it’s now possible to make your own identifiers to stick onto third-party platforms and have the printer recognize them as though they were factory offerings. There’s even a super handy 3D-printable alignment tool that ensures the identifier goes in the correct spot, which is a nice touch.

These codes aren’t DRM so much as they are used by the printer to automatically verify that the installed build plate matches the slicer settings before a job begins. Printing one and sticking it in the right place is an easy way to get third-party plates recognized the same as factory offerings.

The identifier codes aren’t DRM so much as they are a way for the printer to verify that the installed build platform matches the slicer settings before a print begins, and throw up a warning if it doesn’t. The printer is perfectly happy to use third-party build surfaces, but since they lack an identifier, the printer will throw a warning each time. One solution is to simply disable checking the build platform before a print, but for those who would prefer to have the printer see what it expects to see, printing a small 2D barcode to stick on is an easy way to do it.

We see these sometimes called QR codes, but they look more like AprilTags. Both are types of 2D barcode, but while QR codes can encode a variety of information types, AprilTags are simpler and usually represent identifiers. In this case, they’re an appropriate way to let a camera-enabled printer know what kind of build plate is installed.

AprilTags are common in computer vision applications, and even relatively modest hardware can detect and decode them almost in real time. AprilTags are convenient and easy to use, as this gate access system demonstrates.

Orca Slicer Is The New Game In Town

Slicers are the neat little tools that take your 3D models and turn them into G-code that your 3D printer can actually understand. They control the printing process down to the finest detail, and determine whether your prints are winners or binners. Orca Slicer is the new tool on the block, and [The Edge of Tech] took a look at what it can do.

The video explores the use of Orca Slicer with the Bambu Lab P1P and X1 Carbon. [The Edge of Tech] jumps into the feature set, noting the rich calibration tools that are built right into the software. They work with any printer, and they’re intended to help users get perfect prints time and time again, with less messy defects and print failures. It’s also set up out of the box for network printing and live updates, which is super useful for those with multiple printers and busy workflows. You can even watch camera feeds live in the app from duly equipped printers. It’s even got nifty features for calculating your filament cost per print.

If you’re not happy with your current slicer, give Orca Slicer a go. Let us know what you think in the comments. Video after the break.

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