Making A Bronze Mirror From Scratch

Although modern-day silvered glass mirrors have pretty much destroyed the market for bronze mirrors, these highly polished pieces of metal once were the pinnacle of mirror technology. Due to the laborious process required these mirrors saw use essentially only by the affluent. That said, how hard would it be to make a bronze mirror today with all of the modern technologies that even a hobbyist can acquire for their shed? Cue [Lundgren Bronze Studios] giving it a shot, starting by casting something flat-ish to start polishing.

Just getting that initial shape to start polishing is a chore, with hammering out the shape possibly being also a viable method. When casting metal it’s tricky to avoid having air bubbles and other defects forming, though using a sand mold seems to help a lot.

After you have the rough shape, polishing using power tools seems like cheating, but as you can see in the video even going from 50 to 8000 grit with a rotating disc left countless scratches. Amusingly, hand sanding did a much better job of removing the worst scratches, following which a polishing compound helped to bring out that literal mirror finish.

A quick glance at the Wikipedia entry for bronze mirrors shows that a tin-bronze alloy like speculum metal was used for thousands of years as it was much easier to polish to a good mirror finish. The metallurgy of what may seem like just a vanity item clearly goes deeper than just polishing up a metal surface.

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A dark walnut table sits in the sun in what appears to be a field. Voids in the natural wood slab have been filled with shiny bronze, and a bundle of copper wire sits upon the edge of the table in a jaunty artistic fashion.

A Different Take On The River Table Does It In Bronze

River tables are something we’ve heard decried as a passé, but we’re still seeing some interesting variations on the technique. Take this example done with bronze instead of epoxy.

Starting with two beautiful slabs of walnut, [Burls Art] decided that instead of cutting them up to make guitars he would turn his attention to a river table to keep them more intact. Given the price of copper and difficulty in casting it, he decided to trim the live edges to make a more narrow “river” to work with for the project.

Since molten copper is quite toasty and wood likes to catch on fire, he wisely did a rough finish of the table before making silicone plugs of the voids instead of pouring metal directly. The silicone plugs were then used to make sand casting molds, and a series of casting trials moving from copper to bronze finally yielded usable pieces for the table. In case that all seems too simple, there were then several days of milling and sanding to get the bronze and walnut level and smooth with each other. The amount of attention to detail and plain old elbow grease in this project is impressive.

We’ve seen some other interesting mix-ups of the live edge and epoxy formula like a seascape night light or this river table with embedded neon. And if you’re looking to get into casting, why not start small in the microwave?

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