Honey, I Ate The Camera

We like cameras here at Hackaday. We like them a lot. But until now that liking has never extended to liking their taste. A build from [Dmitri Tcherbadji] could change all that though, and he’s created a working Fuji Instax Square camera made from gingerbread.

To look at, it’s a straightforward box camera, albeit one made from sheets of gingerbread stuck together with what looks like icing. The film rests in an off-the-shelf development unit but the rest is edible, including unexpectedly the lens which is made of sugar glass. The photos it returns are definitely somewhat cloudy, but that it works at all is a significant feat.

While it’s an unconventional choice it’s clear that gingerbread, or at least a baked material similar to it, could become a useful tool in a maker’s arsenal. In this case it’s light-proof, but were instantly curious about how well a moulded piece of dough might hold its shape when baked. He reports the gingerbread expanding in the oven, however we’re guessing that tuning the quantity of raising agent could help.

Home-made cameras have featured here many times, but Instax seems to pop up most often as a hacked in replacement for obsolete Polaroid packs.

You Can Now Build Your Own Polaroid-style Pack Film Cartridge

Instant photography was one of the twentieth century’s coolest-to-have consumer inventions, but when the digital photography revolution came it had few answers. It survives as a niche format thanks to Fuji’s Instax line and a group of Dutch entrepreneurs who revived a defunct Polaroid works, but what hasn’t made it are the earlier pack and roll film formats for which the picture is revealed by peeling apart a negative and positive side. All isn’t lost though, because a small Austrian company has been producing pack film cartridges as a handmade artisan product. To reduce the cost per print they’re now available as a DIY self-assembly kit, and it’s this which [In an Instant] is taking a look at in their latest video.

The kit has enough components for eight shots, and where the original cartridge would have held multiple exposures this one can only hold one at a time. The cartridge itself is cleverly formed from folded card as opposed to the plastic and metal of the original, and the components are a relatively straightforward assembly task. It’s a fascinating window into how the Polaroid pack film process worked, with the light-sensitive layer behind a pull-away black light screen, in front of the white positive sheet and with a pouch of developer chemicals to one side. It’s in no way cheap at somewhere about 10 dollars a shot, but it’s amazing that pack film can be recreated and for enthusiasts it’s a lifeline that keeps their cameras useful.

This isn’t the first time we’ve looked at revitalising a pack film camera, but it’s a lot easier than hacking a Fuji cartridge to do the job.

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Converting A Polaroid SX70 Camera To Use 600 Film

These days, it’s possible to buy a number of different Polaroid instant cameras new off the shelf. That’s largely thanks to the retro resurgence that has buoyed interest in everything from vinyl records to analog synthesizers. However, if you’re truly old-school, you might still be rocking a vintage Polaroid SX-70 camera. Thankfully, there’s a way to convert these old rigs to work properly with the more popular modern 600 film.

The interesting thing about the SX-70 camera design is that its shutter speed and aperture setting are essentially linked together as the aperture and shutter assembly are combined into one unit with a variable tear-drop shaped opening. Thus, the timing of the shutter opening and closing and the extent to which it opens are what determines exposure and aperture.

Thankfully, [Jake Bright] has learned a lot about these unique cameras and exactly how this complex system operates. He shares his tips on firstly restoring the camera to factory-grade operation, and then the methods in which they may be converted to work with modern film. Fundamentally, it’s about changing capacitors or resistors to change the shutter/aperture timing. However, do it blindly and you’ll have little success. You first need to understand the camera’s mechanics, pneumatics, and its “Electric Eye” control system before you can get things dialed in just so.

We’ve seldom seen such a great deep dive into a camera outside of full-fat engineering documentation. [Jake] should be commended on his deep understanding and command of these fine instant cameras from yesteryear. May the Polaroid picture never die. Video after the break. Continue reading “Converting A Polaroid SX70 Camera To Use 600 Film”

Will We Ever Shake The Polaroid Picture?

Today, most of us carry supercomputers in our pockets that happen to also take instantly-viewable pictures.This is something that even the dumbest phones do, meaning that we can reasonably draw the conclusion that photographic capability has become a basic feature of everyday carry, a necessity of 21st century life.

Despite the unwashed masses of just-plain-bad photographs clouding the digital landscape, photography itself remains as important as ever so we can retain and disseminate information as history unfolds. In a sense, the more instant, the better — unless it comes at the cost of image quality. The invention of photography is on par with the printing press or with language itself in that all three allow us to communicate within our own time as well as preserve The Way Things Were in frozen silence. And no invention made vivid preservation more convenient than the instant camera.

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The Digital Polaroid SX-70

What do you do if you own an iconic and unusual camera from decades past? Do you love it and cherish it, buy small quantities of its expensive remanufactured film and take arty photographs? Or do you rip it apart and remake it as a modern-day digital camera in a retro enclosure? If you’re [Joshua Gross], you do the latter.

The Polaroid SX-70 is an iconic emblem of 1970s consumer technology chic. A true design classic, it’s a single-lens reflex design using a Polaroid instant film cartridge, and its party trick is that it’s a folding camera which collapses down to roughly the size of a pack of 1970s cigars. It was an expensive luxury camera when it was launched in 1972, and today it commands high prices as a collector’s item.

[Joshua]’s build is therefore likely to cause weeping and wailing and gnashing of teeth among vintage camera enthusiasts, but what exactly has he done? In the first instance, he’s performed a teardown of the SX-70 which should be of interest to many readers in itself. He’s removed the mirror and lens, mounted a Raspberry Pi camera behind the lens mount, and a small LCD monitor where the mirror would be.

A new plastic lens in the original lens housing completes the optics, and the electronics come courtesy of a Pi Zero, battery, and USB hub in the space where the Polaroid film cartridge would otherwise be. Some new graphics and a fresh leather cover complete the  build, giving what we’d say is a very tidy electronic Polaroid. On the software side there is a filter to correct for fisheye distortion, and the final photos have a slightly Lomographic quality from the plastic lens.

We like what he’s created with his SX-70 even if we can’t help wincing that he did it to an SX-70 in the first place. Maybe it’s less controversial when someone gives the Pi treatment to a more mundane Polaroid camera.

Adding Real Lenses To An Instant Camera

The Instax SQ6 and Fujifilm’s entire range of instant cameras are fun little boxes that produce instant photos. It’s a polaroid that’s not Polaroid, and like most instant cameras, the lenses are just one or two pieces of plastic. A lens transplant is in order, and that’s exactly what [Kevin] did to his Instax camera.

The key to this lens transplant project is to make it not look like a complete hack job. For this, [Kevin] is keeping the number of custom mechanical parts to a minimum, with just two pieces. There’s a lens shroud that screws down to the current flange on the camera’s plastic chassis, and should blend in perfectly with the rest of the camera. This demanded a significant amount of 3D modeling to get perfect. The other mechanical part is just a plastic disc with a hole in it. These parts were ordered from Shapeways and bolted to the camera with only a few problems regarding spacing and clearances. This didn’t prevent the camera from coming back together, which is when the documentation becomes fast and loose. Who could blame him: the idea of putting real lenses on an instant camera is something few can resist, and the pictures that come out of this modified camera look great.

The current state of the project with a single lens leads the camera to have an inaccurate and tunnel-like viewfinder, but a huge modification brings this project into twin-lens reflex territory. There are more modifications than camera here, but all the printed parts are documented, there are part numbers for McMaster-Carr, and the camera has full control over focusing and framing.

Instant Camera With This Year’s Hottest Dithering Technique

Digital cameras are great, because you can take thousands of pictures without running out of film. But there’s something to be said for having a tangible image you can hold in your hand. The Polaroid cameras of yesteryear were great for this, but now they’re hard to find and the price per photograph is ludicrously expensive.

dither
Dithering allows the camera to print a much better image.

Over the past few years, a few people have sought a way to create printed photographs at a lower cost. One of the best ways to do this is to find something much cheaper than Polaroid film — like thermal paper.

[Fabien-Chouteau]’s thermal printing camera isn’t the first — you’ve got the Gameboy Camera/Printer and a few others to thank for that. But it’s a great example of the form. The camera combines an Adafruit thermal receipt printer with an OpenMV camera, both easily sourced, if not exactly cheap. It even adds a ST7735 LCD for live display of the camera’s image, just like consumer-grade cameras!

It’s not just a slapped together kludge of parts bin components, however. While the thermal printer is only capable of printing black or white pixels, its resolution is much higher than the image from the camera. This allows the camera to use a 3×3 block of printed pixels to represent a single pixel from the camera, and with some fancy dithering techniques, can emulate shades of grey quite effectively. It’s tricks like this that really add polish to a project, and make a big difference to the picture quality at the end of the day.

It’s not the first thermal printer camera we’ve seen – [Ch00f]’s woodgrain instant camera build highlighted the issues of careful camera selection when pursuing this type of build.

Video after the break.

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