Choice, Control, And Interruption

March 7, 2026 by Elliot Williams 47 Comments

We were talking about [Maya Posch]’s rant on smartphones, “The Curse of the Everything Device”. Maya’s main point is that because the smartphone, or computer, can do everything, it’s hard for a person to focus down and do one thing without getting distracted, checking their whatever feed, or getting an important push notification about the Oscars. She was suggesting tying your hands to the mast by using a device that can only accommodate the one function, like a dedicated writing tool or word processor.

[Kristina Panos] compared the all-singing, all-dancing black rectangle to an everything-device of old: the all-in-one stereo receiver with built-in tape player, record player, and not just FM, but also AM radio receiver. The point being, the hi-fi device also does a whole lot of things but isn’t similarly cursed. The tape player never interrupts your listening to the AM radio station. When the record is over, it doesn’t swap over to FM. Your agency is required.

Similarly, it’s probably not intrinsically problematic that the smartphone has a camera, a web browser, text messages, and heck even a telephone built in. It’s how they interact with each other and the user, each vying for user attention, and interrupting with popups and alarms. It’s maybe a simple matter of software! (Says the hardware guy.)

Where would a distraction-free, but fully featured, phone begin? With the operating system? It would be perverse to limit you to one app at a time, or to make switching between them more cumbersome. How about turning off notifications, and relying on changing context only when you think about it? Maybe that’s a middle ground. How do you cope with the endless distractions offered to you by your smartphone? By your main computer?

The Joys Of 3D Printing

February 28, 2026 by Elliot Williams 44 Comments

Al and I were talking on the podcast today about a sweet 3D printed wide-format camera build, and we got to musing on why we 3D-print.

For Al, it’s an opportunity to experiment with 3D printing itself: tweaking his machines to get the best performance out of them. Other people make small, functional objects that they need in their daily life, like bag clips or spare parts for broken appliances. Some folks go for the ornamental or the aesthetic. The kids in my son’s class all seem obsessed with sci-fi props and fidget toys. The initial RepRap ideal was to replace all commercial fabrication with machines owned by the individual, rather than by companies – it was going to be Marxist revolutionary.

But there’s another group of 3D printer enthusiasts that I think doesn’t get enough coverage, and I’m going to call them the hobbyist industrial designers. These are the people who design a custom dog-poop-bag holder that exactly fits their extra-wide dog leash, not because they couldn’t find one that fit in the pet store, but because it’s simply fun to design and fabricate things. (OK, that’s literally me.)

It’s fun to learn CAD tools, to learn about how things are designed, how they work, and how to manufacture them at least in quantity one. Dreaming, designing, fabricating, failing, and repeating until you get it right is a great joy. And then you get to use the poop-bag holder every day for a few years, until you decide to refine the design and incorporate the lessons learned on the tough streets of practical use.

Of course none of this is exclusive to 3D printing. There were always people who designed-and-built things in the metal machine shop, or made their creations out of wood. In that sense, the 3D printer is just another tool, and the real fun isn’t in using the 3D printer, but rather in the process of bringing things out of your mind and into the world. So maybe there is nothing new here, but the latitude that 3D printing affords the hobby designer is amazing, and that makes it all the more fun, and challenging.

So do you 3D print for necessity, to stick it to the man, to pimp your printer, for the mini-figs, or simply for the joy of the process of making things? It’s all good. 3D printing is a big tent.

In Praise Of The Proof Of Concept

February 21, 2026 by Elliot Williams 11 Comments

Your project doesn’t necessarily have to be a refined masterpiece to have an impact on the global hacker hivemind. Case in point: this great demo of using a 64-point time-of-flight ranging sensor. [Henrique] took three modules, plugged them into a breadboard, and wrote some very interactive Python code that let him put them all through their paces. The result? I now absolutely want to set up a similar rig and expand on it.

That’s the power of a strong proof of concept, and maybe a nice video presentation of it in action. What in particular makes [Henrique]’s POC work is that he’s written the software to give him a number of sliders, switches, and interaction that let him tweak things in real time and explore some of the possibilities. This exploratory software not only helped him map out what directions to go, but they also work in demo mode, when he’s showing us what he has learned.

But the other thing that [Henrique]’s video does nicely is to point out the limitations of his current POC. Instantly, the hacker mind goes “I could work that out”. Was it strategic incompleteness? Either way, I’ve been nerd-sniped.

So are those the features of a good POC? It’s the bare minimum to convey the idea, presented in a way that demonstrates a wide range of possibilities, and leaving that last little bit tantalizingly on the table?

Honor Thy Error

February 14, 2026 by Elliot Williams 24 Comments

Musician Brian Eno’s Oblique Strategies are like a Tarot card deck full of whimsical ideas meant to break up a creative-block situation, particularly in the recording studio. They’re loads of fun to pick one at random and actually try to follow the advice, as intended, but some of them are just plain good advice for creatives.

One that keeps haunting me is “Honor thy error as a hidden intention”, which basically boils down to taking a “mistake” and seeing where it leads you if you had meant to do it. I was just now putting the finishing touches on this week’s Hackaday Podcast, and noticed that we have been honoring a mistake for the past 350-something shows. Here’s how it happened.

When Mike and I recorded the first-ever podcast, I had no idea how to go about doing it. But I grew up in Nashville, and know my way around the inside of a music studio, and I’ve also got more 1990s-era music equipment than I probably need. So rather than do the reasonable thing, like edit the recording on the computer, we recorded to an archaic Roland VS-880 “Digital Studio” which is basically the glorified descendant of those old four-track cassette Portastudios.

If you edit audio in hardware, you can’t really see what you’re doing – you have to listen to it. And so, when I failed to notice that Mike and I were saying “OK, are you ready?” and “Sure, let’s go!”, it got mixed in with the lead-in music before we started the show off for real. But somehow, we said it exactly in time with the music, and it actually sounded good. So we had a short laugh about it and kept it.

And that’s why, eight years later, we toss random snippets of conversations into the intro music to spice it up. It was a mistake that worked. Had we been editing on the computer, we would have noticed the extra audio and erased it with a swift click of the mouse, but because we had to go back and listen to it, we invented a new tradition. Honor thy error indeed.

Secret Ingredients

January 31, 2026 by Elliot Williams 18 Comments

We were talking on the podcast about rope. But not just any rope – especially non-stretchy rope for using in a mechanical context. The hack in question was a bicycle wheel that swapped out normal metal spokes for lighter and stronger high-density polypropylene weave, and if you can tension up a bike wheel and ride it around, you know it’s not your garden-variety twine.

Now, it just so happens that I’ve got basically the same stuff in my parts drawer: some 1 mm diamaeter Dyneema-brand rope. This is an amazing material. It’s rated to a breaking strength of 195 kg (430 lbs) yet it weighs just under one gram per meter, and if you buy the pre-stretched variant, it’s guaranteed to stretch less than 1% of its length under load. It’s flexible, wears well, and is basically in every way superior to braided steel wire.

It’s nearly magical, and it’s just what you need if you’re making a cable robot or anything where the extreme strength and non-elongation characteristic are important. It’s one of those things that there’s just no substitute for when you need it, and that’s why I have some in my secret-ingredients drawer. What else is in there? Some high-temperature tape, low-temperature solder, and ultra-light-weight M3 PEEK screws for airplane building.

But our conversation got me thinking about the parts, materials, and products that are unique: for which there is just no reasonable substitute. I’m sure the list gets longer the more interesting projects or disciplines that you’re into. What are your secret ingredients, and what’s the specific niche that they fit into?

Crazy Old Machines

January 24, 2026 by Elliot Williams 43 Comments

Al and I were talking about the IBM 9020 FAA Air Traffic Control computer system on the podcast. It’s a strange machine, made up of a bunch of IBM System 360 mainframes connected together to a common memory unit, with all sorts of custom peripherals to support keeping track of airplanes in the sky. Absolutely go read the in-depth article on that machine if it sparks your curiosity.

It got me thinking about how strange computers were in the early days, and how boringly similar they’ve all become. Just looking at the word sizes of old machines is a great example. Over the last, say, 40 years, things that do computing have had 4, 8, 16, 32, or even 64-bit words. You noticed the powers-of-two trend going on here, right? Basically starting with the lowly Intel 4004, it’s been round numbers ever since.

On the other side of the timeline, though, you get strange beasts. The classic PDP-8 had 12-bit words, while its predecessors the PDP-6 and PDP-1 had 36 bits and 18 bits respectively. (Factors of six?) There’s a string of military guidance computers that had 27-bit words, while the Apollo Guidance computer ran 15-bit words. UNIVAC III had 25-bit words, putting the 23-bit Harvard Mark I to shame.

I wasn’t there, but it gives you the feeling that each computer is a unique, almost hand-crafted machine. Some must have made their odd architectural choices to suit particular functions, others because some designer had a clever idea. I’m not a computer historian, but I’m sure that the word lengths must tell a number of interesting stories.

On the whole, though, it gives the impression of a time when each computer was it’s own unique machine, before the convergence of everything to roughly the same architectural ideas. A much more hackery time, for lack of a better word. We still see echoes of this in the people who make their own “retro” computers these days, either virtually, on a breadboard, or emulated in the fabric of an FPGA. It’s not just nostalgia, though, but a return to a time when there was more creative freedom: a time before 64 bits took over.

Get Bored!

January 17, 2026 by Elliot Williams 40 Comments

My son went over to a friends house this afternoon, when my wife had been planning on helping him with his French homework. This meant she had an hour or so of unexpected free time. Momentarily at a loss, she asked me what she should do, and my reply was “slack off”, meaning do something fun and creative instead of doing housework or whatever. Take a break! She jokingly replied that slacking off wasn’t on her to-do list, so she wouldn’t even know how to start.

But as with every joke, there’s more than a kernel of truth to it. We often get so busy with stuff that we’ve got to do, that we don’t leave enough time to slack, to get bored, or to simply do nothing. And that’s a pity, because do-nothing time is often among the most creative times. It’s when your mind wanders aimlessly that you find inspiration for that upgrade to the z-stage on your laser cutter, or whatever the current back-burner project of the moment is.

You don’t get bored when you’re watching TV, playing video games, or scrolling around the interwebs on your phone, and it’s all too easy to fall into these traps. To get well and truly bored requires discipline these days, so maybe putting “slack” into your to-do list isn’t a bad idea after all. My wife was right! And that’s why I volunteered to take my son to parkour on Sundays – it’s and hour of guaranteed, 100% uninterruptible boredom. How do you make sure you get your weekly dose of slack?