Reverse-Engineering Aleratec CD Changers For Archival Use

Handling large volumes of physical media can be a bit of a chore, whether it’s about duplication or archiving. Fortunately this is a perfect excuse for building robotic contraptions, with the robots for handling optical media being both fascinating and mildly frustrating. When [Shelby Jueden] of Tech Tangents fame was looking at using these optical media robots for archival purposes, the biggest hurdle turned out to be with the optical drives, despite these Aleratec units being primarily advertised for disc duplication.

Both of the units are connected to a PC by USB, but operate mostly standalone, with a documented protocol for the basic unit that makes using it quite easy to use for ripping. This is unlike the larger, triple-drive unit, which had no documented protocol. This meant having to sniff the USB traffic that the original, very limited, software sends to the robot. The protocol has now been documented and published on the Tech Tangents Wiki for this Aleratec Auto Publisher LS.

Where [Shelby] hit a bit of a brick wall was with mixed-media discs, which standalone DVD players are fine with, but typical IDE/SATA optical drives often struggle with. During the subsequent search for a better drive, the internals of the robot were upgraded from IDE to SATA, but calibrating the robot for the new drives led [Shelby] down a maddening cascade of issues. Yet even after making one type of drive work, the mixed-media issue reared its head again with mixed audio and data, leaving the drive for now as an imperfect, but very efficient, ripper for game and multimedia content, perhaps until the Perfect Optical Drive can be found.

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Why Did Early CD-ROM Drives Rely On Awkward Plastic Caddies?

These days, very few of us use optical media on the regular. If we do, it’s generally with a slot-loading console or car stereo, or an old-school tray-loader in a desktop or laptop. This has been the dominant way of using consumer optical media for some time.

Step back to the early CD-ROM era, though, and things were a little kookier. Back in the late 1980s and early 1990s, drives hit the market that required the use of a bulky plastic caddy to load discs. The question is—why did we apparently need caddies then, and why don’t we use them any longer?

Caddyshack

Early CD players, like this top-loading Sony D-50, didn’t use caddies. Credit: Binarysequence, CC BY-SA 4.0

The Compact Disc, as developed by Phillips and Sony, was first released in 1982. It quickly became a popular format for music, offering far higher fidelity than existing analog formats like vinyl and cassettes. The CD-ROM followed in 1985, offering hundreds of megabytes of storage in an era when most hard drives barely broke 30 MB. The discs used lasers to read patterns of pits and lands from a reflective aluminum surface, encased in tough polycarbonate plastic. Crucially, the discs featured robust error correction techniques so that small scratches, dust, or blemishes wouldn’t stop a disc from working.

Notably, the first audio CD player—the Sony CDP-101—was a simple tray-loading machine. Phillips’ first effort, the CD100, was a top-loader. Neither used a caddy. Nor did the first CD-ROM drives—the Phillips CM100 was not dissimilar from the CD100, and tray loaders were readily available too, like the Amdek Laserdrive-1. Continue reading “Why Did Early CD-ROM Drives Rely On Awkward Plastic Caddies?”

End Of An Era: Sony Cuts Production Of Writable Optical Media

The 1990s saw a revolution occur, launched by the CD burner. As prices of writeable media and drives dropped, consumers rushed to duplicate games, create their own mix CDs, and backup their data on optical disc. It was a halcyon time.

Fast forward to today, and we’re very much on downward curve when it comes to optical media use. Amidst ever-declining consumer interest, Sony has announced it will cut production of writeable optical media. Let’s examine what’s going on, and explore the near future for writable optical discs.

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