Stereolithography Goes Big

When it comes to hobby-level 3D printing, most of us use plastic filament deposited by a hot end. Nearly all the rest are using stereolithography — projecting light into a photosensitive resin. Filament printers have typical build volumes ranging from 1,000 to 10,000 cubic centimeters and even larger isn’t unusual. By contrast, SLA printers are often much smaller. A 1,200 CC SLA printer is typical and the cheaper printers are sometimes as little as 800 CCs. Perhaps that’s why [3D Printing Nerd] (otherwise known as [Joel]) was excited to get his hands on a Peopoly Phenom which has a build area of over 17,000 CCs. You can see the video review, below.

He claims that it is even bigger than a Formilab 3L, although by our math that has a build volume of around 20,000 CCs. On the other hand, the longest dimension on the Peopoly is 40 cm which is 6.5 cm longer than the 3L, so maybe that’s what he means. Either way, the printer is huge. That’s nearly 16 inches which is big even for a filament printer. Regardless of which one is bigger, the Peopoly is certainly much less expensive coming in at around $1,800 versus the 3L’s almost $10,000 price tag.

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Creating A 2D Film With 3D Printed Frames

In the early days of film, there was a time when French 3D Cinema was called “Relief Cinema”. The word, Relief, however brings the idea of something physical to mind when we hear it, which is why the name was later tweaked to include the more intangible term, 3D. Playing on this fact, French Artist [Julien Maire] has designed and built an over-sized projector for his installation titled “Relief“, that creates an animation by passing light through a series of individual 3D vignettes.

[Julien’s] intricately built projection reel in itself is an impressive mechanical feat, arguably out-staging the image it exists to produce on the wall of the gallery space. The eighty-five individual frames that create the short clip of a man digging a hole in the ground, consist of small figurines made with a stereo lithography printer. The semi-transparent nature of the resin used by the SLA printer gives the shadow cast by the projector a series of foggy-values that create a three dimensional appearance instead of merely casting a silhouette of the shape. This installation blends new and old technologies together to produce something we’re familiar with, but leaves us admiring an object that we’ve never seen before.


[Julien’s] “Relief” is currently being exhibited at iMAL (interactive Media Art Laboratory in Brussels) which will run throughout the month of October. If you happen to find yourself on a long stay in Europe before the Hardware Workshop in Munich, you could make a pitstop and check it out!